Silvermine | |
---|---|
Coordinates: 41°09′05″N73°26′42″W / 41.15139°N 73.44500°W | |
Country | United States |
U.S. state | Connecticut |
County | Fairfield |
NECTA | Bridgeport-Stamford-Norwalk |
Region | Western CT |
City | Norwalk |
Elevation | 34 m (112 ft) |
Time zone | UTC-5 (Eastern) |
• Summer (DST) | UTC-4 (Eastern) |
Area code(s) | 203/475 |
GNIS feature ID | 210867 [1] |
Silvermine is an unincorporated community in Fairfield County, Connecticut, United States [1] that extends along the Silvermine River, across three southwestern Connecticut towns: Norwalk, New Canaan and Wilton. [2]
The name "Silvermine" comes from old legends of a silver mine in the area, although no silver has ever been found. Silvermine, the nearest (50 miles) to New York City of the larger art colonies, [3] remains the home of the Silvermine Guild Arts Center. The Silvermine Tavern, an inn occupying several historic buildings, also remains in the neighborhood. Silver Hill Hospital is just beyond the northern end of the neighborhood, in New Canaan near the Wilton border. There are two Silvermine community groups: The Silvermine Community Association and the Norwalk Association of Silvermine Homeowners.
Silvermine, once called Silver Mine, may have been well-settled by the late seventeenth century. [6] In the eighteenth century, the Silvermine River was used for 12 or 13 mills in the neighborhood because it fell steeply enough for the water power to be profitably harnessed. The mills included a leather tanning works, sawmill, and spool works. [7] First built in 1688 on the Silvermine River in Silvermine, Connecticut, the Buttery Sawmill burned down and was rebuilt in 1741. [8]
In 1899, the present Perry Avenue Bridge was constructed. The one-lane stone bridge carries the road over Silvermine River near the Silvermine Tavern grist mill. In the flood of 1955, water flowed over the bridge. The span was put on the National Register of Historic Places in October 2006. That year one of the bridge's curbstones fell into the water, and for the six months before Memorial Day weekend in 2008 the span was closed as repairs were made. The bridge is so narrow that when at times when cars try to pass another, curbstones can be hit. The Norwalk city government spent $350,000 in repairs, which included masonry restoration, new railings, repaving and further narrowing so that drivers would not be tempted to try to pass. A parade with antique cars was held to celebrate the reopening of the bridge. [9]
In 1906, Solon Hannibal Borglum, a sculptor, moved to the New Canaan part of Silvermine [10] and built a hillside studio. He was one of the leading figures in an emerging community of artists in the neighborhood and helped found the "Knockers Club", so named because when they would meet in Borglum's studio and discuss their art, a lot of frank criticism came out, knocking one another's work, [10] they soon were known as The Silvermine Group of Artists. [11]
In 1911, Frank Townsend Hutchens purchased The Old Mill House, The Guthrie-Hutchens Barn, The Blacksmith/Basket Shop, the White Mill (later called the original Village Room [4] ), and The Red Mill [4] (Guthrie Knob Mill). [12]
John Kenneth Byard, the husband of the artist Dorothy Randolph Byard, and a major antique dealer and expert on Colonial-era furniture, purchased 83 (to over 100) acres in Norwalk, New Caanan and Wilton. [12] He also was instrumental in selling and financing other properties in Silvermine. [12]
The retail stores along Silvermine Avenue were : Frank Buttery's Country Department Store, the Hyatt-Gregory Store, a barber shop, Guthrie’s meat business (now the Silvermine Market), and Mrs. Loudon’s combined Post Office and grocery. [4]
"However vague and undefined as a geographical locality the place called Silvermine, Connecticut may be, there is nothing undefined or vague about the Silvermine Group of Artists. This group is a very definite thing, simply organized, with its purpose clearly stated, holding weekly meetings, admitting to membership only professional artists, and requiring for admission of new members a unanimous vote, maintaining independence, needing no patronage nor asking any. Its weekly meetings held in the hilltop studio of Solon Borglum, the sculptor, are not for relaxation. On the contrary, the member who brings his work to these meetings, as all members are not privileged to do, knows that he is sure of frank and competent criticism, which while it may not augment self-esteem it is very likely to result in self-improvement…There is therefore no lack of good pictures for the jury to select from when the time comes for the annual exhibition." [11] Christian Science Monitor, 4 September 1915
