Herbert Jeffrey Hancock is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electro styles, utilizing a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, Head Hunters.
William Clarence Eckstine was an American jazz and pop singer and a bandleader during the swing and bebop eras. He was noted for his rich, almost operatic bass-baritone voice. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording." His recording of "I Apologize" was given the Grammy Hall of Fame Award in 1999. The New York Times described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Earl Coleman, Johnny Hartman, Joe Williams, Arthur Prysock, and Lou Rawls."
Wayne Shorter is an American jazz saxophonist and composer. Shorter came to prominence in the late 1950s as a member of, and eventually primary composer for, Art Blakey's Jazz Messengers. In the 1960s, he joined Miles Davis's Second Great Quintet, and then co-founded the jazz fusion band Weather Report. He has recorded over 20 albums as a bandleader.
Verve Records is an American record label owned by Universal Music Group (UMG). Founded in 1956 by Norman Granz, the label is home to the world's largest jazz catalogue, which includes recordings by artists such as Ella Fitzgerald, Nina Simone, Stan Getz, Bill Evans, Billie Holiday, and Oscar Peterson, among others. It absorbed the catalogues of Granz's earlier label, Clef Records, founded in 1946; Norgran Records, founded in 1953; and material which was previously licensed to Mercury Records.
Joe Henderson was an American jazz tenor saxophonist. In a career spanning more than four decades, Henderson played with many of the leading American players of his day and recorded for several prominent labels, including Blue Note, Milestone, and Verve.
Jerome Najee Rasheed, known professionally as Najee, is an American Jazz-Smooth Jazz saxophonist and flautist.
Dis Is da Drum is Herbie Hancock's thirty-ninth album and his first solo album since leaving Columbia Records. Guests include saxophonist Bennie Maupin, trumpeter Wallace Roney and flautist Hubert Laws.
Future 2 Future is the forty-third album by Herbie Hancock. Hancock reunited with producer Bill Laswell. The two tried to repeat the success of the three previous albums that combine jazz with electronic music.
Cyro Baptista is a Brazilian percussionist in jazz and world music. He creates many of the percussion instruments he plays.
William Edward Childs is an award-winning American composer, jazz pianist, arranger and conductor from Los Angeles, California, United States.
Don Grusin is an American jazz keyboardist, composer, and record producer. He is the younger brother of Dave Grusin.
Future Shock is the thirty-fifth album by American jazz pianist Herbie Hancock, released in August 1983 by Columbia Records. It was his first release from his electro-funk era and an early example of instrumental hip hop. Participating musicians include bass guitarist Bill Laswell, guitarist Pete Cosey and drummer Sly Dunbar.
Takin' Off is the debut album by jazz pianist Herbie Hancock released in 1962 by Blue Note Records. Featuring veteran tenor saxophonist Dexter Gordon, trumpeter Freddie Hubbard, bassist Butch Warren and drummer Billy Higgins. The album is a creative example of music in the hard bop idiom. The bluesy track "Watermelon Man" made it to the Top 100 of the singles charts, and went on to become a jazz standard. Hancock released a funk arrangement of “Watermelon Man” on his 1973 album Head Hunters. Takin' Off was initially released on CD in 1996 and then again in remastered form in 2007 by Rudy Van Gelder.
Fat Albert Rotunda is the eighth album by jazz keyboardist Herbie Hancock, released in 1969. It was Hancock's first release for Warner Bros. Records after his departure from Blue Note Records. The music was originally done for the TV special Hey, Hey, Hey, It's Fat Albert, which later inspired the Fat Albert and the Cosby Kids TV show.
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, jazz fusion/ jazz-funk performances by the ‘Mwandishi’ band and The Headhunters. The concert was advertised as a "Herbie Hancock Retrospective," and Miles Davis, who was several months into his temporary retirement, was advertised as playing with the V.S.O.P. group. According to concert attendees, on the night of the show a handwritten sign was posted on the lobby door announcing that Davis would not be playing, but that Hubbard would be appearing instead.
Billy Eckstine Sings with Benny Carter is a 1986 album by the American singer Billy Eckstine, accompanied by the alto saxophonist Benny Carter. The singer Helen Merrill appears in duet with Eckstine on the first and last songs of the album. This was Eckstine's only LP released on Verve Records, and marked his final album recordings.
West Side Stories is the eleventh studio album by the six-time Grammy Award-nominated, one-time Grammy winning composer, keyboardist and pioneer of the smooth jazz genre, Jeff Lorber, released on Verve Forecast in 1994. After six previous nominations, Lorber won his first Grammy Award on January 28, 2018 for Best Contemporary Instrumental Album for Prototype by his band The Jeff Lorber Fusion.
In My Wildest Dreams is a 1992 album by keyboardist Tom Grant featuring David Grant and Wayne Braithwaite.
Worth Waiting For is the tenth studio album by jazz keyboardist Jeff Lorber, released on Verve Forecast in January 1993. The album topped the U.S. Billboard Contemporary Jazz Albums chart at the end of July 1993. Worth Waiting For is the only album by Lorber to hit number 1 on that chart; five others rose to number 2. The album also hit number 33 on Billboard's Jazz chart, and number 71 on the R&B chart.
Straight to the Point is the second album by jazz saxophonist Art Porter Jr., released in June 1993. The album represents a continuation of the smooth jazz and jazz fusion sound that Porter had established in 1992 with Pocket City, and which he would continue on both of his subsequent albums: Undercover and Lay Your Hands On Me. Zan Stewart reviewed the album for Los Angeles Times, saying it had "solid moments... but just not enough of them."
