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Gregory Marcellus Schiemer | |
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Birth name | Gregory Marcellus Schiemer |
Born | Dunedoo, Australia | 16 January 1949
Origin | Australia |
Genres | electronic music |
Occupation(s) | electronic music composer, instrument builder, teacher, computer technician |
Website | https://satellitegamelan.com |
Gregory Marcellus Schiemer (born 16 January 1949 in Dunedoo) is an Australian electronic music composer, instrument builder and teacher. His artistic preoccupations include creative engagement with technology, music created for non-expert performance and intercultural-interfaith dialogue.
Greg Schiemer was born on 16 January 1949 in Dunedoo, New South Wales. [1] He attended Holy Cross College, Ryde (1961 to 1963), and finished high school in the Passionist minor seminary (from 1964) at St Ives and at the Sydney Technical College, Ultimo in 1968. [2] He completed a B.Mus at Sydney University in 1972 where he studied composition with Peter Sculthorpe who introduced him to the music of Asia and the instruments of Harry Partch. [3] Through David Ahern, he discovered experimental music and the work of Cornelius Cardew and John Cage. [2]
Schiemer first worked in electronic music as a musical collaborator of Philippa Cullen in her electronic dance ensemble. He gradually learned the craft of electronics guided by Cullen's technical collaborators Phil Connor [4] and Arthur Spring. Between 1972 and 1975 together they built some of the earliest electronic music systems that respond to dance movement. [5] Between 1976 and 1981 Schiemer worked for Digital Equipment Australia, a division of Digital Equipment Corporation, initially in computer field service and later as senior design technician. In 1999 he completed a PhD in Electronics from Macquarie University for his thesis "MIDI Tool Box: An interactive system for music composition". [6]
Schiemer taught electronic music composition at the Canberra School of Music from 1983. [7] In November of that year as part of the city's Sunday in the Park spring program, he created the first of several broadcast electronic music events called ”A Concert on Bicycles". [8] Participants cycle en masse around Lake Burley Griffin with transistor radios attached to their bicycle frames and tuned to local community radio station 2XX. [9] [7] [10]
He relocated to the Sydney Conservatorium in 1986. [11] There he mentored musicians working with new technology and participated in the activities of watt, the electro-acoustic group co-founded by composers Martin Wesley-Smith and Ian Fredericks. [12] In 2003, he moved to the University of Wollongong where he was the lead chief investigator for Australian Research Council projects focused on mobile technology, [13] haptic instruments [14] and microtonal performance. [15] He was Director of the Sonic Arts Research Network, coordinating interdisciplinary research involving sound across a variety of disciplines within Creative Arts, Informatics and Engineering. [16] He supervised postgraduate composers and introduced undergraduate courses in Csound, [17] Pure Data [18] and circuit-bending. [19]
Schiemer's creative work has typically involved performance using bespoke electronic instrument hardware which he designed, built and programmed. His work has been performed at international new music festivals such as GAUNG (2009, Bedugul), [20] [21] BIDAF [2014, Bandung], [22] EUROMicroFest 2013 (Freiburg) and LA MicroFest (Los Angeles) [23] and at concerts in conjunction with NIME (2006, Paris), [24] and (2010, Sydney), [25] ICMC (1993, Tokyo), [26] (1996, Hong Kong), (2007, Belfast), DaFX (2007, Helsinki, [27] ISEA (2008, Singapore [28] and ICAD (2016, Canberra). [29]
In 2009 he was invited by the Sacred Bridge Foundation [30] to present mobile music performances with Indonesian musicians at workshops directed by Franki Raden Notosudirdjo, [31] Stomu Yamash'ta [32] and Jean-Claude Éloy. [33] A concert program of his music for mobile instruments was presented in the 2012 Aurora Festival of Living Music in Western Sydney. [34] Transposed Dekany, his entry in the 2012 International Space Time Concerto competition, [35] hosted by the University of Newcastle in conjunction with Ars Electronica, was awarded Vice Chancellor's Prize. [36] The work was realised by a consort of musicians located in multiple venues connected via the internet and performing with a purpose-built iPhone app, the Satellite Gamelan. [37] Subsequent app revisions have been used in single venue concerts at EUROMicroFest, ICAD, LA MicroFest and Sydney MicroFest (2023). [38]
His electronic instruments include:
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.
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Philippa Ann Cullen was an Australian dancer, choreographer, teacher and performance artist. She was notable for her innovative dance performances incorporating the use of the theremin and the development of movement-sensitive floors known as Vernus floors. From the late 1960s until 1974 she taught movement and dance at many venues, in Australia and overseas. Her most important classes took place on Sunday mornings in the University of Sydney Quadrangle, and were attended by dancers, actors, musicians and artists.
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Department of Composition at the Canberra School or Music will present what it says is the world's first 'Concert on Bicycles'
Mention of works by Takehito Shimazu, Corte Lippe, Jonty Harrison, Jean-Claude Risset, Kaija Saariaho, Greg Schiemer