Flamin' Groovies is an American rock band that formed in San Francisco in 1965, originally co-led by Roy Loney and Cyril Jordan. After the Groovies released three albums, on Epic (Supersnazz) and Kama Sutra, Loney left the band in 1971. He was replaced as co-leader by Chris Wilson, and the band's emphasis shifted more toward British Invasion power pop.
Shake Some Action is the fourth studio album by American rock band the Flamin' Groovies. The album was released in June 1976 by Sire Records. The title Shake Some Action originates from a line in the 1965 film None but the Brave.
"Blue Turns to Grey" is a song that was written by Mick Jagger and Keith Richards. The song first appeared in February 1965 when both Dick and Dee Dee and The Mighty Avengers released versions of it as singles. Another version was released shortly thereafter by Tracey Dey on Amy Records. On Dey's single, the label credits the song to "K. Richard-A. Oldham"—Oldham being the surname of the Rolling Stones' then-manager/producer Andrew Loog Oldham. It was released by The Rolling Stones on their 1965 US-only album December's Children later that year. On this album, "Blue Turns to Grey" as well as "The Singer Not the Song" features Brian Jones on a 12-string electric guitar and Keith on a 6-string. It did not see a UK release until the 1971 compilation album Stone Age.
Separated Vegetables is the first full-length album by Washington, D.C.'s Slickee Boys. Self-released on guitarist Kim Kane's Dacoit label, it was pressed in an edition of 100 copies. As well as songs written by the band, it includes cover versions of songs originally by Overkill, Flamin' Groovies, the Road Runners, Johnny Smith, Country Joe and the Fish, the Small Faces, Chuck Berry, and the Hangmen (whose song, "What a Girl Can't Do", the Slickee's had already released on their debut record, 1976's Hot and Cool EP. A mix of studio and live recordings, the album includes a number of tracks taped in front of an appreciative audience at D.C. punk dive the Keg.
Songs from the Film is Tommy Keene's second full-length album and his major label debut. Originally released on LP and cassette in 1986, it wasn't available on CD until 1998.
"I'll Feel a Whole Lot Better" is a song by the Los Angeles folk rock band the Byrds, first released in June 1965 on the B-side of the band's second single, "All I Really Want to Do". Despite initially being released as a B-side, the song managed to chart in its own right in the U.S., just outside the Billboard Hot 100. It was also included on the Byrds' debut album, Mr. Tambourine Man.
The A-Bones was an American garage rock band from Brooklyn, New York. Their name was derived from a song by The Trashmen. The band was formed in 1984 by vocalist Billy Miller and his wife, drummer and co-vocalist Miriam Linna, in the wake of a prior band collaboration, The Zantees. The couple were at the time editors of the rock and roll culture fanzine Kicks and on the threshold of launching Norton Records. Guitarist Bruce Bennett replaced original guitarist Mike Mariconda shortly after the band was formed. Marcus "The Carcass" Natale replaced founding bass player Mike Lewis, prior to recording the A-Bones second E.P. Free Beer For Life in 1988. Tenor sax player Lars Espensen further filled out the group from 1990 until 2010.
Teenage Head is the third studio album by the San Francisco rock band Flamin' Groovies, released in March 1971 by Kama Sutra Records.
Chris Wilson is a guitarist and multi instrumentalist, most known for his role as the singer of the best-remembered line-up San Francisco band the Flamin' Groovies, having replaced original singer Roy Loney in 1971. With Wilson on lead vocals, the band released their influential 1976 album Shake Some Action.
Flamingo is the second studio album by the rock band the Flamin' Groovies. It was released in 1970. Following the group's departure from the Epic record label, it was the first of their two albums for Kama Sutra Records.
Supersnazz is the debut studio album by the rock band the Flamin' Groovies. It was released in 1969 on the Epic label. The release was their only album recorded expressly for a major record label, although all of their next five albums were distributed by major labels. Supersnazz was later released in compact disc format in 2000 on Sundazed Records with four edits of songs from the album included as bonus tracks.
Flamin' Groovies Now is a studio album by The Flamin' Groovies, released in 1978. It was produced by Dave Edmunds, and marked a resurgence of the San Francisco band. It brought them to international audiences informed by the post-punk ethic of simplicity that chimed with their classic West Coast melodic pop.
Jumpin' in the Night is the sixth studio album by The Flamin' Groovies, released in 1979. It was produced by Cyril Jordan and Roger Bechirian.
Michael Goldberg is a novelist, journalist, animal rights activist, and pioneering digital music entrepreneur. He is known for his work (1983-1993) at Rolling Stone, where he was first a senior writer and later West Coast editor, and for envisioning and co-founding the first web music magazine, Addicted to Noise, in 1994, for which Newsweek included him in its 1995 "Net 50" list of "the 50 People Who Matter Most on the Internet." Between 2014 and the fall of 2016 he published the Freak Scene Dream trilogy of '70s coming-of-age novels, and worked actively in animal rights causes. His nonfiction book, Wicked Game: The True Story of Guitarist James Calvin Wilsey, was published in June of 2022.
Fantastic Plastic is the ninth studio album by The Flamin' Groovies, released on September 22, 2017, and produced by Cyril Jordan and J. Jaffe. The first new album from the Groovies since 1993, it features the reunion of the Groovies most commercially successful line-up, the classic 1970s combo of guitarists/vocalists Jordan and Chris Wilson and bassist George Alexander, who recorded three albums together before splitting up in 1981.
One Night Stand is an album by the Flamin' Groovies. It was released in 1987 and produced by Cyril Jordan, who also provided the cover art. The album was recorded "live in the studio" in a single night in Australia by the then-current version of the Groovies during a "grueling" tour of Australia, Japan and Europe.
Rock Juice is the eighth studio album by the Flamin' Groovies, released in September 1993 and produced by Cyril Jordan, who also provided the cover art, and Karl Derfler. The album was completed by Jordan and Groovies' bassist George Alexander after the group's breakup in 1991, and they are the only musicians credited in the liner notes.
A Bucket of Brains is a studio EP/CD by the Flamin' Groovies, primarily consisting of seven songs recorded by the group while living in England and recording for the British branch of United Artists Records ("UA") in 1972. The songs were intended to form the basis of the Groovies' fourth studio album, to be entitled A Bucket of Brains. Six of the songs were produced by Dave Edmunds, while the seventh was produced by Groovies' leader Cyril Jordan. The eighth song on the album is the original "correct speed" studio version of the Groovies' most famous song, "Shake Some Action".
Step Up is a compilation album of in-studio demos recorded by the Flamin' Groovies in the San Francisco Bay Area between 1984 and 1989 and released in 1991. The demos were produced by Cyril Jordan and engineered and mixed by Karl Derfler, and the album was released shortly after the band broke up. However, after the breakup, eight of the 13 songs were reworked and remixed by Jordan and Derfler, along with removing all lead and backing vocals except for those by Jordan and Groovies' bassist George Alexander, and were then ultimately issued on the Groovies' eighth studio album Rock Juice in 1993.
Roy Loney was an American rock musician, best known as the original lead singer of the Flamin' Groovies. The Groovies original line-up issued releases on Epic Records and Kama Sutra Records, which Rolling Stone magazine described as an "influence on power-pop and punk …" Loney's albums with the Flamin' Groovies included Sneakers (EP), Supersnazz, Flamingo, and Teenage Head.Billboard magazine contrasted their "gritty" sound to the "flower power" approach of their San Francisco contemporaries.
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