Gotham Chamber Opera was a professional opera company located in New York City. The company was founded in 2000 under the name of the Henry Street Chamber Opera by Artistic Director Neal Goren and specialized in producing rarely performed chamber operas from the Baroque era to the present. In 2003, it changed its name to the Gotham Chamber Opera (GCO) after incorporating as an independent 501(c)(3) organization. Its Executive Director was Edward Barnes, who took over from David Bennett. [1] [2] It closed in 2015. [2] [3]
The company first presented the American premiere of Mozart's Il sogno di Scipione (1771), staged by Christopher Alden in 2001 at the Playhouse at the Abrons Arts Center, a 350-seat theater on the New Yorks's Lower East Side.
Soon after, the company produced a double bill of Henry Purcell's Dido and Aeneas (1689) and Darius Milhaud's Les malheurs d'Orphée (1924). Two more American premieres followed in November 2002 with Czech composer Bohuslav Martinů's 1928 Dada opera, Les larmes du couteau (Tears of the Knife), [4] and his 1935 Hlas lesa (The Voice of the Forest). [5]
After incorporating as a non-profit organization in 2003, the newly renamed Gotham Chamber Opera (GCO) presented the American premiere of Swiss composer Heinrich Sutermeister's 1935 Die schwarze Spinne (The Black Spider).
Gotham's February 2005 production of Handel's Arianna in Creta played to full houses and drew favorable reviews.[ citation needed ] That summer, in a co-production with the Lincoln Center Festival and Spoleto Festival USA, the company performed Ottorino Respighi's fantastical La bella dormente nel bosco (Sleeping Beauty in the Woods), featuring the puppetry of Basil Twist. In the spring of 2006, Benjamin Britten's only comedy, Albert Herring , received its first professional staging in New York in more than 30 years, and in the winter of 2007, Rossini's Il signor Bruschino received its first major professional New York staging in more than half a century.
In the 2007/08 season, the company presented New York City's first staged production of Astor Piazzolla's 1968 tango opera María de Buenos Aires , as well as Scenes of Gypsy Life, a fully staged evening of song cycles by Janáček and Dvořák, and Ariadne Unhinged, a retelling of the Ariadne myth through the music of Monteverdi, Haydn, and Schoenberg. And in 2009, Mark Morris directed the U.S. stage premiere of Haydn's L'isola disabitata .
Gotham presented Haydn's Il mondo della luna at the Hayden Planetarium of the American Museum of Natural History in January 2010. The production, staged by Diane Paulus, featured NASA-generated moon travel projections on the planetarium's 360-degree dome.
In October 2010, GCO with Tectonic Theater Project presented the U.S. premiere of Xavier Montsalvatge's El gato con botas [6] (Puss in Boots). The production was directed by Moisés Kaufman, with bunraku puppetry by the Blind Summit Theatre of London. The opera premiered at the New Victory Theater in New York City.
In November 2010, Gotham Chamber Opera, Music-Theatre Group and Opera Philadelphia announced the commission of a new American opera, Dark Sisters , composed by Nico Muhly with a libretto by Stephen Karam, to be conducted by Neal Goren, and directed by Rebecca Taichman. The world premiere took place in November 2011 at the Gerald W. Lynch Theater at John Jay College in New York, one of the first works to be presented at the theater following the creation of a new lobby at the space. Dark Sisters was also presented in June 2012 as part of Opera Philadelphia's chamber opera series at the Perelman Theater in the Kimmel Center for the Performing Arts. Gotham scheduled two workshops and orchestra readings, in November 2010 and March 2011, for the new work.
Gotham Chamber Opera included appearances on WNYC, displays at Bergdorf Goodman and Prada SoHo, annual collaborations with the Gagosian Gallery, and performances in various Manhattan venues. The company's activities also included school residencies, workshops, and free rehearsals. [7]
GCO was a member of the professional organization OPERA America.
On October 1, 2015, Gotham Chamber Opera announced it would close due to previously undiscovered debts. [2] [3]
Sarah Caldwell was an American opera conductor, impresario, and stage director.
Mark William Morris is an American dancer, choreographer and director whose work is acclaimed for its craftsmanship, ingenuity, humor, and at times eclectic musical accompaniments. Morris is popular among dance aficionados, the music world, as well as mainstream audiences.
Veselohra na mostě' is a radio opera in one act by Bohuslav Martinů to a Czech libretto by the composer, based on the comedy by Václav Kliment Klicpera and composed in 1935 in Polička. It has later been staged successfully, in America and Czechoslovakia.
Georges Ribemont-Dessaignes was a French writer and artist associated with the Dada movement. He was born in Montpellier and died in Saint-Jeannet.
