Dottie West was an American country music singer and songwriter. Along with her friends and fellow recording artists Patsy Cline and Loretta Lynn, she is considered one of the genre's most influential and groundbreaking female artists. West's career started in the 1960s, with her top-10 hit "Here Comes My Baby Back Again", which won her a Grammy Award for Best Female Country Vocal Performance in 1965, the first woman in country music to receive a Grammy.
Billie Jo Spears was an American country music singer. She was known for a series of singles whose characters often represented women in assertive positions. Among these recordings was a song about sexual harassment, and a song about rekindling sexual desire ".
Jane Marie Fricke, known professionally as Janie Fricke, is an American country music singer, songwriter, record producer, and clothing designer. She has placed seventeen singles in the top ten of the US Billboard Hot Country Songs chart. Eight of these songs reached the number one spot on the Country music chart. She has also won accolades from the Academy of Country Music, Country Music Association and has been nominated four times from the Grammy Awards.
Myrna Joy "Jody" Miller was an American singer, who had commercial success in the genres of country, folk and pop. She was the second female artist to win a country music accolade from the Grammy Awards, which came off the success of her 1965 song "Queen of the House". By blending multiple genres together, Miller's music was considered influential for other music artists.
Cristy Lane is an American Christian and country music singer. In the late 1970s and early 1980s, she had a series of hits on the North American country charts with songs like "Let Me Down Easy", "I Just Can't Stay Married to You" and the number one hit "One Day at a Time". The latter recording inspired a book of the same name, which was sold on cable television and brought renewed interest to Lane's career.
"Don't Touch Me" is a song written by Hank Cochran. It was originally written for and recorded by American country artist Jeannie Seely. The song was released as a single on Monument Records in March 1966 and became a major Billboard country hit. "Don't Touch Me" became Seely's signature song and her biggest hit as a solo artist. It would later appear on her debut studio album and be re-recorded by Seely in later years.
The discography of American singer Jody Miller contains 21 studio albums, five compilation albums, one video album, one album appearance, one extended play (EP) and 57 singles. Of her 57 singles, 47 were issued with Miller as the lead artist, two were released as a collaboration, two were promotional singles and five were internationally-released singles.
"Good News" is a song originally recorded by American singer Jody Miller. It was composed by George Richey, Billy Sherrill and Norro Wilson. It was released as a single on Epic Records in 1973. It was among several singles by Miller to reach the top ten on the North American country music charts. It also served as the title track for Miller's 1973 album Good News!. It received a positive response from Cashbox magazine shortly after its release.
Love Me Forever is a studio album by American recording artist Wanda Jackson. It was released in May 1963 via Capitol Records and contained 12 tracks. It was Jackson's fifth studio album of her career and the second to included orchestrated production. Love Me Forever was a collection of country and pop music standards composed by other artists. The album received positive reviews from critics following its release.
"Midnight Angel" is a song written by Bill Anthony and Bob Morrison, recorded by American country music artist Barbara Mandrell. It was released in November 1976 as the first single and title track from the album Midnight Angel. It reached the top 20 of the American country songs chart.
Look at Mine is a studio album by American singer Jody Miller. It was released in December 1970 via Epic Records and contained 11 tracks. It was the sixth studio album of Miller's career and her first to be marketed for the country music market. Its tracks were covers and new material. Two singles were featured on the disc: the title track and "If You Think I Love You Now ". The songs reached top 40 positions on the North American country charts. Look at Mine received a negative review from AllMusic.
"Look at Mine" is a song originally recorded by American singer Jody Miller. Composed by Tony Hatch and Jackie Trent, it was released as a single on Epic Records in 1970. It reached the top 40 on the North American country charts, setting forth a series of commercially successful singles for Miller in the country genre. It received a positive response from Cashbox magazine shortly after its release.
He's So Fine is a studio album by American singer Jody Miller. It was released in August 1971 via Epic Records and contained 11 tracks. A majority of the album's material were covers of country and pop songs. Two of its covers were originally released as singles: the title track and "Baby I'm Yours". Both reached the top ten of the North American country charts and reaches other chart positions. The album itself reached the top 20 of the American country chart in 1971.
"Let's All Go Down to the River" is a song originally recorded as a duet by American singers Jody Miller and Johnny Paycheck. It was written by Earl Montgomery and Sue Richards. The song reached the top 20 of the American and Canadian country charts after being released as a single in 1972.
There's a Party Goin' On is a studio album by American singer Jody Miller. It was released in September 1972 via Epic Records and contained 11 tracks. The album blended country and pop songs. A series of popular country and pop cover recordings were included, along with some new material. There's a Party Goin' On reached the top 30 of the American country albums chart. A total of four singles were included on the album: "Be My Baby", "Let's All Go Down to the River", "There's a Party Goin' On" and "To Know Him is to Love Him". The title track was the most successful single from the album. The disc received positive reviews from publications following its release.
"Darling, You Can Always Come Back Home" is a song originally recorded by American singer Jody Miller. It was written by Jerry Foster and Bill Rice. It was released as a single on Epic Records in 1973. It was one of six singles by Miller to reach the top ten on the North American country music charts. It appeared on Miller's 1973 album Good News!.
House of the Rising Sun is a studio album by American singer Jody Miller. It was released in January 1974 via Epic Records and contained 11 tracks. Marketed as a country album, its 11 songs mixed covers with original material. Among its covers was the title track, which was among the album's three charting singles. The album itself reached the American country chart in 1974. It received positive reviews from Billboard and Cashbox following its release.
Country Girl is a studio album by American singer Jody Miller. It was released in February 1975 via Epic Records and contained ten tracks of material. It was the eleventh studio album of Miller's career and was an album of country recordings. Among the recordings were two singles that reached the American country songs chart: the title track and "The Best in Me". Country Girl was met with favorable reviews from critics.
Will You Love Me Tomorrow? is a studio album by American singer Jody Miller. It was released in March 1976 via Epic Records and featured ten tracks. The album's material was mostly cover songs, along with several new tracks. Three of its covers were released as singles: "Don't Take It Away", "Will You Love Me Tomorrow" and "Ashes of Love". All three recordings reached charting positions on America's country songs charts between 1975 and 1976. Will You Love Tomorrow? received positive reviews from critics.
"When the New Wears Off Our Love" is a song written by Paul Craft that was originally recorded by American singer Jody Miller. It was released as a single on Epic Records in 1976. It was Miller's first top 40 entry on the American country music chart in three years and was her final to reach the top 40. It was later released on Miller's 1977 studio album Here's Jody Miller. The song was given positive reviews from publications following its release.
