Decade is a compilation album by Canadian–American musician Neil Young, originally released in 1977 as a triple album and later issued on two compact discs. It contains 35 of Young's songs recorded between 1966 and 1976, among them five tracks that had been unreleased up to that point. It peaked at No. 43 on the Billboard Top Pop Albums chart, and was certified platinum by the RIAA in 1986.
Blessid Union of Souls is an American alternative rock band from Cincinnati, Ohio, that was formed in 1990 by friends Jeff Pence and Eliot Sloan.
Keepin' the Summer Alive is the 24th studio album by American rock band the Beach Boys, released March 24, 1980, on Brother, Caribou and CBS Records. Produced by Bruce Johnston, the album peaked at number 75 in the US, during a chart stay of 6 weeks, and number 54 in the UK. It is the group's last album recorded with Dennis Wilson, who drowned in 1983, although he only appears on one song.
Diver Down is the fifth studio album by American rock band Van Halen, released on April 19, 1982. It spent 65 weeks on the album chart in the United States and had, by 1998, sold four million copies in the United States.
The Best of Both Worlds is the second greatest hits album by American rock band Van Halen, released on July 20, 2004, on Warner Bros. The compilation features material recorded with lead vocalists David Lee Roth and Sammy Hagar, but omits Gary Cherone's three-year tenure with the band. Prior to The Best of Both Worlds's release, Hagar reunited with Van Halen, and the band recorded three new tracks to include on the release.
Blessid Union of Souls is the second studio album by the American alternative rock band Blessid Union of Souls, released on May 20, 1997 on Capitol Records. Two singles were released from the album—"I Wanna Be There" and "Light in Your Eyes".
Porsuigieco is the only album by PorSuiGieco, a supergroup consisting of Charly García, Nito Mestre, León Gieco, Raúl Porchetto and María Rosa Yorio, released in 1976. In the first edition of the LP, the song "Antes de Gira" was substituted for a censured song: "El fantasma de Canterville". But, in 1993, the album was released with "El fantasma de Canterville" as bonus track. The album was recorded in only two weeks.
Confesiones de Invierno is the second album of Argentine rock group Sui Generis, released in 1973 by the Talent label.
Neil Young Archives Vol. 1: 1963–1972 is the first in a planned series of box sets of archival material by Canadian-American musician Neil Young. It was released on June 2, 2009, in three different formats - a set of 10 Blu-ray discs in order to present high resolution audio as well as accompanying visual documentation, a set of 10 DVDs and a more basic 8-CD set. Covering Young's early years with The Squires and Buffalo Springfield, it also includes various demos, outtakes and alternate versions of songs from his albums Neil Young, Everybody Knows This Is Nowhere, After the Gold Rush, and Harvest, as well as tracks he recorded with Crazy Horse and Crosby, Stills, Nash & Young during this time. Also included in the set are several live discs, as well as a copy of the long out-of-print film Journey Through the Past, directed by Young in the early 1970s.
Foolish Behaviour is Rod Stewart's tenth studio album, released on 21 November 1980 on the Riva label in the United Kingdom and on Warner Bros. Records in both The United States and Germany. The tracks were recorded at The Record Plant Studios and Cherokee Studios in Los Angeles from February to September 1980. "Passion", "My Girl", "Somebody Special", "Oh God, I Wish I Was Home Tonight" and "Gi' Me Wings" were released as singles.
Southern Star is the twelfth studio album by American country music band Alabama, released in 1989. The album produced four singles, "Song of the South", "High Cotton", the title track and "If I Had You", all of which reached No. 1 on the Hot Country Singles charts between 1989 and 1990. It also reached No. 68 on the Billboard 200.
Rebel Road is the tenth solo album by vocalist/keyboardist/saxophonist Edgar Winter. It was released on July 8, 2008 by Airline Records. The album features lead and solo guitar work by Slash on the single "Rebel Road", vocals and harmonica by Clint Black on "The Power of Positive Drinking" and "On the Horns of a Dilemma", and lead and solo guitar by Edgar's brother Johnny Winter on "Rockin' the Blues". Winter dedicated "The Closer I Get" to his wife, Monique Winter, and "Peace and Love" to Ringo Starr.
The Sessions Band is an American musical group that has periodically recorded and toured with American rock singer-songwriter Bruce Springsteen in various formations since 1997.
Springfield is a 1996 album by Carole Fredericks. It features a cover of Edwin Hawkins’ "Oh Happy Day", the traditional "Silent Night", "You Had It Comin’", a duet with her brother blues musician Taj Mahal, and the pop single, "Run Away Love", which was the theme song to the 1998 Jean-Paul Belmondo film Une Chance Sur Deux.
Walking in Space is a 1969 studio album by Quincy Jones. The album was recorded for A&M who released the album with a cover photo of Jones taken by Pete Turner. Vocalist Valerie Simpson is featured on the title track, an arrangement of a song from the hit rock musical Hair. "Dead End" is also from Hair and "Killer Joe" features Ray Brown on bass and Grady Tate on drums.
Sarah Buxton is the debut studio album by American country music artist of the same name. It was released on February 23, 2010 by Lyric Street Records. The album's only single, "Outside My Window," was released in June 2009 and was a Top 25 hit on the U.S. Billboard Hot Country Songs chart, reaching a peak of number 23 in March 2010. The album also includes Buxton's previous three singles that were released on her extended-play, Almost My Record. As of April 2010, the album has sold nearly 30,000 copies.
Goin' Down Rockin': The Last Recordings is a posthumous album by American country music artist Waylon Jennings, released on September 25, 2012. The release includes eight unreleased songs written and recorded by Jennings along with his bassist Robby Turner during the last years of his life, as well as eight songs never released before in any version.
"I Know I'm Not Wrong" is a song by Fleetwood Mac from the 1979 double LP Tusk. It was recorded as the final song of side three of the LP on 19 September 1979, written by Lindsey Buckingham, whose sparser songwriting arrangements and the influence of punk rock and new wave were the leading creative force on it and other Tusk tracks. The song was worked on for the duration of the Tusk album and took around a year to complete.
10x10 is a posthumous solo album by Ronnie Montrose. Ronnie had been touring with bassist Ricky Phillips and Eric Singer (Kiss) in the early 2000s. Over three days in 2003 at Doug Messenger's studio in North Hollywood, the sessions produced 10 strong tracks of rhythm guitar, bass and drums with the intention to get a singer to for the vocals. Eventually Ronnie decided on the 10x10 concept, 10 tracks and 10 different singers. Early on, he was able to secure contributions from close friends and collaborators like Sammy Hagar, Edgar Winter and Davey Pattison. In the intervening years Ronnie battled prostate cancer and, at one point, hadn't touched a guitar for 2 years. Conflicts in scheduling led to the record remaining unfinished for years up until Montrose's passing in 2012. Along with completion of the vocals, the songs also needed lead guitar as well. Rickey Phillips, with the blessing of Ronnie's wife Leighsa and assistance of Eric Singer, picked up the reigns and completed the album. "After he passed, I had to carry on with what Ronnie wanted, because he was such a purist. The songs were cut to 2-inch tape and then transferred to digital, but I really needed it to be a cohesive record. I've done enough records to know how easily the levels of 10 different singers can sound disjointed if you don't stay on top of the production." As per Singer, "I have to give a lot of credit to Ricky Phillips. Ricky really wanted to see this thing through. It was more for Ronnie than just for himself, or for ourselves. We really believed what we had originally captured had a certain vibe and a certain magic to the people in that room when it was created. We felt like, 'Hey, this thing needs to get done. We need to see this thing through, for every good reason.'"
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