Godspeed the Vortex | |
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Studio album by Trumans Water | |
Released | 1993 |
Genre | Indie rock |
Label | Way Out Sound |
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Godspeed the Vortex is an album by Trumans Water. It was released on vinyl in 1993 and on CD in 1994 (with bonus tracks) by Negative Way Out Records, and is the second in a series of three "Godspeed" albums, all featuring improvised music. (The other improvised albums are Godspeed the Static and Godspeed the Hemorrhage; Godspeed the Punchline contains full-blown, studio-recorded songs). David Sprague of Trouser Press said of the album: "Riddled with intriguingly abrasive guitar figures that apply Eastern modality ("Syrup Is Tangled") and post-Sharrock prolapse ("True-Star Down"), the album shifts from ambient to demanding with pinpoint precision", [2] while Allmusic's Skip Jansen described it as "Eleven stabs of ecstatic lo-fi noise and avant-rock moves". [1]
Trumans Water is an indie rock band from San Diego, California formed in 1991. They have released over a dozen albums over their career, on which they collaborated with acts in genre, including Azalia Snail, Chan Marshall and Thurston Moore.
Godspeed the Punchline is an LP by Trumans Water. It was released in January 1994 by Homestead Records in the United States and Elemental Records in the UK. This album was preceded by three other "Godspeed" albums--Godspeed the Static, Godspeed the Vortex and Godspeed the Hemorrhage--all of which featured improvised, lo-fi music. Godspeed the Punchline can probably be considered the proper, studio follow-up to Spasm Smash XXXOXOX Ox & Ass. It is the last studio album recorded with Glen Galloway before he left to form Soul-Junk. The album was described as "eighteen short blasts of negasonic tumult" by David Sprague of Trouser Press, while Mark Jenkins of The Washington Post stated that the songs "can wander aimlessly or suddenly turn on the siren and race straight to their destination".
Trouser Press was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow Who fan Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press". Publication of the magazine ceased in 1984; the unexpired portion of mail subscriptions was completed by Rolling Stone sister publication Record, which itself folded in 1985. Trouser Press has continued to exist in various formats.
CD-only bonus tracks
Track listing notes: "Wayout No. 7" is the catalog number for the Jubileeee 7" EP (1992), also released by Negative Way Out Records. This track contains all the music from that release.
An extended play record, often referred to as an EP, is a musical recording that contains more tracks than a single, but is usually unqualified as an album or LP. Contemporary EPs generally contain a minimum of three tracks and maximum of six tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of vinyl records other than 78 rpm standard play (SP) and LP, but it is now applied to mid-length CDs and downloads as well.
Ozma is the second studio album by the Melvins, released in 1989 through Boner Records. It is the first Melvins album to feature Lori Black on bass guitar and was recorded when the band relocated to San Francisco.
The Guilt Trip is the debut triple album by composer and producer Kramer, released in 1992 by Shimmy Disc.
Of Thick Tum is the first album by Trumans Water. BBC disc jockey John Peel heard this album and was so impressed by it that he played it in its entirety on his show. The band initially self-released a small pressing of this album on vinyl in 1992, with each copy in a handmade and unique jacket with inserts varying from locks of hair to photographs of their relatives. In his review of the follow-up, Spasm Smash XXXOXOX Ox & Ass in Melody Maker, Everett True stated that his copy had included "a Far Side birthday card, the foreword to a book on setting up private hospital rooms, an advice sheet on insurance, some small intestines, and a cloth sleeve which is too small for the LP to fit inside". The album was re-released in the United States by Homestead Records on CD and LP. Subsequent British and Japanese issues of the album contained considerable bonus material.
Spasm Smash XXXOXOX Ox & Ass is the second album by Trumans Water. It is their first double-album and was released in 1993 on Homestead Records in the United States and Elemental Records in the UK. There is also a Japanese re-release of the album with a radically different track listing. Everett True, in a 1993 review of the album, described it "Imagine Pavement if they were five Gary Youngs with the songwriting ability of two Steve Malkmuses". Chris Sharp, writing in Lime Lizard stated "there are 20 tracks here, but each one feels like at least three songs grafted together in some bizarre musico-genetic experiment".
Godspeed the Static is a vinyl-only album by Trumans Water. It was released in 1993 by Drunken Fish Records and is the first in a series of three "Godspeed" albums, all featuring improvised music. The first pressing of this album came in hand-painted, unique covers. It was described by Stewart Mason of Allmusic as "Trumans Water at their loosest and most formless".
Milktrain to Paydirt is an album by Trumans Water. It was released in August 1995 by Homestead Records. It was their first studio album without Glen Galloway, and their first album with Kevin Cascell on drums. It was also their last release on the Homestead label. The song "Off-Peak Arson" features Thurston Moore on guitar. Trouser Press described the album: "The herky-jerky rhythms of "Unitraction Bath" and "Mnemonic Elf Lock" pack a particularly potent post-Fall punch, but that's not always enough to offset the self-congratulatory quirkiness that seems so ingrained in the band's approach".
The Singles 1992–1997 is a compilation of 7" single and EP releases by Trumans Water, issued in 2002 by No Sides Records. Not included in this collection is "Jubileeeee" (1992), which was already re-released in the bonus tracks for Godspeed the Vortex. Also absent is "The Great Flood" (1996), although this omission appears to be a mistake, as the album's artwork and track list indicate its inclusion. These tracks were re-mastered by Weasel Walter for this release.
10 x My Age is a 1993 EP by Trumans Water, released by Elemental Records. It was released as a CD and as a 10" record pressed on white vinyl.
Thank Heaven for Little Girls is an album by Dwarves released via Sub Pop in 1991.
Plays the Devil’s Music is the debut studio album by Australian noise rock band Lubricated Goat, released in July 1987 by Black Eye Records.
Today Is the Day is the third studio album by American noise rock band Today Is the Day. It was released on March 26, 1996 by Amphetamine Reptile Records. It was the band's only album to feature keyboardist Scott Wexton.
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Psychedelicatessen is the third studio album by Australian noise rock band Lubricated Goat, released in 1990 by Black Eye Records and Amphetamine Reptile Records.
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Piano in the Foreground is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Columbia label in 1961. It features Ellington in a piano trio setting, emphasising his own keyboard prowess rather than the big band arrangements more typical of his recordings.
In the Eyes of God is the fifth studio album by the American noisegrind band Today Is the Day, released on July 20, 1999 by Relapse Records. It is the only album by the group to feature Brann Dailor and Bill Kelliher, who would both move on to form Mastodon. First issued in 1999 on compact disc and vinyl formats, the LP was a limited edition of 1000 total: 900 black copies sold to the public, and 100 clear copies that were given away as gifts to the staff of Relapse.
Two of a Mind is an album recorded by American jazz saxophonists Paul Desmond and Gerry Mulligan featuring performances recorded in 1962 which were released on the RCA Victor label.
Solo Guitar is a solo album by guitarist Derek Bailey which was recorded in London on July 13, 1970 and became the second release by Incus. A revised version of this album with alternative improvisations was released as Solo in 1978. In 1995 a CD version incorporating improvisations from the original and revised LPs was released.