| Horn Concerto in E-flat major | |
|---|---|
| No. 4 | |
| by W. A. Mozart | |
 The composer in 1782 | |
| Key | E-flat major |
| Catalogue | K. 495 |
| Genre | Concerto |
| Style | Classical period |
| Composed | 1786 |
| Duration | 16-18 minutes |
| Movements | Three (Allegro, Larghetto, Allegro) |
| Scoring |
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Wolfgang Amadeus Mozart's Horn Concerto No. 4 in E-flat major, K. 495 was completed in 1786.
The work is in three movements:
A typical performance duration of the concerto takes 16–18 minutes.
The manuscript, written in red, green, blue, and black ink, was formerly considered as a jocular attempt to rattle the intended performer, Mozart's friend Joseph Leutgeb. However, recently it was suggested that the multicolored score may also be a kind of "color code". [2]
The last movement is a "quite obvious" example of the hunt topic, "in which the intervallic construction, featuring prominent tonic and dominant triads in the main melody, was to some degree dictated by the capability of the horn, and so was more closely allied with the original 'pure' characteristics of the 'chasse' as an open-air hunting call." [3]
This concerto is one of Mozart's two horn concerti to have ripieno horns (horns included in the orchestra besides the soloist), though, in contrast to K. 417, the solo horn in this one duplicates the first ripieno horn's part in the tutti passages. [4]
Given its duration (no more than 20 minutes), it is quite common to find this Horn Concerto with Mozart's other three.
In 1963 Flanders and Swann set the Rondo movement to words for their song "Ill Wind" from the album At the Drop of Another Hat .
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Great Mass in C minor, K. 427/417a, is the common name of the musical setting of the mass by Wolfgang Amadeus Mozart, which is considered one of his greatest works. He composed it in Vienna in 1782 and 1783, after his marriage, when he moved to Vienna from Salzburg. The large-scale work, a missa solemnis, is scored for two soprano soloists, a tenor and a bass, double chorus and large orchestra. It remained unfinished, missing large portions of the Credo and the complete Agnus Dei.
Mendelssohn's Piano Concerto No. 1 in G minor, Op. 25, was written in 1830–31, around the same time as his fourth symphony ("Italian"), and premiered in Munich on 17 October 1831. This concerto was composed in Rome during a travel in Italy after the composer met the pianist Delphine von Schauroth in Munich. The concerto was dedicated to her. Mendelssohn attended one party after another in Munich in October 1831, the month of the premiere, but he also played chamber music and taught double counterpoint. He performed the piece himself at the premiere, which also included performances of his Symphony No. 1 and the Overture from Midsummer Night's Dream. He had already written a piano concerto in A minor with string accompaniment (1822) and two concertos with two pianos (1823–24).
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Anthony Halstead is a leading figure in the period-instruments movement. First known as a virtuoso on the natural horn, he has gradually moved into the role of conductor and has directed the Academy of Ancient Music, the Orchestra of the Age of Enlightenment, and most notably Hanover Band.
The Piano Concerto No. 2 in G major, Sz. 95, BB 101 of Béla Bartók is a musical composition for piano and orchestra. The work, which was composed between 1930 and 1931, is notorious for being one of the most difficult pieces in the repertoire.
Edith Mathis is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's Der junge Lord.
Wolfgang Amadeus Mozart's Horn Concerto No. 2 in E-flat major, K. 417 was completed in 1783.
Wolfgang Amadeus Mozart's Horn Concerto No. 3 in E-flat major, K. 447, was completed between 1784 and 1787, during the Vienna Period.
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