Critical reception
The Monthly Film Bulletin wrote: "Here is a strong story which grips its audience up to the moment when it starts to make rather obvious fun of Pettinger in his exalted position – and sometimes even after that. Billy Hartnell makes the most of the character of Peter Pettinger, and on the whole he is well supported by the rest of the cast, which includes such well-known names as John Laurie, Moore Marriott, Joss Ambler, Cathleen Nesbitt and Bransby Williams. Wilfred Arnolds' art direction is good, and John Harlow has kept his direction in key. The film is certainly thought-provoking and a good example of the less lavish type of British production." [3]
Kine Weekly wrote: "Types are extremely well drawn – Billy Hartnell reveals unsuspected talent and range in tihe lead – and the detail is neat, but much character and colour are lost by its refusal to take sides. Nevertheless, it has its moments and obvious mass appeal. ... Mary Morris is adequate in the only worthwhile feminine role, and John Laurie, Moore Marriott, Frederick Leister and J. H. Roberts are the best of the shrewdly chosen rest. The story, clearly showing how power and riches embarrass the gas-bag, opens well, but subsequently both script writer and director are over-cautious and their restraint, born apparently of a conscientious desire to be fair to both sides, finally results in a somewhat protracted and bloodless contest, seldom provocative or controversial. Most of us prefer our entertainment and propaganda to have more punch. But to be fair, it is no waste of time witnessing Billy Hartnell's accurate and sustained portrayal." [4]
Variety wrote: "Major weakress is its failure to stick to one basic problem. Capital and labor are equally defended during the early stages of the film. ... Film fails to take advantage of the habits and customs of the small village. Entire play is put in the hands of the leading character, Peter Pettinger, whose brashness is properly portrayed by William Hartnell. Mary Morris shows intelligence and understanding as Hartnell's girl friend, while Elliot Mason adds a realistic touch as his mother. John Laurie turns in a good job as a shop foreman. John Harlow's direction does nothing to alleviate the film's excessive length of 95 minutes." [5]
Leslie Halliwell said: "Fairly absorbing, modest narrative of the flaws of socialism." [6]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Thought-provoking drama becomes too light in later stages." [7]
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