Hannah Wilke (born Arlene Hannah Butter; was an American painter, sculptor, photographer, video artist and performance artist. Her work is known for exploring issues of feminism, sexuality and femininity.
Luis Gispert is an American sculptor and photographer, living and working in Brooklyn, New York. Gispert earned an MFA at Yale University in 2001, a BFA in Film from Art Institute of Chicago in 1996, and attended Miami Dade College from 1990 to 1992.
The Woman's Building was a non-profit arts and education center located in Los Angeles, California. The Woman's Building focused on feminist art and served as a venue for the women's movement and was spearheaded by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville and art historian Arlene Raven. The center was open from 1973 until 1991. During its existence, the Los Angeles Times called the Woman's Building a "feminist mecca."
The feminist art movement in the United States began in the early 1970s and sought to promote the study, creation, understanding and promotion of women's art. First-generation feminist artists include Judy Chicago, Miriam Schapiro, Suzanne Lacy, Judith Bernstein, Sheila de Bretteville, Mary Beth Edelson, Carolee Schneeman, Rachel Rosenthal, and many other women. They were part of the Feminist art movement in the United States in the early 1970s to develop feminist writing and art. The movement spread quickly through museum protests in both New York and Los Angeles, via an early network called W.E.B. that disseminated news of feminist art activities from 1971 to 1973 in a nationally circulated newsletter, and at conferences such as the West Coast Women's Artists Conference held at California Institute of the Arts and the Conference of Women in the Visual Arts, at the Corcoran School of Art in Washington, D.C..
Feminist art is a category of art associated with the feminist movement of the late 1960s and 1970s. Feminist art highlights the societal and political differences women experience in their lives. The goal of this art form is to bring a positive and understanding change to the world, leading to equality or liberation. Media used range from traditional art forms, such as painting, to more unorthodox methods such as performance art, conceptual art, body art, craftivism, video, film, and fiber art. Feminist art has served as an innovative driving force toward expanding the definition of art by incorporating new media and a new perspective.
The Elizabeth A. Sackler Center for Feminist Art is located on the fourth floor of the Brooklyn Museum, New York City, United States. Since 2007 it has been the home of Judy Chicago's 1979 installation, The Dinner Party. The Center's namesake and founder, Elizabeth A. Sackler, is a philanthropist, art collector, and member of the Sackler family.
Mierle Laderman Ukeles is a New York City-based artist known for her feminist and service-oriented artworks, which relate the idea of process in conceptual art to domestic and civic "maintenance". She has been the Artist-in-Residence at the New York City Department of Sanitation. Her art brings to life the very essence of any urban center: waste flows, recycling, sustainability, environment, people, and ecology.
K8 Hardy is an American artist and filmmaker. Hardy's work spans painting, sculpture, video, and photography and her work has been exhibited internationally at the Whitney Museum of American Art, Tate Modern, Tensta Konsthalle, Karma International, and the Dallas Contemporary. Hardy's work is included in the permanent collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Museum of Modern Art. She is a founding member of the queer feminist artist collective and journal LTTR. She lives and works in New York, New York.
Martha Wilson is an American feminist performance artist and the founding director of Franklin Furnace Archive art organization. Over the past four decades she has developed and "created innovative photographic and video works that explore her female subjectivity through role-playing, costume transformation, and 'invasions' of other peoples personas". She is a recipient of two National Endowment for the Arts fellowships, a New York Foundation for the Arts fellowship, and an Obie Award and a Bessie Award for commitment to artists’ freedom of expression. She is represented by P.P.O.W. Gallery in New York City.
