Germain Green Glidden (December 5, 1913 – February 11, 1999) was an American national squash champion, painter, muralist, cartoonist and founder of the National Art Museum of Sport.
Glidden was born in Binghamton, New York, raised in Englewood, New Jersey and attended both Phillips Exeter Academy and Harvard University. After graduating, he studied at Art Students League of New York and the Metropolitan Museum of Art and when World War II erupted, he joined U.S. Navy as a naval officer, stationed in Hawaii. Following the war, Glidden became a portrait artist. His works were and still are displayed at various national museums, including; the National Churchill Library and Center, the Fogg Museum and national halls of fame of baseball, basketball and tennis. The Portraits of Ronald Reagan and George H. W. Bush that he painted during his lifetime were later commissioned to be included into the National Art Museum of Sport, of which he was a founder. [1]
During his years as a squash player, Glidden had won the Metropolitan Doubles in 1947 (with John J. Smith) [2] as well as many national titles in intercollegiates (1935-1936), singles (1936-1938) doubles (1952) and veterans (1953 and 1955–1956), retiring undefeated. He died at the age of 85 in Norwalk Hospital, while residing in Silvermine, Connecticut [1] and was buried at the Worthington Center Cemetery.
Emanuel Gottlieb Leutze was a German American history painter best known for his 1851 painting Washington Crossing the Delaware. He is associated with the Düsseldorf school of painting.
Paul Cézanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century.
Edgar Degas was a French Impressionist artist famous for his pastel drawings and oil paintings.
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.
Henri Langlois was a French film archivist and cinephile. A pioneer of film preservation, Langlois was an influential figure in the history of cinema. His film screenings in Paris in the 1950s are often credited with providing the ideas that led to the development of the auteur theory.
John Gutzon de la Mothe Borglum was an American sculptor best known for his work on Mount Rushmore. He is also associated with various other public works of art across the U.S., including Stone Mountain in Georgia, the statue of Union General Philip Sheridan in Washington, D.C., as well as a bust of Abraham Lincoln which was exhibited in the White House by Theodore Roosevelt and which is now held in the United States Capitol crypt in Washington, D.C.
Thomas Sully was an American portrait painter. Born in Great Britain, he lived most of his life in Philadelphia, Pennsylvania. He painted in the style of Thomas Lawrence. His subjects included national political leaders such as United States presidents: Thomas Jefferson, John Quincy Adams, and Andrew Jackson, Revolutionary War hero General Marquis de Lafayette, and many leading musicians and composers. In addition to portraits of wealthy patrons, he painted landscapes and historical pieces such as the 1819 The Passage of the Delaware. His work was adapted for use on United States coinage.
Irving Penn was an American photographer known for his fashion photography, portraits, and still lifes. Penn's career included work at Vogue magazine, and independent advertising work for clients including Issey Miyake and Clinique. His work has been exhibited internationally and continues to inform the art of photography.
Paul Cadmus was an American artist widely known for his egg tempera paintings of gritty social interactions in urban settings. He also produced many highly finished drawings of single nude male figures. His paintings combine elements of eroticism and social critique in a style often called magic realism.
John Quincy Adams Ward was an American sculptor, whose most familiar work is his larger than life-size standing statue of George Washington on the steps of Federal Hall National Memorial in New York City.
Chester Harding was an American portrait painter known for his paintings of prominent figures in the United States and England.
Chris Walker is a male squash coach and former professional squash player from England.
Jean-Joseph Benjamin-Constant, born Jean-Joseph Constant, was a French painter and etcher best known for his Oriental subjects and portraits.
Henry Tonks, FRCS was a British surgeon and later draughtsman and painter of figure subjects, chiefly interiors, and a caricaturist. He became an influential art teacher.
Stephen Arnold Douglas Volk was an American portrait and figure painter, muralist, and educator. He taught at the Cooper Union, the Art Students League of New York, and was one of the founders of the Minneapolis School of Fine Arts. He and his wife Marion established a summer artist colony in western Maine.
The National Art Museum of Sport (NAMOS) was a fine art museum that focused on a sport theme. Sport art captures emotion: the anxiety of competition, the joy of winning, the agony of defeat. It depicts internal conflict: the pitting of honor and sportsmanship versus the desire to win, or the struggle to maintain resolve in the face of overwhelming odds, pain and fatigue. Whether one thinks of the athletic contests portrayed in Greek vase painting and sculpture, the epic hunts that form the subjects of so many great medieval tapestries and manuscript pages, or the elegant horse-racing scenes of Fay Moore and Marilyn Newmark, depicting sport has inspired artists particularly those who want to capture the motion and emotion of sport. In America, a country celebrated for hard work and hard play, sport art has had an especially vigorous history. Many of the most renowned artists- Thomas Eakins, Winslow Homer, and George Bellows-were active sports persons themselves and numbered among their friends leading athletes, fishermen and hunters. For them, as for many others, the multifaceted drama of sport was both a challenge and inspiration, the generating force that led to unforgettable works.
John William Hill or often J.W. Hill was a British-born American artist working in watercolor, gouache, lithography, and engraving. Hill's work focused primarily upon natural subjects including landscapes, still lifes, and ornithological and zoological subjects. In the 1850s, influenced by John Ruskin and Hill's association with American followers of the Pre-Raphaelite Brotherhood, his attention turned from technical illustration toward still life and landscape.
Sir Richard Brinsley Ford was a British art historian, scholar, and collector. He inherited a large collection of art from his family and was himself an avid collector. A drawing that he purchased in 1936 was sold by his estate for $12 million in 2000. Ford was the director of the Burlington Magazine, president of Walpole Society and chaired the National Art Collections Fund. During World War II he was a Troop Sergeant-Major in the Royal Artillery and then served in the military intelligence organisation, MI9.
George Washington, also entitled George Washington and William Lee, is a full-length portrait in oil painted in 1780 by the American artist John Trumbull during the American Revolutionary War. General George Washington stands near his enslaved servant William Lee, overlooking the Hudson River in New York, with West Point and ships in the background. Trumbull, who once served as an aide-de-camp to Washington, painted the picture from memory while studying under Benjamin West in London. He finished it before his arrest for high treason in November. The portrait, measuring 36 in × 28 in, is on view in Gallery 753 at the Metropolitan Museum of Art in New York City. Originally in the possession of the de Neufville family of the Netherlands, it was bequeathed to the museum by Charles Allen Munn in 1924.
General George Washington at Trenton is a large full-length portrait in oil painted in 1792 by the American artist John Trumbull of General George Washington at Trenton, New Jersey, on the night of January 2, 1777, during the American Revolutionary War. This is the night after the Battle of the Assunpink Creek, also known as the Second Battle of Trenton, and before the decisive victory at the Battle of Princeton the next day. The artist considered this portrait "the best certainly of those which I painted." The portrait is on view at the Yale University Art Gallery in New Haven, Connecticut, an 1806 gift of the Society of the Cincinnati in Connecticut. It was commissioned by the city of Charleston, South Carolina, but was rejected by the city, resulting in Trumbull painting another version.