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| History of printing |
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The hectograph, gelatin duplicator or jellygraph is a printing process that involves transfer of an original, prepared with special inks, to a pan of gelatin or a gelatin pad pulled tight on a metal frame. [1]
While the original use of the technology has diminished, it has recently been revived for use in the art world. The hectograph has been modernized and made practical for anyone to use.
The special aniline dyes for making the master image came in the form of ink or in pens, pencils, carbon paper and even typewriter ribbon. Hectograph pencils and pens are sometimes still available. Various other inks have been found usable to varying degrees in the process; master sheets for spirit duplicators have also been pressed into service. Unlike a spirit duplicator master, a hectograph master is not a mirror image. Thus, when using a spirit duplicator master with a hectograph, one writes on the back of the purple sheet, using it like carbon paper to produce an image on the white sheet, rather than writing on the front of the white sheet to produce a mirror image on its back.
The master is placed on the gelatin and spirits applied to transfer the ink from the master to the gelatin. After transfer of the image to the inked gelatin surface, copies are made by pressing paper against it.
When a pad ceased to be useful, the gelatin could be soaked with spirits, the ink sponged away, and the pad left clean for the next master.
A grey-colored, thick, absorbent paper pad was supplied to cover the gelatin surface for storage. This also removed ink from the surface, but it took many hours to do so. Care needed to be taken that the gelatin surface was kept clean, and not damaged (e.g. by fingernails) during duplicating.
Although the name "hecto-graph" implies production of 100 copies, in reality the gelatin process produced print runs of somewhere between 20 and 80 copies, depending upon the skill of the user and the quality of the original. At least eight different colors of hectographic ink were available at one time, but purple was the most popular because of its density and contrast.
| Siege of Khartoum notes (1884) | |
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Siege of Khartoum promissory notes issued and hand-signed by Gen. Charles George Gordon (1884). The top note is hand-signed, the bottom note uses a hectographic signature. [2] | |
Hectography, requiring limited technology and leaving few traces behind, has been deemed useful both in low-technology environments and in clandestine circumstances where discretion was necessary. In the earlier 20th century, the process lent itself to small runs of school classroom test papers, church newsletters and science fiction fanzines. Prisoners-of-war at Stalag Luft III (the scene of The Great Escape) [3] and at Colditz Castle during World War II used an improvised hectograph to reproduce documents for a planned escape attempt.
The Communist authorities in the Jiangsu–Anhui Border Area of China used the process for postage stamps in November 1948, produced in sheets of 35, with thirteen $50 values, six $100, twelve $200, two $300 and two $500 values. [4]
It has also been used, though not very extensively, as an artistic medium in printmaking. The Russian Futurists used it for book illustrations, and the German expressionist Emil Nolde made four hectographs.
Stephen King, in his book On Writing , writes of how he and his elder brother Dave used the process to create their newspaper, Dave's Rag.
It was also used in professional situations; in Macy's advertising department during the 1950s and 1960s, full-page newspaper ad layouts were drawn with hectograph pencils and then duplicated on a hectograph to make file copies for future reference. Before the popularization of spirit duplicators and the mimeograph, there were mechanized hectography machines that used a drum, rather than a simple flat tray of gelatin.
In the final chapters of The Pothunters by P. G. Wodehouse the major characters use a jellygraph to produce a school magazine at very short notice. Wodehouse assumes his reader knows exactly what a jellygraph is and alludes to its being unattractive: "This jelly business makes one beastly sticky. I think we'll keep to print in future."
George Orwell's Keep the Aspidistra Flying (1936) describes a somewhat more subversive schoolboy publication:
And at that moment, in the years just after the War, England was so full of revolutionary opinion that even the public schools were infected by it. The young, even those who had been too young to fight, were in a bad temper with their elders, as well they might be; practically everyone with any brains at all was for the moment a revolutionary. Meanwhile the old—those over sixty, say—were running in circles like hens, squawking about "subversive ideas". Gordon and his friends had quite an exciting time with their "subversive ideas". For a whole year they ran an unofficial monthly paper called the Bolshevik, duplicated with a jellygraph. It advocated Socialism, free love, the dismemberment of the British Empire, the abolition of the Army and Navy, and so on and so forth. It was great fun. Every intelligent boy of sixteen is a Socialist. At that age one does not see the hook sticking out of the rather stodgy bait. [5]
Drawing is a visual art that uses an instrument to mark paper or another two-dimensional surface. The instruments used to make a drawing are pencils, crayons, pens with inks, brushes with paints, or combinations of these, and in more modern times, computer styluses with graphics tablets or gamepads in VR drawing software.
A mimeograph machine was a low-cost duplicating machine that worked by forcing ink through a stencil onto paper. The process was called mimeography, and a copy made by the process was a mimeograph.
Printing is a process for mass reproducing text and images using a master form or template. The earliest non-paper products involving printing include cylinder seals and objects such as the Cyrus Cylinder and the Cylinders of Nabonidus. The earliest known form of printing evolved from ink rubbings made on paper or cloth from texts on stone tablets, used during the sixth century. Printing by pressing an inked image onto paper appeared later that century. Later developments in printing technology include the movable type invented by Bi Sheng around 1040 and the printing press invented by Johannes Gutenberg in the 15th century. The technology of printing played a key role in the development of the Renaissance and the Scientific Revolution and laid the material basis for the modern knowledge-based economy and the spread of learning to the masses.
