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A scroll (from the Old French escroe or escroue) is a roll of papyrus, parchment, or paper containing writing. [1] The history of scrolls dates back to ancient Egypt. In most ancient literate cultures scrolls were the earliest format for longer documents written in ink or paint on a flexible background, preceding bound books; [2] rigid media such as clay tablets were also used but had many disadvantages in comparison. For most purposes scrolls have long been superseded by the codex book format, but they are still produced for some ceremonial or religious purposes, notably for the Jewish Torah scroll for use in synagogues.
The oldest known scroll is the Diary of Merer, which can be dated to c. 2568 BCE in the reign of the Pharaoh Khufu or Cheops due to its contents. Scrolls were used by many early civilizations before the codex, or bound book with pages, was invented by the Romans [3] and popularized by Christianity. [4] Nevertheless, scrolls were more highly regarded than codices until well into Roman times.
Scrolls were used by the Hebrews to record their religious texts, which today is referred to as the Tanakh. Some of these ancient scrolls are known today, i.e., the Dead Sea Scrolls.
Scrolls were used by the ancient Greeks. In Roman usage the scrolls were written latitudinally, usually placed on podiums with roll holders from which the rolls were unwound. [5] [ citation needed ]
A vertically rolled form was also used, called a rotulus.
The Romans eventually found the scroll too cumbersome for lengthy works and developed the codex, which is the formal name for the modern style of book, with individual pages bound together.
Scrolls continued to be used at times during the Early Church era until the Early Middle Ages, but Christianity was an early adopter of the codex. It is often thought that this reflects the background in trade of many early Christians, who were used to codex notebooks, and less attached to the form that was traditional among the Roman elite and religious Jews.
Scrolls virtually ceased to be used for books and documents in Europe during the Middle Ages, and were reintroduced for rare use in official treaties and other international documents of great significance during and after the Baroque Era of the 17th century. These were usually written on high quality vellum, and stored in elaborate silver and gold cases inscribed with names of participants. Earlier examples were written in Latin. Scrolls continued in use for administrative and accounting purposes all over Europe. In English they were often referred to as "rolls", hence the Great Rolls of the English Exchequer, and titles such as Master of the Rolls (a senior judge), still used in the 21st century. The official copy of English, now British, legislation was still printed on vellum in a roll format and stored in the Palace of Westminster until 2017, when the use of Vellum was replaced with archival paper. [6] The Exultet Scroll from Southern Italy and Byzantine Joshua Scroll were prestige objects that used the old form in a revivalist spirit.
Scrolls continued in use longer in the Islamic world, often elaborately decorated in calligraphic writing that included use of gold embossing and pigments when used for the writing of the Qur'an.
Scrolls continued in use longer in East Asian cultures like China, Korea and Japan.
The Chinese invented and perfected 'Indian Ink' for use in writing, including scrolls. Originally designed for blacking the surfaces of raised stone-carved hieroglyphics, the ink was a mixture of soot from pine smoke and lamp oil mixed with the gelatin of donkey skin and musk. The ink invented by the Chinese philosopher, Tien-Lcheu (2697 B.C.)[ citation needed ], became common by the year 1200 B.C.
Later other formats came into use in China, firstly the sutra or scripture binding, a scroll folded concertina-style, which avoids the need to unroll to find a passage in the middle. By about 1,000 CE, sheet-based formats were introduced, although scrolls continued to have a place. Traditional painting and calligraphy in East Asia is often still performed on relatively short latitudinal paper scrolls displayed vertically as a hanging scroll on a wall or horizontally and flat as a handscroll.
The codex was a new format for reading the written word, consisting of individual pages loosely attached to each other at one side and bound with boards or cloth. It replaced the scroll over time because it overcame at least seven problems that limited the scroll's function and readability. (1) Scrolls were relatively expensive to produce. Codices could easily be written and read on both sides of the page, halving the amount of paper or vellum required to hold the same amount of content. (2) Lengthy scrolls were bulky and heavy, both because they required double the writing surface, and because they also required at least one umbilicus (rolling stick) and a scroll case for protection. The use of codices with light paper or leather covers reduced the size and weight of the book by more than half. (3) Codices were easier to reproduce. It was possible to hold open a codex with one hand and copy text with the other. For early Christendom this was an invaluable asset, as the ability to mass reproduce their gospels was in high demand. (4) Codices were easier to read. Scrolls were very long, sometimes as long as ten meters. This made them hard to hold open and read, especially scrolls that were inscribed horizontally and unrolled vertically. (5) Codices were easier to index and annotate. As a scroll was continuous, without page breaks, indexing and bookmarking was impossible. Conversely, the codex was easier to hold open, separate pages made it possible to index sections and mark a page. (6) Codices were better protected. The covers of a codex protected the fragile pages better than scrolls. This made the codex particularly attractive for important religious texts. (7) The ink on codices could, in principle, last longer than the ink on scrolls. The ink used in writing scrolls had to adhere to a surface that was constantly rolled and unrolled, so special inks were developed. Even so, ink would slowly flake from scrolls. Codices involved much less flexing of the page, so they were less prone to this problem. [7]
The codex began to replace the scroll almost as soon as it was invented. Early Medieval Christians were some of the first to adopt the codex over the scroll. [8] In Egypt by the fifth century CE the codex outnumbered the scroll or roll by ten to one based on surviving examples, and by the sixth century the scroll had almost vanished from use as a vehicle for literature. [9]
However, in other places the scroll lingered. Monarchs used “statute rolls” to record important legislation until well into the Middle Ages. Scrolls were also commonly used in theater productions, a practice from which the term “actor’s roll” was coined. [10]
Torah Scrolls are still used today in Jewish religious observance with almost insignificant changes despite the thousands of years in practice.
