| "Goodbye" | |
|---|---|
| The Bear episode | |
| Episode no. | Season 4 Episode 10 |
| Directed by | Christopher Storer |
| Written by | Christopher Storer |
| Original air date | June 25, 2025 |
| Running time | 34 minutes |
"Goodbye" is the 10th episode of the fourth season of the American comedy-drama television series The Bear . It is the 38th overall episode of the series and was written and directed by series creator Christopher Storer. It was released on Hulu on June 25, 2025, along with the rest of the season.
The series follows Carmen "Carmy" Berzatto (Jeremy Allen White), an award-winning New York City chef de cuisine, who returns to his hometown of Chicago to run his late brother Michael's failing Italian beef sandwich shop. With the financial backing of his uncle Jimmy (Oliver Platt) and help from his cousin Richie (Ebon Moss-Bachrach), sister Sugar (Abby Elliott), and chef Sydney (Ayo Edebiri), Carmy attempts to remodel the dingy Beef into warm and hospitable fine-dining destination called the Bear.
Sydney confronts Carmy over his decision to quit. Carmy insists he is making the best decision for the restaurant, arguing that he became a chef to avoid facing his familial trauma, and that Sydney is pursuing the field for the right reasons. He tells Sydney she is the reason the restaurant is surviving, and that he believes in her more than he believes in himself. Richie interrupts them; he is initially flippant about the news until Carmy reveals he came to Mikey's funeral, but could not bring himself to attend. The two have an honest and heartfelt conversation in front of Sydney, where they admit the resentments they held towards one another in the wake of Mikey's death. Carmy tells Richie that he is retiring in part to learn who he is outside of the kitchen. Sydney ultimately agrees to take over if Richie is also given a partnership stake, which he accepts. Natalie arrives and tearfully embraces Carmy upon learning the news while Cicero's clock eventually reaches zero.
Only four of the main castmembers, Edebiri, White, Moss-Bachrach, and Elliott, appear in this sparsely staged episode, in which the back entrance of the restaurant is effectively treated as a black-box theater set. [1]
This episode features only one song, "Fast Slow Disco" by St. Vincent, reprised from the fourth season's third episode. [2]
The episode, along with the rest of the season, premiered on June 25, 2025, on Hulu.
Rolling Stone critic Alan Sepinwall described "Goodbye" as a "textbook example" of a bottle episode. Sepinwall found the installment "moving" and "another remarkable chapter in a season that had several of those." [3] New York Times opinion columnist David French devoted an entire column to the lessons of the episode, concluding, "[The family's] terrible tension and pain can make The Bear difficult to watch...[but] At a time of extraordinary fury, we all live in a degree of pain. We all live with regrets. But hope can come from unexpected places—and perhaps a show that features scallops, pastries and Chicago beef can also teach us that only repentance can heal our broken hearts." [4] The season concludes with what has been characterized as a "with a sacrifice of love made for the benefit of the restaurant, and the meaning of...risks taken [by Carmy and Syd] lingers...for fans." [5]
The episode has been characterized as "painfully intimate" with Allen's usually withholding Carmy exposing "his tender insides to two of the most important people in his life, opening the door for them to do the same. It's audacious to close out a season of television like this, but the gambit pays dividends." [1] Much of the episode is consumed with "dramatic and traumatic" verbal duels between Carmy and Syd, and then between Carmy and Richie, but in the end the arguments are much-needed catharsis, a necessary step in unfucking the relationships that make the restaurant work, which "can only help push [the Bear] even more into the positive column." [6] Elle magazine commented, "Having to parse through which of Carmy’s statements are true, and which are his stumbling approximations of the truth, is what makes him both a fascinating character and a frustrating one. It's also what makes 'Goodbye' both touching and convoluted." [7]
