Gbolahan Obisesan

Last updated

Gbolahan Obisesan
Born
Alma mater London Guildhall University
Occupations
  • Director
  • Writer
Notable workMad About the Boy

Gbolahan Obisesan is a British Nigerian writer and director. He was the Artistic Director and Joint CEO at Brixton House theatre. He has served as a Genesis Fellow and Associate Director at the Young Vic.

Contents

Early life

Obisesan was born in Nigeria and moved to the UK when he was 9 years old. [1] [2] He grew up in Bermondsey and New Cross. [2] He attended Southwark College, where he earned a Distinction in Communication & Visual Design in 2000. He later completed a Bachelor's degree in Communication and Visual Studies at London Guildhall University and was involved with the National Youth Theatre. [3]

Career

Obisesan has served as a writer, actor and director. [4] He won the Jerwood Directors Award from the Young Vic for Sus in 2010. [4] In 2011 Obisesan's play Mad About the Boy won the Fringe First for best play. [5] It was published by Nick Hern Books. [6] He directed four plays for epic 66 books at the Bush Theatre. [7] It went on to tour the Unicorn Theatre, Royal Court Theatre and Bush Theatre. [5] He was the only British writer for Rufus Norris's Feast at the Royal Court Theatre in 2013. [8] Obisesan adapted Pigeon English by Stephen Kelman for the Bristol Old Vic in 2013. [9] The production was taken to the Edinburgh Festival Fringe, where it was described as "theatre made by young people, about young people, for everybody". [9] He wrote and directed How Nigeria Became: A Story, and A Spear That Didn't Work, which ran at the Unicorn Theatre in 2014. [10] The play commemorated the centenary of Nigeria and was nominated as one of the Best Productions for Young People in the OffWestEnd Theatre Awards. [10] [11] He was made the Young Vic Genesis Fellow in 2015. [12] [13]

In 2016 Obisesan directed Charlene James's Cuttin'it, which premiered at the Young Vic before touring to Birmingham Repertory Theatre, Royal Court Theatre, Crucible Theatre and London's Yard Theatre [14] [15] In 2017 it was nominated for a Laurence Olivier Award for Outstanding Achievement in Affiliate Theatre. [16] His latest production,The Fishermen is an adaption of the novel by Chigozie Obioma. [17] It debuted at HOME theatre in Manchester, UK, in 2018. [18]

Obisesan was made artistic director at the Brixton House (formerly Ovalhouse) theatre in January 2020 and left in January 2023. [19] [20] [21] In the wake of the George Floyd murder and the associated protests, Obisesan called for British theatre to become more inclusive. [22] At the time, less than 5% of London theatre employees were black and minority ethnic, whilst the population of London are 40%. [22] In an interview with The Guardian, Obisesan said, “perpetuating whiteness across institutions and organisations can no longer be the norm,”. [23]

Directing and writing

References

  1. "Obisesan; Gbolahan | BPA". www.blackplaysarchive.org.uk. Archived from the original on 11 August 2018. Retrieved 11 August 2018.
  2. 1 2 3 4 5 6 "Gbolahan Obisesan: 'You have to give the story to the people'". the Guardian. 25 September 2019. Retrieved 5 January 2021.
  3. "Interview with Open Door founder David Mumeni | There's a place in this industry for everyone | National Youth Theatre". www.nyt.org.uk. Retrieved 11 August 2018.
  4. 1 2 "Gbolahan Obisesan - Royal Court". Royal Court. Retrieved 11 August 2018.
  5. 1 2 3 Obisesan, Gbolahan (2012). "Mad About the Boy". doi:10.5040/9781784602932.00000002. ISBN   9781784602932.{{cite book}}: Missing or empty |title= (help)
  6. Oladipo, Obisesan (2010). Living without AIDS. AuthorHouse. ISBN   9781452006536. OCLC   610166174.
  7. "Gbolahan Obisesan - The Agency". The Agency. Retrieved 11 August 2018.
  8. "Feast (Young Vic) - Royal Court". Royal Court. Retrieved 11 August 2018.
  9. 1 2 3 "Pigeon English". Twisted Theatre. Archived from the original on 11 August 2018. Retrieved 11 August 2018.
  10. 1 2 3 "How Nigeria Became: A story, and a spear that didn't work - Unicorn Theatre". www.unicorntheatre.com. Retrieved 11 August 2018.
  11. "Interview: Gbolahan Obisesan, Director, 'We Are Proud...'". Whats On Africa. 24 February 2014. Retrieved 11 August 2018.
  12. "Nick Hern Books | About Gbolahan Obisesan". Nick Hern Books. Retrieved 11 August 2018.
  13. "Young Vic appoints director Gbolahan Obisesan as Genesis fellow | News | The Stage". The Stage. 1 July 2015. Retrieved 11 August 2018.
  14. "CUTTIN' IT". Archived from the original on 11 August 2018. Retrieved 11 August 2018.
  15. "Cuttin' It directed by Young Vic Genesis Fellow Gbolahan Obisesan". www.genesisfoundation.org.uk. Archived from the original on 11 August 2018. Retrieved 11 August 2018.
  16. "Here - The Royal Court Theatre". studylib.net. Retrieved 11 August 2018.
  17. "The Fishermen - HOME". HOME. Retrieved 11 August 2018.
  18. 1 2 "Production details". www.newperspectives.co.uk. Retrieved 11 August 2018.
  19. Urban, Mike (5 March 2020). "Ovalhouse Theatre announce name change to Brixton House, and appoint new artistic director, Gbolahan Obisesan". Brixton Buzz. Retrieved 5 January 2021.
  20. "Congratulations to Gbolahan Obisesan, new Artistic Director of Brixton House, formerly Ovalhouse". Alfred Fagon Award. 6 March 2020. Retrieved 5 January 2021.
  21. "Interview: Ovalhouse Theatre's artistic director Gbolahan Obisesan on Brixton's 'startling stories' | SWLondoner". South West Londoner. 29 March 2020. Retrieved 5 January 2021.
  22. 1 2 "Brixton House director joins call for anti-racist theatres". Brixton Blog. 2 July 2020. Retrieved 5 January 2021.[ permanent dead link ]
  23. 1 2 "Gbolahan Obisesan: give BAME talent trust and theatre will thrive". the Guardian. 9 June 2020. Retrieved 5 January 2021.
  24. Billington, Michael (10 June 2010). "Theatre review | Sus | Young Vic, London". the Guardian. Retrieved 11 August 2018.
  25. "Mad About the Boy". www.bushtheatre.co.uk. Retrieved 11 August 2018.
  26. 1 2 "Guardian and Royal Court announce Off the Page - a unique series of 'microplays' uniting journalism and theatre". the Guardian. 17 November 2014. Retrieved 11 August 2018.
  27. 1 2 "Zaida and Aadam". www.bushtheatre.co.uk. Retrieved 11 August 2018.
  28. Dickson, Andrew (27 January 2015). "Walking the Tightrope review – playlets that probe politics and art". the Guardian. Retrieved 11 August 2018.
  29. Gardner, Lyn (31 May 2016). "Cuttin' It review – streetwise drama evolves into fierce FGM statement". the Guardian. Retrieved 11 August 2018.
  30. "Cuttin' It". Young Vic website. 19 May 2016. Retrieved 11 August 2018.
  31. The Fishermen Trailer Edinburgh (2018), 2 August 2018, retrieved 11 August 2018
  32. "SS Mendi: Dancing the Death Drill review – tragic history stunningly sung". the Guardian. 6 July 2018. Retrieved 5 January 2021.