Il sogno di Scipione, K. 126, is a dramatic serenade in one act composed by Wolfgang Amadeus Mozart to a libretto by Pietro Metastasio, which is based on the book Somnium Scipionis by Cicero; Metastasio's libretto has been set to music several times. Mozart had originally composed the work at the age of 15 for his patron, Prince-Archbishop Sigismund von Schrattenbach. After the bishop's death before it could be performed, Mozart dedicated it to Schrattenbach's successor, Count Colloredo. It was given a private performance in the Archbishop's Palace in Salzburg on 1 May 1772, although not in its entirety. Only one aria, the final chorus and the recitative dedicating it to the new Prince-Archbishop were performed. It is highly unlikely that it was ever performed in its entirety in Mozart's lifetime.
Amanda Forsythe is an American light lyric soprano who is particularly admired for her interpretations of baroque music and the works of Rossini. Forsythe has received continued critical acclaim from many publications including Opera News, The New York Times, The Wall Street Journal and the Boston Globe.
Dejan Miladinović, was a Serbian opera director. He was born in Belgrade, Yugoslavia, in a family of opera artists. He graduated with a bachelor's degree in Theatre Direction from the Academy for Theatre in Belgrade and received the title Master of Theatrical Arts from the same Academy. He died in Belgrade on 3 August 2017.
The Boston Early Music Festival (BEMF) is a non-profit organization founded in 1980 in Boston, Massachusetts, to promote historical music performance. It arranges an annual Boston and New York City concert series, produces opera recordings, and organizes a biennial week-long Festival and Exhibition in Boston.
Christopher Alden is an American theater and opera director. He is the twin brother of David Alden, also an opera director. Both brothers belong to a generation of modernist directors that includes Robert Wilson and Peter Sellars. and are known for staging revisionist productions of opera.
David Alden is a prolific theater and film director known for his post-modernist settings of opera. He is the twin brother of Christopher Alden, also an opera director in the revisionist mold. The two brothers have covered much of the same repertoire in their long careers, but whereas Christopher's operatic settings place greater emphasis on his characters' emotional range, David's protagonists are more broadly caricatured and his productions far more politically charged. Another distinguishing feature between them is that David has been more active in Europe throughout his career, having enjoyed a particularly close creative partnership with Sir Peter Jonas for more than two decades, at both the English National Opera and the Bavarian State Opera.
Boston Baroque is the oldest period instrument orchestra in North America. It was founded in 1973 by the American harpsichordist and conductor, Martin Pearlman, to present concerts of the Baroque and Classical repertoire on period instruments, drawing on the insights of the historical performance movement.
Diane Marie Paulus is an American theater and opera director who is currently the Terrie and Bradley Bloom Artistic Director of the American Repertory Theater at Harvard University. Paulus was nominated for the Tony Award for Best Direction of a Musical for her revivals of Hair and The Gershwins' Porgy and Bess, and won the award in 2013 for her revival of Pippin.
Martin Pearlman is an American conductor, harpsichordist, composer, and early music specialist. He founded the first permanent Baroque orchestra in North America with Boston Baroque in 1973–74. Many of its original players went on to play in or direct other ensembles in what became a growing field in the American music scene. He later founded the chorus of that ensemble and has been the music director of Boston Baroque from its inception up to the present day.
Hanan Alattar is an American operatic soprano who has had an active international career in concerts and in operas since the early 2000s. She has performed with many leading opera companies and orchestras in the United States and Europe, collaborating with such notable conductors as Plácido Domingo, James Conlon and Miguel Harth-Bedoya.
Grethe Barrett Holby is an American theatre producer, stage director, choreographer, and dramaturge best known for her work in opera. Holby is noted as the founder of American Opera Projects, where she served as Artistic Director from 1988 until 2001. She serves as Executive Artistic Director of Family Opera Initiative, which she founded in 1995, and Ardea Arts, Inc., which she founded in 2006. The Rockefeller Foundation awarded Holby a 2006 Creative Arts Residency The Bellagio Center.
Laurence Dale is an English tenor, artistic director and conductor.
Robin Guarino is an opera and film director. She has directed operas such as The Marriage of Figaro, Don Giovanni, Lohengrin, Così fan tutte, and The Magic Flute at the Metropolitan Opera. She has directed at Seattle Opera, Glimmerglass Opera, Chautauqua Opera, Virginia Opera, and Wolf Trap Opera. She continues to direct, most recently L'etoile and The Marriage of Figaro for the Wolf Trap Opera Festival, La Calisto, The Magic Flute and Iphigénie en Aulide for Juilliard Opera Center, and at Gotham Chamber Opera, Il Signor Bruschino. She currently holds the J. Ralph Corbett Distinguished Chair in Opera at the University of Cincinnati College-Conservatory of Music.
Larmes de couteau, H. 169, Knife tears, Czech Slzy nože, is a one-act opera by Bohuslav Martinů to a French libretto by Georges Ribemont-Dessaignes. Composed in Paris in March 1928, it was not premiered until October 1969 at the State Theatre, Brno. The plot contains surreal and grotesque elements, and the music demonstrates the composer's then preoccupation with jazz both in orchestration and musical language.
Hlas lesa, is a 1935 radio opera in 1 act, H 243 by Bohuslav Martinů.
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