In 1918, after WW1, in New York City, Solon Borglum opened a studio and founded the School of American Sculpture, closing upon his death. [13]
In 1922, after Borglum's appendicitis death, [14] the survivors founded the Silvermine Guild, the country’s longest-operating guild, [15] and one of the largest and oldest art centers in New England. John Kenneth Byard purchased the original barn for the Silvermine Guild of Artists, [12] and had it moved to Silvermine Avenue, becoming the studio, exhibition and performance space for the next two decades. [14]
In 1924, the incorporated Silvermine Art Guild/Silvermine Guild of Artists (by 2024, the Silvermine Arts Center) founded the Silvermine College of Art. [16]
Other artists in the group/neighborhood included: George Avison (writer, illustrator, landscape painter), Edmund Marion Ashe (1867-1941, a painter and an illustrator for New York-based newspapers), D. Putnam Brinley, William Boring (1859-1937, an architect and the Dean of Columbia School of Architecture), John Cassell, Richard Daggy, Johnny Gruelle (artist and creator of Raggedy Ann), Frank Townsend Hutchens (1869-1937, a portrait and landscape painter [12] [17] [18] ), Henry Grinnell Thomson (1850-1937, a painter of detailed still lifes), Howard L. Hildebrandt (1872-1958, a nationally recognized portrait, flora and landscape painter), Cornelia Ellis Hildebrandt (1876-1962, an award-winning miniaturist), Adele Klaer, E. Murray MacKay, Augustus Daggy, Clifton Meek, Addison Thomas Millar (1860-1913, Orientalist painter from Warren, Ohio), Sam Otis and Carl Schmitt. [4] [15] [10]
Later members included D. Putnam Brinley (1879-1963, an impressionist and post-impressionist painter, muralist and early modernist), Hamilton Hamilton (1847-1928 a portrait and landscape artist), Leo Francis Dorn (1879-1964, commercial illustrator), and Frederick Coffay Yohn (1875-1933, commercial illustrator), Richard Buckner Gruelle (1851-1914), a tonalist landscape artist, father of Johnny Gruelle), Bernard Gutmann (1869-1936, impressionist and post-impressionist painter, printmaker and illustrator), Karl James Anderson (artist) (1874-1956), Helen Hamilton (1889-1970), and Charles Reiffel (1862-1942). [15]
During the Second World War, most of the Guild properties were taken over by Civil Defense and the local chapter of the American Red Cross, the Barn was used for classroom space for returning war veterans. From 1943 to the end of the war, artists were paid for their work in war bonds at the Guild's Annual War Bond Exhibition. [19]
In 1955, heavy rains caused the flooding of the Silvermine River, mostly destroying the Buttery Mill, with a section of the building used in a new secondary building, but it was never again used as a mill, ending its longest continuous usage as a mill in the history of the United States. [20] Margaret Bourke White took photographs of the 1955 flood for Life Magazine. [20]
In 1959, Spain Rodriguez left the Silvermine College of Art. [21]
Starting in 1962, for ten years, the Silvermine Art Guild operated the Silvermine College of Art as an accredited two-year educational institution. [22]
In 1929, John Kenneth Byard [12] started running the Silvermine Tavern, a tavern, restaurant and inn with 11 overnight rooms. The group of four historic buildings overlooking the mill falls on the Silvermine River consists of the grist mill building, the oldest, constructed in the seventeenth century, the tavern building, the coach house and the country store. [23]
In the 1930s, actor Spencer Tracy frequently stayed in Silvermine and purportedly "holds the record for eating the most waffles at one sitting" at the old Grist Mill, when that building was a waffle shop. [7]
In 1948 the tavern changed hands and was run by I.M. Weiss until, in 1973, Frank and Marsha Whitman took over the tavern. In 2007 the Whitmans announced they were selling it, with an asking price of $4.5 million, notifying their patrons about the sale with letters to longtime, loyal customers in an attempt to find a buyer who valued the traditions of the local institution, although the marketing was also going beyond that group to restaurateurs in Fairfield County and New York City. The business had 35 employees. [23]
The president of the Connecticut Restaurant Association said in early 2007 that the tavern is a venerable institution, with loyal patrons who would not want dramatic changes to it. Brian Griffin, vice president of the Greater Norwalk Chamber of Commerce, called the business "one of the true New England taverns that we have left in the area, and it's absolutely a part of the neighborhood." [23]
Aside from being a restaurant, Silvermine Tavern was a popular place for weddings and wedding receptions, as well as other private functions. It was also well known in the community for their Sunday Brunch. In recent years the restaurant's honey buns were popular. [23]
