Hardware | |
---|---|
Directed by | Richard Stanley |
Screenplay by | Richard Stanley |
Based on | SHOK! by Steve MacManus Kevin O'Neill |
Produced by |
|
Starring | |
Cinematography | Steven Chivers |
Edited by | Derek Trigg |
Music by | Simon Boswell |
Production companies |
|
Distributed by | Palace Pictures (United Kingdom) Millimeter (United States) |
Release dates |
|
Running time | 94 minutes [2] |
Countries | United Kingdom United States [1] [3] |
Language | English |
Budget | £960,000 [4] ($1.5 million) |
Box office | $5.7 million (US) [5] |
Hardware is a 1990 science fiction horror film written and directed by Richard Stanley, in his feature directorial debut. It stars Dylan McDermott and Stacey Travis, and also features cameo appearances by musicians Carl McCoy, Iggy Pop and Lemmy. An example of the cyberpunk subgenre, [6] the plot of Hardware follows a self-repairing robot that goes on a rampage in a post-apocalyptic slum.
Fleetway Comics successfully sued the filmmakers of Hardware for plagiarism, due to similarities between the screenplay and a short story entitled "SHOK!" that appeared in 1980 in the Judge Dredd Annual 1981, a spin-off publication of the popular British weekly anthology comic 2000 AD ; credit was added to later releases of the film. Since its release, Hardware has become considered a cult film.
A nomadic scavenger treks through an irradiated wasteland and discovers a buried robot. He collects the pieces and takes them to junk dealer Alvy, who is talking with 'Hard Mo' Baxter, a former soldier, and Mo's friend Shades. When Alvy steps away, Mo buys the robot parts from the nomad and sells all but the head to Alvy. Intrigued by the technology, Alvy begins to research its background. Mo and Shades visit Jill, Mo's reclusive girlfriend, and, after an initially distant welcome where Jill checks them with a Geiger counter, Mo presents the robot head as a Christmas gift. Jill, a metal sculptor, eagerly accepts the head. After Shades leaves, they have loud, passionate sex, while being unknowingly watched by their foul-mouthed, perverted, voyeuristic neighbour Lincoln Weinberg via telescope.
Later, Mo and Jill argue about a government sterilization plan and the morality of having children. Jill works the robot head into a sculpture, and Mo says that he likes the work, but he does not understand what it represents. Frustrated, Jill says it represents nothing and resents Mo's suggestion that she make more commercial art to sell. They are interrupted by Alvy, who urges Mo to return to the shop, as he has important news about the robot, which he says is a M.A.R.K. 13. Before he leaves, Mo checks his Bible, where he finds the phrase "No flesh shall be spared" under Mark 13:20, and he becomes suspicious that the robot is part of a government plot for human genocide to address the planet's severe overpopulation crisis. Mo finds Alvy dead of a cytotoxin and evidence that the robot is an experimental combat model capable of self-repair; Alvy's notes also indicate a defect, a weakness to humidity. Worried, Mo contacts Shades and asks him to check on Jill, but Shades is in the middle of a drug trip and barely coherent.
Back at the apartment, the robot has reassembled itself using pieces of Jill's metal sculptures and recharged by draining her apartment's power network. It attempts to kill Jill, but she traps it in a room after the apartment's doors lock. Lincoln sees the robot close the blinds while trying to peep on Jill, and, after he briefly manages to open the apartment door, makes crude sexual advances towards her, and offers to override the emergency lock that traps them in her apartment. Lincoln dismisses her warnings of a killer robot, and, when he attempts to open Jill's blinds so that he can more easily peep on her, the M.A.R.K. 13 brutally kills him. Jill flees into her kitchen, where she reasons that her refrigerator will hide her from the robot's infrared vision. She damages the robot before Mo, Shades, and the apartment's security team arrive and open fire on it, apparently destroying it.
As Jill and Mo embrace, the M.A.R.K. 13 drags her out a window, and she crashes into her neighbor's apartment. Jill races back upstairs to help Mo, who is alone with the M.A.R.K. 13. Overconfident, Mo engages the robot in battle, and it injects him with the same toxin that killed Alvy. Mo experiences euphoria and a series of hallucinations as he dies. After Jill re-enters her apartment, the M.A.R.K. 13 sets her apartment doors to rapidly open and close; the security team die when they attempt to enter, and Shades is trapped outside. Jill hacks into the M.A.R.K. 13's CPU and unsuccessfully attempts to communicate with it; however, she discovers the robot's weakness and lures the M.A.R.K. 13 into the bathroom. Shades, who has managed to quickly jump through the doors, gives her time to turn on the shower. The M.A.R.K. 13 short circuits and is finally deactivated. The next morning, a radio broadcast announces that the M.A.R.K. 13 has been approved by the government, and it will be mass manufactured, the nomadic scavenger is seen returning to the irradiated wasteland.
