Hope and Glory | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1984 | |||
Studio |
| |||
Genre | Rock | |||
Length | 41:16 | |||
Label | Castaway [1] Geffen [2] | |||
Producer | Robin Millar, Tom Robinson | |||
Tom Robinson chronology | ||||
|
Hope and Glory is an album by the British musician Tom Robinson. [3] It was released in 1984. [4]
The album peaked at No. 21 on the UK Albums Chart. [5] It contained three charting singles. [6] Hope and Glory was a commercial failure in the United States; it would be 10 years before Robinson released another album in the U.S. [7] [8]
The album was produced by Robin Millar and Tom Robinson. [9] "Rikki Don't Lose That Number" is a cover of the Steely Dan song. [10] "Atmospherics: Listen to the Radio" was written with Peter Gabriel. [11]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | B+ [13] |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
MusicHound Rock: The Essential Album Guide | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau thought that "'War Baby' is a wrenching triumph and 'Rikki Don't Lose That Number' a great moment in gay liberation." [13] Trouser Press concluded that, "with the exception of 'Cabin Boy', a bouncy bit of gay double entendre, the best tracks are redone Sector 27 tunes." [1] The Wall Street Journal opined that "the record offers some first-rate material—particularly the wistful 'Atmospherics'—all delivered with Mr. Robinson's warm, throaty voice." [14]
The Washington Post wrote that Hope and Glory "treats gay life to the sort of love songs heterosexual romance has enjoyed for centuries... In a sense, the most exceptional thing about these songs is how mundane they seem." [2] The Globe and Mail likened the sound of the album to soul music, writing that "lots of jagged edges, spluttering saxophones, and dated production techniques ... enhance the rough-and-tumble arrangements, melodramatic poetry, and a constant edge of drive and anguish in Robinson's uneven, sore-throat vocal style." [15]
The Boston Globe listed the album among the best albums of 1984, calling it "a shamefully overlooked album by the gay British singer who has become an intelligent rocker of the first rank." [16] Newsday considered Hope and Glory to be the fifth best album of 1985. [17]
AllMusic deemed the album "a politically tinged but mostly mainstream rock record." [4]
All tracks are written by Tom Robinson; except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Murder at the End of the Day" | 4:55 | |
2. | "Prison" | 4:12 | |
3. | "Rikki Don't Lose That Number" | Walter Becker, Donald Fagen | 3:52 |
4. | "Old Friend" | 4:15 | |
5. | "Looking for a Bonfire" | 3:29 | |
6. | "War Baby" | 4:11 | |
7. | "Atmospherics: Listen to the Radio" | Tom Robinson, Peter Gabriel | 3:43 |
8. | "Cabin Boy" | 3:28 | |
9. | "Blond and Blue" | 3:50 | |
10. | "Hope and Glory" | 5:21 |
War is an American funk/rock/soul/Latin band from Long Beach, California, known for several hit songs . Formed in 1969, War is a musical crossover band that fuses elements of rock, funk, jazz, Latin, rhythm and blues, psychedelia, and reggae. According to music writer Colin Larkin, their "potent fusion of funk, R&B, rock and Latin styles produced a progressive soul sound", while Martin C. Strong calls them "one of the fiercest progressive soul combos of the '70s". Their album The World Is a Ghetto was Billboard's best-selling album of 1973. The band transcended racial and cultural barriers with a multi-ethnic line-up. War was subject to many line-up changes over the course of its existence, leaving member Leroy "Lonnie" Jordan as the only original member in the current line-up; four other members created a new group called the Lowrider Band.
Pretzel Logic is the third studio album by American rock band Steely Dan, released by ABC Records on February 20, 1974. It was recorded at the Village Recorder in West Los Angeles, California, with producer Gary Katz. The album was Steely Dan's last to be made and released while the group was still an active touring band, as well as the final album to feature the band's full quintet-lineup of Becker, Fagen, Denny Dias, Jim Hodder, and Jeff "Skunk" Baxter, though it also features significant contributions from many prominent Los Angeles-based studio musicians.
An Innocent Man is the ninth studio album by American singer-songwriter Billy Joel, released on August 8, 1983. The concept album is a tribute to the American popular music of Joel's adolescent years with Joel paying homage to a number of different and popular American musical styles from the late 1950s and early 1960s, most notably doo-wop and soul music. The album cover artwork was taken on the front steps of 142 Mercer Street, just north of the intersection of Mercer and Prince Street in the SoHo neighborhood of Manhattan, New York City.
Leo Sayer is the sixth album by English-Australian singer-songwriter Leo Sayer, released in 1978.