The feminist art movement refers to the efforts and accomplishments of feminists internationally to produce art that reflects women's lives and experiences, as well as to change the foundation for the production and perception of contemporary art. It also seeks to bring more visibility to women within art history and art practice. The movement challenges the traditional hierarchy of arts over crafts, which views hard sculpture and painting as superior to the narrowly perceived 'women's work' of arts and crafts such as weaving, sewing, quilting and ceramics. Women artists have overturned the traditional view by, for example, using unconventional materials in soft sculptures, new techniques such as stuffing, hanging and draping, and for new purposes such as telling stories of their own life experiences. The objectives of the feminist art movement are thus to deconstruct the traditional hierarchies, represent women more fairly and to give more meaning to art. It helps construct a role for those who wish to challenge the mainstream narrative of the art world. Corresponding with general developments within feminism, and often including such self-organizing tactics as the consciousness-raising group, the movement began in the 1960s and flourished throughout the 1970s as an outgrowth of the so-called second wave of feminism. It has been called "the most influential international movement of any during the postwar period."
Mary Beth Edelson was an American artist and pioneer of the feminist art movement, deemed one of the notable "first-generation feminist artists". Edelson was a printmaker, book artist, collage artist, painter, photographer, performance artist, and author. Her works have been shown at the Museum of Modern Art, the Smithsonian American Art Museum, and the Museum of Contemporary Art in Chicago.
Samantha Katz is a creative director and curator best known for developing innovative community and technology based arts projects. She is the founder of Created Here, an online platform that empowers creators by bringing them together with local consumers and art enthusiasts, and the co-producer of the Created Here TV series, presently under development. Another notable project was Gallery Glass, a YouTube based series of interviews with artists employing the wearable technology Google Glass.
Cassils is a visual and performance artist, body builder, and personal trainer from Montreal, Quebec, Canada now based in Los Angeles, California, United States. Their work uses the body in a sculptural fashion, integrating feminism, body art, and gay male aesthetics. Cassils is the recipient of a Guggenheim Fellowship, a Creative Capital Grant, a United States Artists Fellowship, a California Community Foundation Visual Artist Fellowship (2012), several Canada Council for the Arts grants, and the Rema Hort Mann Foundation Visual Arts Fellowship. Cassils is gender non-conforming, transmasculine, and goes by singular they pronouns.
Boryana Rossa is a Bulgarian interdisciplinary artist and curator making performance art, video and photographic work.
Art and Feminism is an annual worldwide edit-a-thon to add content to Wikipedia about women artists, which started in 2014. The project has been described as "a massive multinational effort to correct a persistent bias in Wikipedia, which is disproportionately written by and about men".
This is a timeline of the feminist art movement in New Zealand. It lists important figures, collectives, publications, exhibitions and moments that have contributed to discussion and development of the movement. For the indigenous Māori population, the emergence of the feminist art movement broadly coincided with the emergence of Māori Renaissance.
Suzanne Wright is an American artist and founding member of the art collective Fierce Pussy. She has worked in a variety of media, including collage, colored pencil drawings, painting, and sculpture. She describes her subject matter as "future feminism".
Polvo de Gallina Negra (in Spanish: Black hen powder) was a collective founded by Mexican visual artists Maris Bustamante and Mónica Mayer in 1983, the first group of the feminist art genre in Mexico. For ten years, their activities included demonstrations, exhibitions, conferences, publication of texts, participation in media, performance, curatorship, and mail art. Bustamante wrote, “[W]e grew while we built our families, so we had a lots of fun discovering that the social and cultural reality is penetrable.”
Chloë Bass is an American conceptual artist who works in performance and social practice. Bass' work focuses on intimacy. She was a founding co-lead organizer of Arts in Bushwick from 2007 to 2011, the group that organizes Bushwick Open Studios. She is an Assistant Professor of Art and Social Practice at Queens College, CUNY, and holds a BA from Yale University and an MFA from Brooklyn College. Bass was a regular contributor to Hyperallergic until 2018. She is represented by Alexander Gray Associates.
Clarity Haynes is a queer feminist American artist and writer. She currently lives and works in New York, NY. Haynes is best known for her unconventional painted portraits of torsos, focusing on queer, trans, cis female and nonbinary bodies. She is a former member of the tART Collective and the Corpus VI Collective.