The Silvermine Tavern closed on February 22, 2009, and subsequently the property was placed on the market for sale. The business re-opened for inn customers in 2010, but the restaurant remained closed to the general public. In 2012, the entire property was again placed on the market for sale. [24] [25]
In 2003, the Norwalk Association of Silvermine Homeowners [26] began a campaign to get the neighborhood recognized on the National Register of Historic Places. For years, the association wanted the entire neighborhood designated, but because of newer construction, the original proposal was broken up into several smaller sections. The group raised $13,000 on its own and, on June 26, 2006, the State Historic Preservation Office granted $7,000 to study the "core" area of the neighborhood in order to draw up a proposal. State Sen. Bob Duff, a Norwalk Democrat, helped get increased state funding for the State Historic Preservation Office which gave out the grant to the community. Duff told a local newspaper that four generations of his family have lived in the neighborhood. [27]
The core area consists of Silvermine Tavern and 85 other historic buildings, about half of which are in Norwalk, with the rest in New Canaan, except for one in Wilton. The core area was listed in the National Register of Historic Places as a historic district, known as Silvermine Center Historic District, on June 23, 2009. [28] NASH has initiated the development of applications for two additional possible historic districts, the Silvermine Avenue Historic District and the Perry Avenue Historic District. [29]
The Perry Avenue Bridge in the neighborhood, built in 1899, was separately nominated for the National Register in mid-2006 and was listed on October 25, 2006. [27] [30]
According to the Silvermine Community Association, [31] the northern boundary of the neighborhood is Huckleberry Hill Road in both Wilton and New Canaan. The neighborhood includes both sides of Thayer Drive and Wardwell Drive in New Canaan, Silvermine Road and the streets off it, east of the intersection with Carter Street and Canoe Hill Road. Carter Street is not in the neighborhood, but all of the streets east of it are.
In Norwalk, the neighborhood includes a bit of New Canaan Avenue near the New Canaan line and Purdy Road, Comstock Hill Avenue and streets off it, Silvermine Avenue just north of its intersection with Bartlett Avenue, Cliffview Drive, James Street and Riverview Drive, Perry Avenue north and west of Route 7 and North Seir Hill Road, south of its intersection with Vespucci Road, which is also in the neighborhood.
In Wilton, the neighborhood includes both sides of Seir Hill Road north to its intersection with Old Boston Road, the west side of Old Boston Road to its intersection with Highfield Road, both sides of Old Boston Road north of that to its intersection with New Canaan Road, the west side of Old Boston Road north of that to Huckleberry Hill Road, and the south side of Huckleberry Hill Road in Wilton and New Canaan.
Fairfield County is a county in the southwestern corner of the U.S. state of Connecticut. It is the most populous county in the state and was also its fastest-growing from 2010 to 2020. As of the 2020 census, the county's population was 957,419, representing 26.6% of Connecticut's overall population. The closest to the center of the New York metropolitan area, the county contains four of the state's top 7 largest cities—Bridgeport (1st), Stamford (2nd), Norwalk (6th), and Danbury (7th)—whose combined population of 433,368 is nearly half the county's total population.
New Canaan is a town in Fairfield County, Connecticut, United States. The population was 20,622 according to the 2020 census. The town is part of the Western Connecticut Planning Region.
Wilton is a town in Fairfield County, Connecticut, United States. As of the 2020 census, the town population was 18,503. The town is part of the Western Connecticut Planning Region.
Norwalk is a city located in Western Connecticut, United States, in southern Fairfield County, on the northern shore of the Long Island Sound. Norwalk lies within both the New York metropolitan area and the Bridgeport metropolitan area.
John Barton Gruelle was an American artist, political cartoonist, children's book and comics author, illustrator, and storyteller. He is best known as the creator of Raggedy Ann and Raggedy Andy dolls and as the author/illustrator of dozens of books. He also created the Beloved Belindy doll. Gruelle also contributed cartoons and illustrations to at least ten newspapers, four major news syndicates, and more than a dozen national magazines. He was the son of Hoosier Group painter Richard Gruelle.
