History of scrolls

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Scroll of the Book of Esther, Seville, Spain Scroll.jpg
Scroll of the Book of Esther, Seville, Spain

A scroll (from the Old French escroe or escroue) is a roll of papyrus, parchment, or paper containing writing. [1] The history of scrolls dates back to ancient Egypt. In most ancient literate cultures scrolls were the earliest format for longer documents written in ink or paint on a flexible background, preceding bound books; [2] rigid media such as clay tablets were also used but had many disadvantages in comparison. For most purposes scrolls have long been superseded by the codex book format, but they are still produced for some ceremonial or religious purposes, notably for the Jewish Torah scroll for use in synagogues.

Contents

Origins of the scroll

The oldest known scroll is the Diary of Merer, which can be dated to c. 2568 BCE in the reign of the Pharaoh Khufu or Cheops due to its contents. Scrolls were used by many early civilizations before the codex, or bound book with pages, was invented by the Romans [3] and popularized by Christianity. [4] Nevertheless, scrolls were more highly regarded than codices until well into Roman times.

Eastern Mediterranean, West Asia and Europe

Israel

Scrolls were used by the Hebrews to record their religious texts, which today is referred to as the Tanakh. Some of these ancient scrolls are known today, i.e., the Dead Sea Scrolls.

Greece and Rome

Giovane con rotolo.JPG
MANNapoli 120620 a Fresco young man with rolls from Pompeii Italy.jpg
Roman portraiture frescos from Pompeii, 1st century AD, depicting two different men wearing laurel wreaths, one holding the rotulus , the other a volumen
Roman portraiture fresco of a young man with a papyrus scroll, from Herculaneum, 1st century AD Busto maschile.JPG
Roman portraiture fresco of a young man with a papyrus scroll, from Herculaneum, 1st century AD

Scrolls were used by the ancient Greeks. In Roman usage the scrolls were written latitudinally, usually placed on podiums with roll holders from which the rolls were unwound. [5] [ citation needed ]

A vertically rolled form was also used, called a rotulus.

The Romans eventually found the scroll too cumbersome for lengthy works and developed the codex, which is the formal name for the modern style of book, with individual pages bound together.

Early Christian era

Scrolls continued to be used at times during the Early Church era until the Early Middle Ages, but Christianity was an early adopter of the codex. It is often thought that this reflects the background in trade of many early Christians, who were used to codex notebooks, and less attached to the form that was traditional among the Roman elite and religious Jews.

European Middle Ages

Scrolls virtually ceased to be used for books and documents in Europe during the Middle Ages, and were reintroduced for rare use in official treaties and other international documents of great significance during and after the Baroque Era of the 17th century. These were usually written on high quality vellum, and stored in elaborate silver and gold cases inscribed with names of participants. Earlier examples were written in Latin. Scrolls continued in use for administrative and accounting purposes all over Europe. In English they were often referred to as "rolls", hence the Great Rolls of the English Exchequer, and titles such as Master of the Rolls (a senior judge), still used in the 21st century. The official copy of English, now British, legislation was still printed on vellum in a roll format and stored in the Palace of Westminster until 2017, when the use of Vellum was replaced with archival paper. [6] The Exultet Scroll from Southern Italy and Byzantine Joshua Scroll were prestige objects that used the old form in a revivalist spirit.

West and Central Asia

Scrolls continued in use longer in the Islamic world, often elaborately decorated in calligraphic writing that included use of gold embossing and pigments when used for the writing of the Qur'an.

East Asia

Scrolls continued in use longer in East Asian cultures like China, Korea and Japan.

The Chinese invented and perfected 'Indian Ink' for use in writing, including scrolls. Originally designed for blacking the surfaces of raised stone-carved hieroglyphics, the ink was a mixture of soot from pine smoke and lamp oil mixed with the gelatin of donkey skin and musk. The ink invented by the Chinese philosopher, Tien-Lcheu (2697 B.C.)[ citation needed ], became common by the year 1200 B.C.

Later other formats came into use in China, firstly the sutra or scripture binding, a scroll folded concertina-style, which avoids the need to unroll to find a passage in the middle. By about 1,000 CE, sheet-based formats were introduced, although scrolls continued to have a place. Traditional painting and calligraphy in East Asia is often still performed on relatively short latitudinal paper scrolls displayed vertically as a hanging scroll on a wall or horizontally and flat as a handscroll.

Gu Kaizhi. Wise and Benevolent Women. Scroll. Song copy of 4 century work. Palace museum, Beizing.jpg
Song Dynasty copy of the Wise and Benevolent Women, original by Gu Kaizhi, 13th century, Palace Museum.