The film's script was similar to a short 2000 AD comic strip called "SHOK!" which had been published in 1980. Fleetway Comics brought a successful lawsuit that the film plagiarized the comic strip and so a notice was added to later releases, giving credits to the strip's publisher, Fleetway Publications and creators, Steve MacManus and Kevin O'Neill. [7] Other influences include Soylent Green , Damnation Alley , and the works of Philip K. Dick. [8]
Writer-director Richard Stanley had previously made a post-apocalyptic short film when he was a teenager, and Hardware grew out of that film and responses he got from other, unproduced scripts. [9] By the late 1980s, Stanley had accompanied a guerrilla Muslim faction in the Soviet–Afghan War [8] in order to shoot a documentary. [9] He started pre-production of Hardware almost immediately after leaving Afghanistan. The opening scene was shot in Morocco, and the rest of the film was shot in east London, mostly inside the then-abandoned Roundhouse; sets were built inside the structure, although the lack of proper soundproofing meant all of the dialogue had to be re-recorded. The film was originally more specifically British, but Miramax insisted on American leads. Stanley then added a multinational cast to muddy the setting.
Stanley wanted to emphasize themes of fascism and passive acceptance of authoritarianism, as he had recently come from the apartheid regime of South Africa. [9] Stanley says that the robot does not know that it is committing evil, and it only obeys its programming, which could be likened to a spiritual quest. [8] Psychic TV was an inspiration for the exaggerated television broadcasts. [8]
Simon Boswell composed and performed the film's score, which is primarily electronic. [10] The film also features the songs "Ace of Spades" by Motörhead, [11] "Stigmata" by Ministry, and "The Order of Death" by Public Image Ltd. [10]
Author K. J. Donnelly perceived an influence of MTV and music videos on the film, writing, "Hardware stands as an example of a particular type of film that melds the form of the pop video with the format of the cinematic feature." [12] Donnelly notes that Stanley had directed music videos prior to Hardware, including videos for the bands Fields of the Nephilim—whose frontman Carl McCoy appears in the film as the nomadic "zonetripper"—and Public Image Ltd. [13] Donnelly highlights the appearances by McCoy as the zonetripper, Iggy Pop as radio announcer Angry Bob, and Motörhead vocalist Lemmy as a water taxi driver as "establishing a significant esoteric level in the film"; [11] he also notes the meta-referential nature of the film's inclusion of "Ace of Spades", as Lemmy's character plays the song on his water taxi's radio cassette. [11]
Hardware was originally rated "X" by the Motion Picture Association of America (MPAA) for its gore. [14] It was later cut down to an R to avoid the stigma of a rating associated with pornography. [15]
In the United States, the film debuted at number six. [16] It grossed $2,381,285 in its opening weekend and had a total domestic gross of $5,728,953 in 695 theaters. [5]
In the UK the film made £313,038. [17]
Due to its unexpected success, the film was caught up in continual legal issues that prevented its release on DVD for many years. [18]
Hardware was released on Region 2 DVD and Blu-ray on 22 June 2009. [19] It was released on region-free DVD and Blu-ray on 13 October 2009 by Severin Films. [20]
On the review aggregator website Rotten Tomatoes, the film has an approval rating of 46% based on 13 reviews, with an average rating of 5.7/10. [21]
Upon release, Hardware received mixed reviews from critics, who cited it as derivative of Alien and The Terminator . [22] Owen Gleiberman of Entertainment Weekly gave the film a grade of "D+", lamenting it as unoriginal, "as if someone had remade Alien with the monster played by a rusty erector set." [23] Variety wrote, "A cacophonic, nightmarish variation on the postapocalyptic cautionary genre, Hardware has the makings of a punk cult film." [24] Michael Wilmington of the Los Angeles Times characterized Hardware as a shallow splatter film whose exaggerated bleakness elevates it above the typical techno-thriller, concluding: "Insane exaggerations and all, this barbarous hell of wanton destruction and bleak post-industrial Darwinism is what may face us. That nasty notion pulls Hardware up above all but a fraction of its competition in the techno-thriller blood-bath sweeps." [25] Vincent Canby of The New York Times described it as a future midnight movie and wrote, "Watching Hardware is like being trapped inside a video game that talks dirty." [26] Richard Harrington of The Washington Post called it "an MTV movie, a mad rush of hyperkinetic style and futuristic imagery with little concern for plot (much less substance)." [27]
