| Heavy Sounds | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | May 1968 [1] | |||
| Recorded | June 19–20, 1967 | |||
| Genre | Jazz | |||
| Length | 41:21 | |||
| Label | Impulse! | |||
| Producer | Bob Thiele | |||
| Elvin Jones chronology | ||||
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| Richard Davis chronology | ||||
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Heavy Sounds is an album by American jazz drummer Elvin Jones and bassist Richard Davis recorded in 1967 and released on the Impulse! label. [2]
Heavy Sounds was originally intended to be a trio date, with Jones, Davis, and guitarist Larry Coryell. However, Coryell did not appear, and producer Bob Thiele suggested that Jones and Davis play something together in his absence. The result was a 11½ minute duet version of "Summertime". Davis recalled: "No discussion, no editing, no plan, I just started playing the melody, and there he was... and I just thought there was some very brotherly thing about that particular piece." [3]
Thiele then suggested that the two musicians return to the studio the following day, and Jones invited saxophonist Frank Foster and pianist Billy Greene to join them. Together, they recorded a standard ("Here's That Rainy Day"), a tune by Greene ("M.E."), and two by Foster ("Raunchy Rita" and "Shiny Stockings"), as well as a version of "Take the 'A' Train" that was subsequently lost. An additional track, titled "Elvin's Guitar Blues" was also recorded, with Jones on acoustic guitar. He explained: "I'm not a real guitarist, but it's something that I love... It was one of these old blues tunes — something an old man, his name was Red, taught me when I was a kid... I've always liked to play that because it was one of the first pieces I learned how to play. And I like to listen to these old guitar players: Muddy Waters, John Lee Hooker..." [3]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [4] |
| The Rolling Stone Jazz Record Guide | [5] |
| The Penguin Guide to Jazz Recordings | [6] |
Opinions of the album have been mixed. The Allmusic review by Scott Yanow stated: "The music is essentially advanced hard bop but is not all that essential." [4] The authors of the Penguin Guide to Jazz Recordings called the album "a series of feature spots, stitched together with some suspect ensemble-play." [6] In a review for Flophouse Magazine, François van de Linde referred to the album as "a peculiar but delicious hodgepodge of styles" and wrote: "No plastic people on Heavy Sounds. But real people, searching for real sounds." [7] Writing for Down With It!, Charles Stewart commented: "The title is a poor one - Soul-Stirring Sounds would be far better, because it is a work that is diverse and impressive... don't be put off by the title and buy without hesitation." [8]
Elvin Ray Jones was an American jazz drummer of the post-bop era. Most famously a member of John Coltrane's quartet, with whom he recorded from late 1960 to late 1965, Jones appeared on such albums as My Favorite Things, A Love Supreme, Ascension and Live at Birdland. After 1966, Jones led his own trio, and later larger groups under the name The Elvin Jones Jazz Machine. His brothers Hank and Thad were also celebrated jazz musicians with whom he occasionally recorded. Elvin was inducted into the Modern Drummer Hall of Fame in 1995. In his The History of Jazz, jazz historian and critic Ted Gioia calls Jones "one of the most influential drummers in the history of jazz". He was also ranked at Number 23 on Rolling Stone magazine's "100 Greatest Drummers of All Time".
Svengali is a live album by jazz composer, arranger, conductor and pianist Gil Evans, recorded in 1973 by Evans with an orchestra featuring Ted Dunbar, Howard Johnson, David Sanborn, Billy Harper, Richard Williams, Trevor Koehler, and Hannibal Marvin Peterson. The name of the album is an anagram for Gil Evans.
Ella at Juan-les-Pins is a 1964 live album by Ella Fitzgerald, accompanied by a quartet led by Roy Eldridge on trumpet with the pianist Tommy Flanagan, Gus Johnson on drums and Bill Yancey on bass. Val Valentin was the recording engineer, cover photo by Jean-Pierre Leloir. The original 1964 album featured 12 songs, highlights of two concerts Fitzgerald performed on the 28 and 29 of July 1964 at the fifth annual Festival Mondial du Jazz Antibes in Juan-les-Pins, France. In 2002 Verve re-issued this album, including all the performances from both evenings. Ella is in fine voice, sounding very aggressive at times, as her voice leaps and growls. The listener also gets to hear Ella improvise a musical tribute to the crickets who are also in fine voice throughout the performance.
The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967, following Tyner's departure from the John Coltrane Quartet. It features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter and drummer Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections".
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All Star Road Band Volume 2 is a live album by American pianist, composer and bandleader Duke Ellington recorded at the Holiday Ballroom in Chicago for radio broadcast and first released as a double LP on Bob Thiele's Doctor Jazz label in 1985.