External links
- "The Bear" at IMDb
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| "The Bear" | |
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| The Bear episode | |
| Episode no. | Season 2 Episode 10 |
| Directed by | Christopher Storer |
| Written by | Kelly Galuska |
| Featured music |
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| Original release date | June 22, 2023 |
| Running time | 40 minutes |
| Guest appearances | |
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"The Bear" is the tenth and final episode of the second season and 18th overall of the American comedy-drama series The Bear . Alongside with the rest of the second season, it was released on June 22, 2023, on Hulu. It was directed by series creator Christopher Storer and written by Kelly Galuska.
On family and friends night, Richie (Ebon Moss-Bachrach) runs the front of house while Sydney (Ayo Edebiri) runs the kitchen. Issues begin to mount: a line cook disappears, the restaurant runs out of forks, Marcus (Lionel Boyce) and Sydney run into communication issues due to her earlier rejection, the toilet once again breaks, and Carmy (Jeremy Allen White) disrupts service when he elects to serve Claire (Molly Gordon) one of the dishes himself only to nearly blow up upon his return to the kitchen when he decides some of the dishes were prepared wrong. The final straw comes when the walk-in refrigerator handle breaks, trapping Carmy inside. With tickets piling up and their head chef trapped, Richie steps in to take over expediting while Sydney jumps on the line. Despite some initial trepidation, Richie and Sydney work together to get the kitchen running smoothly.
While Natalie (Abby Elliott) helps out in the kitchen, Pete (Chris Witaske) sees Donna (Jamie Lee Curtis) outside and runs out to invite her in. She refuses, feeling she does not deserve to witness her children's success. Donna begs Pete not to tell her children she showed up to the restaurant. Pete accidentally reveals Natalie's pregnancy to Donna before she leaves. Shaken by the experience, he keeps Donna's secret while suggesting to Natalie she not hold it against her mother. Though the service finishes successfully, Carmy spirals from his lack of ability to oversee it, imagining his abusive former boss in New York's voice criticizing him. Marcus finds the missing line cook, Josh, outside in the alley smoking meth, and obtains Sydney's permission to fire him. Richie has front of house serve Cicero a chocolate banana as a surprise, a gesture that moves Cicero (Oliver Platt). [a] Tina tries to encourage Carmy through the refrigerator door by telling him how well everything has gone, but Carmy starts to rant about how he has failed the restaurant with his lack of focus. Claire comes into the kitchen after hearing he is stuck in the walk-in and overhears the end of his rant where he declares that his relationship with her was a waste of time, causing her to leave in tears. Richie sees her leave and angrily confronts Carmy through the door, leading to a heated argument when he impulsively insults Carmy by calling him "Donna".
Sydney has a panic attack after imagining the ticket printer continuing to spit out orders [b] and runs out of the restaurant to vomit. Sydney's father (Robert Townsend) finds her in the alley and expresses his pride in her, emboldening her. Marcus receives a package from Luca (Will Poulter) as an opening-night present: a sign reading "Every Second Counts". As Marcus hangs the sign, he fails to notice several missed calls and frantic messages from his mother's nurse. Most of the staff celebrate the successful service, but Richie is left emotionally drained from his argument with Carmy. As he waits for the fridge to be cut open, Carmy plays a missed voicemail from Claire earlier in the day, in which she confesses her love for him, leaving him devastated.
The episode was directed by series creator Christopher Storer and written by Kelly Galuska. It was Galuska's first writing credit, and Storer's twelfth directing credit. [1]
The guy who cuts Carmy out of the fridge is Steve Hull, construction coordinator of The Bear. [2]
According to production designer Merje Veski, the look of the newly unveiled Bear restaurant was influenced by the style of Napa Valley's French Laundry and Chicago's Ever. [3] The restaurant kitchen is a fully functional working kitchen, not just a dead set. [4] Similarly, the kitchen was designed with "practical lighting" so that "the lighting crew actually never had to light it....we worked with the lighting designer...very closely where to put exactly what lights and light temperature." [5] [3] The asymmetric globe-light chandelier in the dining room drew positive comment from professional interior designers because such light fixtures cast extensive, but relatively dim, light that minimizes shadows and glare on the tables generally, and the food in particular, inducing a feeling of secure intimacy. [6]
A restaurant builder interviewed by The New York Times thought the Bear crew had hit on the right array of details to make the dining room appealing, including "the brick wall painted white...exposed ceiling joists, Scandinavian color scheme, clean lines and 'pops of nature' like the light wooden furniture," all of which served to focus the attention of guests and staff on "the service, the food, the delivery." [7] The wood is painted plywood and maple, "modest" and affordable materials in line with the "Danish design" Syd pitched in "Braciole." [6] According to Veski, the production team created the "linear window between the kitchen and the dining room, so you can see through and see the action. But at the same time, Chris [Storer] wanted to keep the kitchen action completely separate from the dining room, so the sounds wouldn't go through. It's not open concept, but you can still see the background." [3] One restaurant designer, Jon de la Cruz, told Architectural Digest that the frosted glass for the exterior-facing front window "felt like a deliberate choice in a rougher area of the city. '[It's] creating a sense of mystery and exclusivity, teasing the energy inside without giving away any sense of the people or the food. It also completely hides the interior, telling us that the quality level inside is much higher than what is typical of the neighborhood." [6]