Despite mixed reviews during original release, Hardware has gone on to be considered a cult film. Ian Berriman of SFX wrote, "It's one of those lovingly crafted movies where ingenuity and enthusiasm overcome the budgetary limitations." [28] Matt Serafini of Dread Central gave it a score of four out of five stars and wrote, "Hardware isn't quite the masterpiece that some its most ardent fans have claimed, but it's an excellent piece of low-budget filmmaking from an era when low-budget wasn't synonymous with camcorder crap." [29] Bloody Disgusting called it "an austere and trippy film" with a narrative that is "a disjointed mess", but noted that it "has become a certifiable cult classic". [30] Todd Brown of Twitch Film called it "essentially a lower budget, more intentionally punk take on The Terminator" that has an "undeniable ... sense of style". [31] DVD Verdict's Daryl Loomis called it slow-paced but stylistic and atmospheric, [32] and fellow reviewer Gordon Sullivan called it "a hallucinatory and violent film" that has an overly detailed, slow-paced beginning. [33] Writing for DVD Talk, Kurt Dahlke awarded it three out of five stars and called it a "forgotten gem" that "is overwhelmed by style and gore", [34] and Brian Orndorf called it "an art-house, sci-fi gorefest" that is moody and atmospheric without buckling under its own weight. [35] Michael Gingold of Fangoria gave it three out of four stars and wrote, "If the ingredients of Hardware are familiar, Stanley cooks them to a boil with a relentless pace and imagery that makes his future a tactile place". [36]
Full Metal Jacket is a 1987 war film directed and produced by Stanley Kubrick from a screenplay he co-wrote with Michael Herr and Gustav Hasford. The film is based on Hasford's 1979 autobiographical novel The Short-Timers. It stars Matthew Modine, R. Lee Ermey, Vincent D'Onofrio, Adam Baldwin, Dorian Harewood, and Arliss Howard.
Ian Fraser Kilmister, better known as Lemmy Kilmister or simply Lemmy, was a British musician. He was the founder, lead singer, bassist and primary songwriter of the rock band Motörhead, of which he was the only continuous member, and a member of Hawkwind from 1971 to 1975.
A.I. Artificial Intelligence is a 2001 American science fiction film directed by Steven Spielberg. The screenplay by Spielberg and screen story by Ian Watson are loosely based on the 1969 short story "Supertoys Last All Summer Long" by Brian Aldiss. Set in a futuristic society, the film stars Haley Joel Osment as David, a childlike android uniquely programmed with the ability to love. Jude Law, Frances O'Connor, Brendan Gleeson and William Hurt star in supporting roles.
Richard Stanley is a South African filmmaker, known for his work in the horror genre. He began his career making short films and music videos, and subsequently directed the feature films Hardware (1990) and Dust Devil (1992), both of which are considered cult classics. He was the original director of The Island of Dr. Moreau (1996), but was fired early into principal photography due to creative differences, an episode recounted in the 2014 documentary Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau. In 2019, he returned to feature films after more than 20 years, directing the H. P. Lovecraft adaptation Color Out of Space.
Paradise Towers is the second serial of the 24th season of the British science fiction television series Doctor Who, which was first broadcast in four weekly parts from 5 to 26 October 1987.
Two Guys and a Girl is an American television sitcom created by Rick Wiener, Kenny Schwartz, and Danny Jacobson. The series started as a short-run mid-season replacement on March 11, 1998, on ABC. The series ran for four seasons, ending with a planned series finale, its eighty-first episode, on May 16, 2001.
Uptown Girls is a 2003 American comedy drama film directed by Boaz Yakin and starring Brittany Murphy, Dakota Fanning, Heather Locklear, Marley Shelton, Donald Faison, and Jesse Spencer. Adapted by screenwriters Julia Dahl, Mo Ogrodnik and Lisa Davidowitz from a story by Allison Jacobs, it focuses on the naive daughter of a famous rock musician who, after learning her inheritance has been embezzled, finds herself employed as a nanny for a precocious hypochondriac girl in Manhattan, New York.
Midnight Lace is a 1960 American psychological thriller film directed by David Miller and starring Doris Day, Rex Harrison, John Gavin, Myrna Loy, and Roddy McDowall. The plot centers on a woman threatened by an anonymous stalker and who has a hard time convincing others of what is happening. The screenplay by Ivan Goff and Ben Roberts was based on the play Matilda Shouted Fire by Janet Green. The new title referred to a lacy dress that Day's character purchases early in the film and wears at the climax.
When a Stranger Calls is a 1979 American psychological thriller film written and directed by Fred Walton, co-written by Steve Feke, and starring Charles Durning, Carol Kane, Colleen Dewhurst and Tony Beckley. Its plot follows Jill Johnson, a young woman being terrorized by a psychopathic killer while babysitting, the killer's stalking of another woman, his returning to torment Jill years later, and a detective's trying to find him. Rachel Roberts, Ron O'Neal, Carmen Argenziano, and Rutanya Alda appear in supporting roles. The film derives its story from the folk legend of "the babysitter and the man upstairs".