Replacement by the codex

The codex was a new format for reading the written word, consisting of individual pages loosely attached to each other at one side and bound with boards or cloth. It replaced the scroll over time because it overcame at least seven problems that limited the scroll's function and readability. (1) Scrolls were relatively expensive to produce. Codices could easily be written and read on both sides of the page, halving the amount of paper or vellum required to hold the same amount of content. (2) Lengthy scrolls were bulky and heavy, both because they required double the writing surface, and because they also required at least one umbilicus (rolling stick) and a scroll case for protection. The use of codices with light paper or leather covers reduced the size and weight of the book by more than half. (3) Codices were easier to reproduce. It was possible to hold open a codex with one hand and copy text with the other. For early Christendom this was an invaluable asset, as the ability to mass reproduce their gospels was in high demand. (4) Codices were easier to read. Scrolls were very long, sometimes as long as ten meters. This made them hard to hold open and read, especially scrolls that were inscribed horizontally and unrolled vertically. (5) Codices were easier to index and annotate. As a scroll was continuous, without page breaks, indexing and bookmarking was impossible. Conversely, the codex was easier to hold open, separate pages made it possible to index sections and mark a page. (6) Codices were better protected. The covers of a codex protected the fragile pages better than scrolls. This made the codex particularly attractive for important religious texts. (7) The ink on codices could, in principle, last longer than the ink on scrolls. The ink used in writing scrolls had to adhere to a surface that was constantly rolled and unrolled, so special inks were developed. Even so, ink would slowly flake from scrolls. Codices involved much less flexing of the page, so they were less prone to this problem. [7]

The codex began to replace the scroll almost as soon as it was invented. Early Medieval Christians were some of the first to adopt the codex over the scroll. [8] In Egypt by the fifth century CE the codex outnumbered the scroll or roll by ten to one based on surviving examples, and by the sixth century the scroll had almost vanished from use as a vehicle for literature. [9]

However, in other places the scroll lingered. Monarchs used “statute rolls” to record important legislation until well into the Middle Ages. Scrolls were also commonly used in theater productions, a practice from which the term “actor’s roll” was coined. [10]

Modern era

Hanging scrolls of calligraphy on display, Shanghai Hanging scroll 7a33a8.jpg
Hanging scrolls of calligraphy on display, Shanghai

Torah Scrolls are still used today in Jewish religious observance with almost insignificant changes despite the thousands of years in practice.

Some cultures use scrolls as ceremonial texts or for decoration—such as a hanging scroll—without any obvious division of the text into columns. In some scroll-using cultures painted illustrations were used as header decorations above the text columns, either in a continuous band or broken into scenes above either a single or double column of text.

One of the few modern texts the original of which was written on what is effectively a scroll is the manuscript of Jack Kerouac's On the Road , typed onto what he called "the scroll", made of taped-together sheets of paper. Although it was more for utilitarian than ceremonial purposes, the Marquis de Sade's 120 Days of Sodom, which he intended to be the filthiest book imaginable, is written on a scroll.

The verb "to scroll" is much used in the age of screen displays—computer displays, rolling credits in films and so on—with the screen filled with text moving (scrolling) up or down or sideways, appearing at one edge of the display and disappearing at the other as if being unrolled from one side of a scroll and rolled up at the other.

See also

Related Research Articles

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A book is a medium for recording information in the form of writing or images, typically composed of many pages bound together and protected by a cover. It can also be a handwritten or printed work of fiction or nonfiction, usually on sheets of paper fastened or bound together within covers. The technical term for this physical arrangement is codex. In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page.

<span class="mw-page-title-main">Codex</span> Historical ancestor of the modern book

The codex was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term codex is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. In Japan, concertina-style codices called orihon developed during the Heian period (794–1185) were made of paper.

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<span class="mw-page-title-main">Printing press</span> Mechanism that applies ink to a medium

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In textual studies, a palimpsest is a manuscript page, either from a scroll or a book, from which the text has been scraped or washed off in preparation for reuse in the form of another document. Parchment was made of lamb, calf, or kid skin and was expensive and not readily available, so, in the interest of economy, a page was often re-used by scraping off the previous writing. In colloquial usage, the term palimpsest is also used in architecture, archaeology and geomorphology to denote an object made or worked upon for one purpose and later reused for another; for example, a monumental brass the reverse blank side of which has been re-engraved.

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<span class="mw-page-title-main">Vellum</span> Animal skin used as a writing material

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References

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  2. "Chapter 4. Literate Performances and Literate Government", History and the Written Word, Philadelphia: University of Pennsylvania Press, pp. 74–90, 2020-12-31, doi:10.9783/9780812296761-006, ISBN   978-0-8122-9676-1, S2CID   242324088 , retrieved 2020-09-18
  3. Murray, Stuart A. P. (2009). The Library: An Illustrated History. Skyhorse Publishing. p. 46. ISBN   9781602397064.
  4. "Codex". Encyclopaedia Britannica. 2020.
  5. Mizzi, Dennis (2019-01-24), "Were Scrolls Susceptible to Impurity? The View from Qumran", Law, Literature, and Society in Legal Texts from Qumran, BRILL, pp. 27–64, doi:10.1163/9789004393387_003, ISBN   978-90-04-39338-7, S2CID   126962616 , retrieved 2020-09-18
  6. Hope, Christopher (21 March 2017). "Anger as MPS bow to peers' pressure and end 500-year old tradition of printing new laws on vellum". The Telegraph.
  7. Lyons, M. (2011) Books: A Living History. Los Angeles, CA: Getty Publications. p. 35-36
  8. Frost, Gary, "Adoption of the Codex Book: Parable of a New Reading Mode", The Book and Paper Group Annual, Retrieved 12/1/2014
  9. Roberts, Colin H., and Skeat, T.C. (1987), The Birth of the Codex. London: Oxford University Press for the British Academy, p. 75.
  10. Lyons, M. (2011) Books: A Living History. Los Angeles, CA: Getty Publications. p. 37