Duplicating machines were the predecessors of modern document-reproduction technology. They have now been replaced by digital duplicators, scanners, laser printers and photocopiers, but for many years they were the primary means of reproducing documents for limited-run distribution. The duplicator was pioneered by Thomas Edison and David Gestetner, with Gestetner dominating the market up until the late 1990s.
Stationery refers to writing materials, including cut paper, envelopes, writing implements, continuous form paper, and other office supplies. Stationery includes materials to be written on by hand or by equipment such as computer printers.
Stencilling produces an image or pattern on a surface by applying pigment to a surface through an intermediate object, with designed holes in the intermediate object. The holes allow the pigment to reach only some parts of the surface creating the design. The stencil is both the resulting image or pattern and the intermediate object; the context in which stencil is used makes clear which meaning is intended. In practice, the (object) stencil is usually a thin sheet of material, such as paper, plastic, wood or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut-out holes in the material.
A spirit duplicator is a printing method invented in 1923 by Wilhelm Ritzerfeld that was commonly used for much of the rest of the 20th century. The term "spirit duplicator" refers to the alcohols that were a major component of the solvents used in these machines.
Offset printing is a common printing technique in which the inked image is transferred from a plate to a rubber blanket and then to the printing surface. When used in combination with the lithographic process, which is based on the repulsion of oil and water, the offset technique employs a flat (planographic) image carrier. Ink rollers transfer ink to the image areas of the image carrier, while a water roller applies a water-based film to the non-image areas.
Photogravure is a process for printing photographs, also sometimes used for reproductive intaglio printmaking. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high quality intaglio plate that can reproduce detailed continuous tones of a photograph.
Carbonless copy paper (CCP), non-carbon copy paper, or NCR paper is a type of coated paper designed to transfer information written on the front onto sheets beneath. It was developed by chemists Lowell Schleicher and Barry Green, as an alternative to carbon paper and is sometimes misidentified as such.
The Gestetner is a type of duplicating machine named after its inventor, David Gestetner (1854–1939). During the 20th century, the term Gestetner was used as a verb—as in Gestetnering. The Gestetner company established its base in London, filing its first patent in 1879. The business grew, remaining within the control of the Gestetner family, and acquiring other businesses. In 1995, the Gestetner company was acquired by the Ricoh Corporation of Japan.
The Pothunters is a novel by P. G. Wodehouse published on 18 September 1902 by Adam & Charles Black. It was Wodehouse's first published novel, and the first of several school stories, this one set at the fictional public school of St. Austin's. It was originally published as a serial in the British magazine Public School Magazine from January to March 1902. An American edition was issued from imported sheets.
Monoprinting is a type of printmaking where the intent is to make unique prints, that may explore an image serially. Other methods of printmaking create editioned multiples, the monoprint is editioned as 1 of 1. There are many techniques of mono-printing, in particular the monotype. Printmaking techniques which can be used to make mono-prints include lithography, woodcut, and etching.
David Gestetner was the inventor of the Gestetner stencil duplicator, the first piece of office equipment that allowed production of numerous copies of documents quickly and inexpensively. He also invented a new kind of nail clipper. Gestetner was awarded the John Scott Medal by The Franklin Institute in 1888.
The Cyclostyle duplicating process is a form of stencil copying. A stencil is cut on wax or glazed paper by using a pen-like object with a small rowel or spur-wheel on its tip. A large number of small short lines are cut out in the glazed paper, removing the glaze with the spur-wheel, then ink is applied. It was invented in the later 19th century by David Gestetner, who named it cyclostyle after a drawing tool he used. Its name incorporates stylus, Classical Latin for a pen.
Risograph is a brand of digital duplicators manufactured by the Riso Kagaku Corporation, that are designed mainly for high-volume photocopying and printing. It was released in Japan in 1980. It is sometimes called a printer-duplicator, as newer models can be used as a network printer as well as a stand-alone duplicator. When printing or copying many duplicates of the same content, it is typically far less expensive per page than a conventional photocopier, laser printer, or inkjet printer.
Thermo-Fax is 3M's trademarked name for a photocopying technology which was introduced in 1950. It was a form of thermographic printing and an example of a dry silver process. It was a significant advance as no chemicals were required, other than those contained in the copy paper itself. A thin sheet of heat sensitive copy paper was placed on the original document to be copied, and exposed to infrared energy. Wherever the image on the original paper contained carbon, the image absorbed the infrared energy when heated. The heated image then transferred the heat to the heat sensitive paper producing a blackened copy image of the original.
A rubbing (frottage) is a reproduction of the texture of a surface created by placing a piece of paper or similar material over the subject and then rubbing the paper with something to deposit marks, most commonly charcoal or pencil but also various forms of blotted and rolled ink, chalk, wax, and many other substances. For all its simplicity, the technique can be used to produce blur-free images of minuscule elevations and depressions on areas of any size in a way that can hardly be matched by even the most elaborate, state-of-the-art methods. In this way, surface elevations measuring only a few thousandths of a millimeter can be made visible.
A thermal copier or thermocopier is a kind of photocopier based on the effect of heat. The original sheet feeds in conjunction with the "thermo-sensitive" paper, generating a copy on its specially treated surface. The black parts on the original sheet, once scanned, make the copier activate the heating elements that produce some chemical reactions on the "thermo-sensitive" copy paper that darkens its surface. After the process, a stable black-and-white image is obtained on the cooled film or paper.
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