Hardware Wars is a 1978 American short science fiction parody film in the form of a teaser trailer for a fictitious science fiction film that parodies Star Wars. The 13-minute film, which was released almost 18 months after Star Wars, mainly consisted of inside jokes and visual puns that heavily depended upon audience familiarity with the original. The theme song is Richard Wagner's "Ride of the Valkyries".
Maniac Cop is a 1988 American slasher film directed by William Lustig, written by Larry Cohen, and starring Tom Atkins, Bruce Campbell, Laurene Landon, Richard Roundtree, William Smith, Robert Z'Dar, and Sheree North. Z'Dar plays the title character, a murderous ex-police officer returned from the dead, and seeks revenge on the people who wronged him. It is the first installment in the Maniac Cop film series. Maniac Cop was released on May 13, 1988 and grossed $671,382 worldwide on a budget of $1.1 million. The film was followed by two sequels, Maniac Cop 2 (1990) and Maniac Cop III: Badge of Silence (1993).
Basket Case is a 1982 American horror film written and directed by Frank Henenlotter in his feature directorial debut. Produced by Edgar Ievins, the film stars Kevin Van Hentenryck as Duane Bradley, a young man who seeks vengeance on the doctors and nurses who performed an unwanted surgery that separated him from his deformed conjoined twin brother Belial, whom Duane hides in a large wicker basket.
La Chienne is a 1931 French film by director Jean Renoir. It is the second sound film by the director and the twelfth film of his career. The film is based on the eponymous story "La Chienne" by Georges de La Fouchardière. The literal English translation of the film's title is "The Bitch", although the movie was never released under this title. It is often referred to in English as Isn't Life a Bitch? The film was remade by Fritz Lang in the United States as Scarlet Street (1945).
When a Stranger Calls Back is a 1993 American made-for-television psychological horror film and a sequel to the 1979 classic When a Stranger Calls which reunites stars Carol Kane and Charles Durning with director Fred Walton from the original film. It was originally broadcast on Showtime on April 4, 1993.
Robot Jox is a 1990 American post-apocalyptic mecha science-fiction film directed by Stuart Gordon and starring Gary Graham, Anne-Marie Johnson and Paul Koslo. Co-written by science-fiction author Joe Haldeman, the film's plot follows Achilles, one of the "robot jox" who pilot giant machines that fight international battles to settle territorial disputes in a dystopian, post-apocalyptic world.
Inkheart is a 2008 fantasy adventure film directed by Iain Softley, produced by Cornelia Funke, Dylan Cuva, Sarah Wang, Ute Leonhardt, Toby Emmerich, Mark Ordesky, Ileen Maisel and Andrew Licht, written by David Lindsay-Abaire, music composed by Javier Navarrete and starring Brendan Fraser, Paul Bettany, Helen Mirren, Jim Broadbent, Andy Serkis, and Eliza Bennett. It is based on Cornelia Funke's 2003 novel of the same name.
Body Parts is a 1991 American sci-fi body horror film directed by Eric Red and starring Jeff Fahey, Kim Delaney, Brad Dourif, Zakes Mokae, and Lindsay Duncan. It was produced by Frank Mancuso Jr., from a screenplay by Red and Norman Snider, who dramatized a story that Patricia Herskovic and Joyce Taylor had based on the horror novel Choice Cuts by Pierre Boileau and Thomas Narcejac. The film follows a psychologist who undergoes an experimental arm transplant surgery and begins having visions of murders.
Blu-ray is a digital optical disc data storage format designed to supersede the DVD format. It was invented and developed in 2005 and released worldwide on June 20, 2006, capable of storing several hours of high-definition video. The main application of Blu-ray is as a medium for video material such as feature films and for the physical distribution of video games for the PlayStation 3, PlayStation 4, PlayStation 5, Xbox One, and Xbox Series X. The name refers to the blue laser used to read the disc, which allows information to be stored at a greater density than is possible with the longer-wavelength red laser used for DVDs, resulting in an increased capacity.
Lemmy: 49% motherfucker. 51% son of a bitch. is a 2010 documentary film profile of the English rock musician Ian "Lemmy" Kilmister, the founder, bassist, and lead vocalist of the heavy metal band Motörhead.
Batman Unlimited: Animal Instincts is a 2015 American animated superhero film and the first entry in the Batman Unlimited series. It was released on May 12, 2015 on Blu-ray, DVD and Digital HD.