Some cultures use scrolls as ceremonial texts or for decoration—such as a hanging scroll—without any obvious division of the text into columns. In some scroll-using cultures painted illustrations were used as header decorations above the text columns, either in a continuous band or broken into scenes above either a single or double column of text.
One of the few modern texts the original of which was written on what is effectively a scroll is the manuscript of Jack Kerouac's On the Road , typed onto what he called "the scroll", made of taped-together sheets of paper. Although it was more for utilitarian than ceremonial purposes, the Marquis de Sade's 120 Days of Sodom, which he intended to be the filthiest book imaginable, is written on a scroll.
The verb "to scroll" is much used in the age of screen displays—computer displays, rolling credits in films and so on—with the screen filled with text moving (scrolling) up or down or sideways, appearing at one edge of the display and disappearing at the other as if being unrolled from one side of a scroll and rolled up at the other.
A book is a medium for recording information in the form of writing or images. Modern books are typically in codex format, composed of many pages that are bound together and protected by a cover; they were preceded by several earlier formats, including the scroll and the tablet. The book publishing process is the series of steps involved in their creation and dissemination.
The codex was the historical ancestor format of the modern book. Technically the vast majority of modern books use the codex format of a stack of pages bound at one edge, along the side of the text. But the term "codex" is now reserved for older manuscript books, which mostly used sheets of vellum, parchment, or papyrus, rather than paper.
A manuscript was, traditionally, any document written by hand or typewritten, as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include any written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same.
A printing press is a mechanical device for applying pressure to an inked surface resting upon a print medium, thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the cloth, paper, or other medium was brushed or rubbed repeatedly to achieve the transfer of ink and accelerated the process. Typically used for texts, the invention and global spread of the printing press was one of the most influential events in the second millennium.
In textual studies, a palimpsest is a manuscript page, either from a scroll or a book, from which the text has been scraped or washed off in preparation for reuse in the form of another document. Parchment was made of lamb, calf, or kid skin and was expensive and not readily available, so, in the interest of economy, a page was often re-used by scraping off the previous writing. In colloquial usage, the term palimpsest is also used in architecture, archaeology and geomorphology to denote an object made or worked upon for one purpose and later reused for another; for example, a monumental brass the reverse blank side of which has been re-engraved.
Parchment is a writing material made from specially prepared untanned skins of animals—primarily sheep, calves, and goats. It has been used as a writing medium for over two millennia. Vellum is a finer quality parchment made from the skins of young animals such as lambs and young calves. The generic term animal membrane is sometimes used by libraries and museums that wish to avoid distinguishing between parchment and vellum.
Papyrus is a material similar to thick paper that was used in ancient times as a writing surface. It was made from the pith of the papyrus plant, Cyperus papyrus, a wetland sedge. Papyrus can also refer to a document written on sheets of such material, joined side by side and rolled up into a scroll, an early form of a book.
Vellum is prepared animal skin or membrane, typically used as writing material. It is often distinguished from parchment, either by being made from calfskin, or simply by being of a higher quality. Vellum is prepared for writing and printing on single pages, scrolls, and codices (books).
An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories, and deeds.
A scroll, also known as a roll, is a roll of papyrus, parchment, or paper containing writing.
The history of books became an acknowledged academic discipline in the 1980s. Contributions to the field have come from textual scholarship, codicology, bibliography, philology, palaeography, art history, social history and cultural history. It aims to demonstrate that the book as an object, not just the text contained within it, is a conduit of interaction between readers and words. Analysis of each component part of the book can reveal its purpose, where and how it was kept, who read it, ideological and religious beliefs of the period, and whether readers interacted with the text within. Even a lack of such evidence can leave valuable clues about the nature of a particular book.
Aztec codices are Mesoamerican manuscripts made by the pre-Columbian Aztec, and their Nahuatl-speaking descendants during the colonial period in Mexico.
The conservation and restoration of illuminated manuscripts is the care and treatment of illuminated manuscripts which have cultural and historical significance so that they may be viewed, read, and studied now and in the future. It is a specialty case of the conservation and restoration of parchment within the field of conservation and restoration of books, manuscripts, documents and ephemera.
In typography, a margin is the area between the main content of a page and the page edges. The margin helps to define where a line of text begins and ends. When a page is justified the text is spread out to be flush with the left and right margins. When two pages of content are combined next to each other, the space between the two pages is known as the gutter. The top and bottom margins of a page are also called "head" and "foot", respectively. The term "margin" can also be used to describe the edge of internal content, such as the right or left edge of a column of text.
In art history, a speech scroll is an illustrative device denoting speech, song, or other types of sound.
The Codex Sarzanensis, or Codex Saretianus, designated by j or 22, is a 5th or 6th century Latin Gospel Book. The text, written on purple dyed vellum in silver ink, is a version of the old Latin.
Bookbinding is the process of building a book, usually in codex format, from an ordered stack of paper sheets with one's hands and tools, or in modern publishing, by a series of automated processes. Firstly, one binds the sheets of papers along an edge with a thick needle and strong thread. One can also use loose-leaf rings, binding posts, twin-loop spine coils, plastic spiral coils, and plastic spine combs, but they last for a shorter time. Next, one encloses the bound stack of paper in a cover. Finally, one places an attractive cover onto the boards, and features the publisher's information and artistic decorations.
The Herculaneum papyri are more than 1,800 papyrus scrolls discovered in the 18th century in the Villa of the Papyri in Herculaneum. They had been carbonized when the villa was engulfed by the eruption of Mount Vesuvius in 79 AD.
The following outline is provided as an overview of and topical guide to books.
The title of a book, or any other published text or work of art, is a name for the work which is usually chosen by the author. A title can be used to identify the work, to put it in context, to convey a minimal summary of its contents, and to pique the reader's curiosity.