Solon Hannibal de la Mothe Borglum was an American sculptor. He is most noted for his depiction of frontier life, and especially his experience with cowboys and native Americans.
Branchville is a neighborhood of the town of Ridgefield in Fairfield County, Connecticut, United States, and is also the name of a Metro North railroad station. Branchville was listed as a census-designated place (CDP) prior to the 2020 census.
North Stamford is an affluent section of Stamford, Connecticut, United States, north of the Merritt Parkway. Mostly woody and hilly, it is the least densely populated, and highest income section of the city, with a 2021 median household income in excess of $250,000. The two main roadways in North Stamford are High Ridge Road and Long Ridge Road. North Stamford borders Pound Ridge, New York, at the New York line to the north, the "back country" section of Greenwich, Connecticut, to the west, and the Town of New Canaan, Connecticut, to the east. According to the 2010 census, North Stamford has a population of 14,904. The City of Stamford as a whole had a population of 135,470.
Richard Buckner Gruelle was an American Impressionist painter, illustrator, and author, who is best known as one of the five Hoosier Group artists. Gruelle's masterwork is The Canal—Morning Effect (1894), a painting of the Indianapolis, Indiana skyline, but he is also known for his watercolors and marine landscapes of the Gloucester, Massachusetts, area. In 1891 Indiana poet James Whitcomb Riley commissioned Gruelle to illustrate two of his more notable poems, "When the Frost is on the Punkin'" and "The Old Swimmin' Hole," which were published in Neighborly Poems (1891). Gruelle is also the author of Notes, Critical and Biographical: Collection of W. T. Walters (1895), which provides a detailed description of Baltimore industrialist William Thompson Walters's extensive art collection.
Route 123 is a secondary state highway in southwestern Connecticut from Norwalk to the New York state line near the town of Lewisboro.
Route 106 is a state highway in southwestern Connecticut, running from Stamford to Wilton.
West Norwalk is a residential neighborhood in the city of Norwalk, Connecticut in the Connecticut Panhandle region of Fairfield County. It lies in the western central part of the city.
U.S. Route 7 (US 7) is a north–south United States Numbered Highway which runs 78 miles (126 km) in the state of Connecticut. The route begins at Interstate 95 (I-95) in Norwalk starting out as a four-lane freeway until the Wilton town line. The route then proceeds north as a two-lane surface road through Redding and Ridgefield, where it becomes a four-lane surface road until it reaches Danbury. The route becomes a four-lane freeway again, eventually merging with I-84 for a brief period before it turns and proceeds north with US 202 in Brookfield. The freeway section terminates at an intersection with US 202 at the Fairfield–Litchfield county line next to Candlewood lake. The route then continues north as a four-lane arterial road to New Milford, where it becomes a two-lane surface road, running north to the Massachusetts border in North Canaan. US 7 was aligned to its current route around 1930, and, since then, three sections totaling around 12 miles (19 km) have been upgraded to freeway standards.
The Perry Avenue Bridge over the Silvermine River in the Silvermine section of Norwalk, Connecticut was built in 1899. It was listed on the National Register of Historic Places in 2006.
The Silvermine River is an 8.4-mile-long (13.5 km) river that flows through the towns of Norwalk, Wilton and New Canaan, Connecticut. It is spanned by the 1899 Perry Avenue Bridge in the Silvermine neighborhood, and by the Silvermine River Bridge that carries the Merritt Parkway. It is a tributary of the Norwalk River which it joins at the north end of Deering Pond.
Daniel Putnam Brinley was an American muralist and painter. He was born in Newport, Rhode Island, the son of Edward Huntington Brinley and Rebecca Maitland Porter Brinley. Brinley spent his childhood at his parents' home in Cos Cob, Connecticut, where he was known affectionately as "Put". During the 1890s, he came to the attention of local artists when he watched them at work. Brinley studied at the Art Students League of New York from 1900 to 1902. While there, he studied with Bryson Burroughs, Benjamin West Clinedinst, and Henry Siddons Mowbray, and was most influenced by Kenyon Cox and John Henry Twachtman.
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