The episode opens with a single continuous long take, a device also used in the season one episode "Review". (The sequence also reuses Wilco's "Spiders (Kidsmoke)" from "Review".) ScreenRant described the 12-minute shot as "impressively choreographed," crediting it with achieving "the same dazzling effect" as "Review." [8] Jeremy Allen White indicated that the filming of the episode mainly occurred in one sitting, with the exception of the dining scenes, [9] typical of the production style that Storer liked to use while filming to create a hectic atmosphere familiar throughout the show. The episode makes frequent use of the split screen camera angle effect during the period where Carmy is locked in the broken walk-in refrigerator, a plot point that was frequently referenced throughout the second season. [10]
Molly Gordon revealed that certain aspects of the script were changed during filming. The voicemail message that Carmy plays near the episode was not originally written but was later included on Gordon's suggestion. [11] Storer decided that White, playing Carmy, would only hear the voicemail during the shooting of the scene while alone in the refrigerator. [12]
Carmy's kitchen work shoes are Birkenstock Tokio Super Grips. [13] Sydney's red mushroom-print headscarf was made by a Japanese brand called One Ear. [14] Natalie's silk dress is the Riviera style from Hatch. [15] [16]
The Franklin dining-room chairs and the chairs at the bar were built by Chicago-based Navillus Woodworks. [17] The plates and bowls selected for the new restaurant are earthenware made by American ceramacist Jono Pandolfi in "toasted clay." [17] Pandolfi and hospitality-group owner and season three co-producer Will Guidara were in a band together in high school. [18] In the 2000s, Pandolfi created the plates and bowls for Guidara's NoMad and Eleven Madison Park. [18] Pandolfi aspires to create restaurant ceramics that "should not be striking. It should not grab your attention before the food." [18]
Under the supervision of culinary producer Coco Storer, the seven fishes dish was designed by Tim Flores and Genie Kwon of Chicago's Kasama, simplifying the banquet concept down to "one prawn and mussels and this beautiful fumé with saffron." [19] (Fumé, from the French, describes a food that's been smoked.) [20] Storer designed the savory cannoli, named in honor of Mikey Berzatto, which was made of a Parmesan shell, stuffed with mostarda and onion jam, coated in pistachios. [19] Richie also tells Marcus to "86 the mostarda" for Syd's dad, because Emmanuel doesn't do cherries." [21] Mostarda is a "spicy sweet-and-sour condiment," that is made in multiple steps with "various fruits (such as apricots, cherries, figs, oranges, peaches, pears, and quince)," mustard seeds, and grape must. [22]
Chester complains about the wine, and Richie barks back, "That's a Cru Beaujolais!" [23] Syd's dad, Emmanuel Adamu, does not drink alcohol and gets a special delivery of the "Bear Pop Service." [21] Soft drinks, or soda, are typically called "pop" in the Chicago area and the Midwestern United States generally. [24] [25]
Richie sent a chocolate-covered banana to Jimmy for desert, recalling a conversation they had five years ago at Seven Fishes when Tiff could only eat a banana because of morning sickness and Jimmy recalled getting chocolate-covered bananas with his dad at a roadside stand. [26] Pro tip from The Globe and Mail of Canada: Add a big spoonful of peanut butter or a small spoonful of coconut oil to the melted chocolate for a better dip and a "snappier" chocolate shell. [27]
The season two finale was released to generally positive reviews and praised for its typical style of high pressure and intensity. Alan Sepinwall of Rolling Stone said, "The Bear ... is already at a level of artistry few of its competitors can touch. It continues to make every second count." [28] Marah Eakin of Vulture praised the show and its continuous intensity. [29] Salon.com critic Melanie McFarland praised the episode, saying: "'The Bear' deserves all the hype poured over it for the usual reasons – its atmospheric directing, writing, awareness of place, and performances collaborate to grant its consumption a sense of urgency and necessity." [30]
Josh Rosenberg of Esquire praised the show while contrasting it with the first season, noting that this season showed more background and displayed more emotion from the characters. [31] James Poniewozik of The New York Times also praised it while noting differences between the first and second season: "'The Bear' is no longer a war story that takes place in a kitchen. It is now a sports story that takes place in a kitchen." [32]
Vanity Fair 's Rebecca Ford and David Canfield praised Jamie Lee Curtis's acting for her guest appearances throughout the season as Donna, including the season finale, suggesting she should be in consideration for an Emmy for her work on the show. [33]
In 2024, Variety listed "The Bear" at number nine on a list of top 10 episodes of The Bear, commenting, "The episode accomplishes a lot, proving that there's reason to be optimistic about the restaurant's success while also finally levying consequences for Carmy's actions in a way that's legible to him." [34] ScreenRant ranked "The Bear" 6th-best out of the 28 episodes of The Bear produced through the end of season three. [8]
Also in 2024, The Hollywood Reporter placed "The Bear" at 17 on a ranked list of 28 episodes produced to that point, commenting that "The Bear expertly weaves its sonic palette all through the episode, with Wilco's song 'Spiders' (first seen in 'Review') coming back to haunt the kitchen as things spiral out of control—only for 'Animal' by Pearl Jam to kick in once Richie takes the wheel and saves the day." [35]
In 2025, Vulture ranked "The Bear" as 4th-best out of 38 episodes of The Bear, commenting, "Carmy essentially turn[s] into a caged bull, screaming and thrashing around the refrigerator while also spiraling dangerously down toward his absolute rock bottom...White's performance as Carmy alone would be enough to make 'The Bear' great...but really, 'The Bear' works because everyone works this episode." [36]
Collider placed "The Bear" at number 10 on its 2025 list of top 10 episodes of The Bear, describing it as "an excellent season finale, and the perfect pay-off for Carmy's emotional conflict," culminating in his heartbreaking monologue about his supposed inability to connect authentically with the people in his life. [37]
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