| Headline | |
|---|---|
| | |
| Directed by | John Harlow |
| Written by |
|
| Produced by | |
| Starring | |
| Cinematography | Geoffrey Faithfull |
| Edited by | Francis Cockburn |
| Music by | Percival Mackey |
Production company | John Corfield Productions |
| Distributed by | Associated British Film Distributors |
Release date |
|
Running time | 75 minutes |
| Country | United Kingdom |
| Language | English |
Headline is a 1944 British thriller film directed by John Harlow and starring David Farrar, Anne Crawford, William Hartnell and John Stuart. [1] [2] It was written by Ralph Gilbert Bettison and Maisie Sharman based on the 1933 novel Reporter! by Ken Attiwill. [3] Its plot involves a crime reporter who searches for a mystery woman who has witnessed a murder.
Crime reporter 'Brookie' Brooks is instructed by his Ellington, his editor, to find the mystery woman who was in Paul Grayson's flat when Grayson murdered another woman. The mystery woman turns out to be Ellington's wife, and she is now being blackmailed by Grayson. Brooks uncovers the truth and succeeds in protecting Ellington from scandal.
It was shot at the Riverside Studios in Hammersmith. The film's sets were designed by the art director James Carter.
The Monthly Film Bulletin wrote: "Ken Attiwill's novel The Reporter [sic] had a genuine newspaper office atmosphere, but this film, based on it, out-Hollywoods Hollywood in the opposite direction. Farrar and Anne Crawford in the leads and Richard Goolden as an eccentric oddity take acting honours, but the rest of the cast seem ill at ease under heavy-handed direction and rigid, discordant editing." [4]
Kine Weekly wrote: "The treatment is rather lacking in punch, but dialogue is bright, comedy is prominent and the story is of the type to ensure a strong feminine interest. ... The story provides an illuminating example of the old adage 'where ignorance is bliss' and drives its point home in entertaining fashion. In execution it barely lives up to the vitality and power of its once-familiar American counterpart, but it is pleasing, often exciting and finishes up on a rousing note. Production qualities are very good and a fight between the reporter and the killer in a fast-moving train is both suspenseful and thrilling." [5]