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Dame Alicia Markova DBE was a British ballerina and a choreographer, director and teacher of classical ballet. Most noted for her career with Sergei Diaghilev's Ballets Russes and touring internationally, she was widely considered to be one of the greatest classical ballet dancers of the twentieth century. She was the first British dancer to become the principal dancer of a ballet company and, with Dame Margot Fonteyn, is one of only two English dancers to be recognised as a prima ballerina assoluta. Markova was a founder dancer of the Rambert Dance Company, The Royal Ballet and American Ballet Theatre, and was co-founder and director of the English National Ballet.
English National Ballet is a classical ballet company founded by Dame Alicia Markova and Sir Anton Dolin as London Festival Ballet and based in London, England. Along with The Royal Ballet, Birmingham Royal Ballet, Northern Ballet and Scottish Ballet, it is one of the five major ballet companies in Great Britain. English National Ballet is one of the foremost touring companies in Europe, performing in theatres throughout the UK as well as conducting international tours and performing at special events. The Company employs approximately 67 dancers and a symphony orchestra,. In 1984 Peter Schaufuss became director and changed the name to English National Ballet and founded the school English National Ballet School, which is independent from the ballet company but joining the company premises in the new building. The Company regularly performs seasons at the London Coliseum and has been noted for specially staged performances at the Royal Albert Hall. In 2014 English National Ballet became an Associate Company of Sadler's Wells.
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Patrick Cairns "Spike" Hughes was a British musician, composer and arranger involved in the worlds of classical music and jazz. He has been called Britain's earliest jazz composer, and was a pioneer of television opera. Later in his career, he became better known as a broadcaster and humorous author.
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Les Rendezvous is a plotless one-act ballet created in 1933, with choreography by Frederick Ashton to the music of Daniel Auber arranged by Constant Lambert and with designs by William Chappell. It was the first major ballet created by Ashton for the Vic-Wells company.
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Façade is a ballet by Frederick Ashton, to the music of William Walton; it is a balletic interpretation of items from Façade – an Entertainment (1923) by Walton and Edith Sitwell. The ballet was first given by the Camargo Society at the Cambridge Theatre, on 26 April 1931. It has been regularly revived and restaged all over the world.
William Chappell was a British dancer, ballet designer and director. He is most noted for his designs for more than 40 ballets or revues, including many of the early works of Sir Frederick Ashton and Dame Ninette de Valois.
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The important place of women in dance can be traced back to the origins of civilization. Cave paintings, Egyptian frescos, Indian statuettes, ancient Greek and Roman art and records of court traditions in China and Japan all testify to the important role women played in ritual and religious dancing from the start. In the Middle Ages, what has become known as ballet had its beginnings in Italian court festivals when women frequently played the parts of men. It was however in late 17th-century France that the Paris Opera produced the first celebrated ballerinas. While women began to dominate the ballet scene in the 18th century, it was with the advent of Romantic ballet in the 19th century that they became the undisputed centre of attraction with stars playing the leading roles in the works of Marius Petipa, appearing in theatres across Europe from Milan's La Scala to the Mariinsky Theatre in Saint Petersburg. More recently, women have played a leading role in developing various forms of modern dance including flamenco and expressionist dance.
The Camargo Society was a London society which created and produced ballet between 1930 and 1933, giving opportunity to British musicians, choreographers, designers and dancers. Its influence was disproportionate to its short life. Dame Ninette de Valois, founder of The Royal Ballet, saw it as "having done much for the cause of English ballet", and Encyclopædia Britannica Online credits it with "keeping ballet alive in England during the early 1930s". The society was named after the eighteenth-century French dancer Marie Anne de Cupis de Camargo.
Lois Bewley (1934–2012) was an American dancer, choreographer and designer. She studied at the School of American Ballet before joining the Ballet Russe de Monte-Carlo. After touring with the American Ballet Theatre and the dance companies of Alicia Markova and Jerome Robbins, she joined the New York City Ballet in 1960. Regarded as the "clown princess of dance", she co-founded the First Chamber Dance Quartet and choreographed original ballets and dance pieces. She also worked as an opera director, costume designer and set designer.
References
- ↑ "Britmovie: Buddy Bradley". 25 July 2017. Retrieved 20 December 2024.
- ↑ "Alastair Macaulay: Buddy Bradley" . Retrieved 19 December 2024.
- ↑ "Tate: Bloomsbury" . Retrieved 19 December 2024.
- ↑ "Tate: Bloomsbury" . Retrieved 19 December 2024.
- ↑ "Mutual Art: Curtain Design for High Yellow" . Retrieved 22 December 2024.
- ↑ "The Independent: Brinson, Peter, "Obituary: William Chappell", 4 January 1994". The Independent. Retrieved 22 December 2024.
- ↑ "Museum Collection: Spike Hughes" . Retrieved 22 December 2024.
- ↑ Arviddson, Alf, "'Mike' disc-courses on hot jazz: discursive strategies in the writings of Spike Hughes, 1931-33", Popular Music History, 2009, Vol 4, No 3, pp 251-269, at p 254.
- ↑ "Frederick Ashton: High Yellow" . Retrieved 19 December 2024.
- ↑ "Tin-Pot Music", Daily Mirror, 26 May 1932, page 11.
- ↑ "Frederick Ashton: High Yellow" . Retrieved 19 December 2024.
- ↑ "Frederick Ashton: High Yellow" . Retrieved 19 December 2024.
- ↑ "Discogs: Spike Hughes - High Yellow – All His Jazz Compositions". Discogs . 1994. Retrieved 22 December 2024.
- ↑ "Frederick Ashton: High Yellow" . Retrieved 19 December 2024.
- ↑ Denari, Carlo, "Ballet is Coming Back", The Era, 29 June 1932, p 3.
- ↑ "British Ballet", Daily Express, 7 June 1932, p 11.