Porno for Pyros is the debut studio album by the American alternative rock band Porno for Pyros, released on April 27, 1993, by Warner Bros. Records. Jane's Addiction guitarist Dave Navarro and bassist Eric Avery, battling substance abuse issues, had left the band in 1991 in an attempt to stay clean, though the other half of the band wished to continue creating music. The remaining members of Jane's Addiction, Perry Farrell and Stephen Perkins, were joined by guitarist Peter DiStefano and future Jane's Addiction bassist Martyn LeNoble, and continued under the new band name Porno for Pyros. The band name is a reference to the 1992 Los Angeles riots, which are mentioned throughout the songs on the album as a recurring theme.
New Sensations is the thirteenth solo studio album by American rock musician Lou Reed, released in April 1984 by RCA Records. John Jansen and Reed produced the album. New Sensations peaked at No. 56 on the U.S. Billboard 200 and at No. 92 on the UK Albums Chart. This marked the first time that Reed charted within the US Top 100 since his eighth solo studio album Street Hassle (1978), and the first time that Reed had charted in the UK since his sixth solo studio album Coney Island Baby (1976). Three singles were released from the album: "I Love You, Suzanne", "My Red Joystick" and "High in the City", with "I Love You, Suzanne" being the only single to chart, peaking at No. 78 on the UK Singles Chart. The music video for "I Love You, Suzanne" did, however, receive light rotation on MTV.
Hunkpapa is the third studio album by Throwing Muses, released in 1989. It peaked at number 59 on the UK Albums Chart.
Gone Fishin' is the second studio album by San Francisco-based punk rock band Flipper, released in 1984 by Subterranean Records. The album's artwork featured a depiction of Flipper's tour van as a ready-to-cut-out-and-assemble centerpiece, with similar cutouts of the four band members on the back cover. At the time of the album's release, Subterranean offered extra empty covers of the album by mail order for $2 for those Flipper fans that wanted to have a cover to cut up and assemble. The album was reissued by Water Records on December 9, 2008, for the first time on CD, with liner notes provided by Buzz Osborne of the Melvins.
Heaven Help the Fool is the second solo album by Grateful Dead rhythm guitarist Bob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro.
Envy is the debut album by Ambitious Lovers. It was released in 1984 through E.G. Records. The album marked the first entry in what, at one point, was supposed to be a seven-album series on the seven deadly sins.
Sweet Revenge is an album by David Johansen, released in 1984. It is the only Johansen album to be released on Passport Records. It was his first album without any participation by any other former members of the New York Dolls.
"Rikki Don't Lose That Number" is a single released in 1974 by rock/jazz rock group Steely Dan and the opening track of their third album Pretzel Logic. It was the most successful single of the group's career, peaking at number 4 on the Billboard Hot 100 in the summer of 1974.
Chinese Wall is the third solo album by American singer Philip Bailey, released on the Columbia Records label in October 1984. The album reached number 22 on the Billboard 200 and number 10 on the Billboard Top R&B/Hip-Hop Albums charts respectively. The album was Grammy nominated in the category of Best R&B Vocal Performance, Male. Chinese Wall has also been certified gold in the US by the RIAA.
The Band That Would Be King is an album released by the Maryland rock group Half Japanese. It was also their third and last studio album released on their label, 50 Skidillion Watts.
Rock 'n' Roll with the Modern Lovers is the second album by American rock band Jonathan Richman and the Modern Lovers, released by Beserkley Records in 1977.
"War Baby" is a song by Tom Robinson, released as a single in 1983. It reached No. 6 on the UK singles chart, and was included on Robinson's 1984 album Hope and Glory.
Right from the Heart is an album by the American pop singer Johnny Mathis that was released on March 18, 1985, by Columbia Records. It was his first album without songs that were previously recorded by other artists. The title track is one of the album's four ballads that, along with four of the remaining six up-tempo tracks, delve into the subject of relationships, but it is the synth-driven "Step by Step" and the anthemic "Hold On" on which Mathis take a break from the usual focus on love songs. The former offers the hope that can be found in change that comes gradually until "I can see the way free from yesterday to a new beginning". The latter stresses the importance of being oneself: "Life is a party. Why don't you come the way you are?"
Set is an album by the Senegalese musician Youssou N'Dour, released in 1990. The album in part inspired the Senegalese youth movement Set-Setal, which sought to beautify Dakar.
Love over Rage is an album by the English musician Tom Robinson, released in 1994. It is dedicated to Dez Tozer, a former lover. Robinson promoted the album by playing the 1994 Glastonbury Festival and embarking on a North American tour that included shows with Barenaked Ladies. The first single was "Hard".
Nightflight is an album by the American musician Fenton Robinson, released in 1984. It was first released in the Netherlands, under the title Blues In Progress. Robinson supported the album with a North American tour.