Related Research Articles
Once Bitten is a 1932 British comedy film directed by Leslie S. Hiscott and starring Richard Cooper, Ursula Jeans and Frank Pettingell. It was made at Twickenham Studios as a quota quickie.
Lord Edgware Dies is a 1934 British mystery film directed by Henry Edwards and starring Austin Trevor, Jane Carr, and Richard Cooper. The film was based on the 1933 Agatha Christie novel Lord Edgware Dies.
Passing Shadows is a 1934 British mystery film directed by Leslie S. Hiscott and starring Edmund Gwenn, Barry MacKay and Aileen Marson.
A Safe Proposition is a 1932 British comedy film directed by Leslie S. Hiscott and starring A. W. Baskcomb, Barbara Gott, Harold French and Austin Trevor. It was made at Twickenham Studios as a quota quickie for release by Fox Film.
Passenger to London is a 1937 British espionage thriller film directed by Lawrence Huntington and starring John Warwick, Jenny Laird and Nigel Barrie. It was shot at Wembley Studios in London as a quota quickie by the British subsidiary of Twentieth Century Fox.
The Roof is a 1933 British crime film directed by George A. Cooper and starring Leslie Perrins, Judy Gunn, Russell Thorndike and Michael Hogan. It was shot at Twickenham Studios in London as a quota quickie for release by RKO Pictures. The film's sets were designed by Twickenham's resident art director James A. Carter. It was based on the novel of the same title by David Whitelaw.
The Ghost Camera is a 1933 British mystery film directed by Bernard Vorhaus, starring Henry Kendall, Ida Lupino and John Mills, and based on "A Mystery Narrative", a short story by Joseph Jefferson Farjeon.
High Finance is a 1933 British drama film directed by George King and starring Gibb McLaughlin and Ida Lupino, which was marketed as "the drama of a man overwhelmed by his own success". It is now classed as a lost film. It was produced and distributed by Warner Brothers and shot at Teddington Studios as a quota quickie.
The Deputy Drummer is a 1935 British musical film directed by Lupino Lane and starring Lane, Jean Denis and Kathleen Kelly.
The Pointing Finger is a 1933 British drama film directed by George Pearson and starring John Stuart, Viola Keats and Leslie Perrins. The screenplay concerns a man who plots to murder his half-brother so he can claim his earldom and an inheritance. The film was made by Twickenham Film Studios with sets designed by the art director James A. Carter. It was distributed by RKO Pictures as a quota quickie. Based on the novel The Pointing Finger (1907) by "Rita," it was a remake of the 1922 film of the same name.
Great Stuff is a 1933 British comedy film directed by Leslie S. Hiscott and starring Henry Kendall, Betty Astell and Alfred Wellesley. In the film, a woman's parents became robbers in a desperate effort to prevent her marrying an unsuitable man.
Bed and Breakfast is a 1938 British drama film directed by Walter West and starring Daphne Courtney, Barry Lupino and Frank Miller. It depicts the lives of the inhabitants in a boarding house. It was the last appearance of the silent star Mabel Poulton in a feature film as well as the last to be directed by West. The film was made at Southall Studios, with production beginning in May 1936.
Boys Will Be Girls is a 1937 British comedy film directed by Gilbert Pratt and starring Leslie Fuller, Nellie Wallace and Greta Gynt. The film was made by Fuller's own independent production company in the Rock Studios at Elstree. In order to gain his inheritance, a man has to give up drinking and smoking.
Romance in Rhythm is a 1934 British mystery film directed by Lawrence Huntington and starring Phyllis Clare and David Hutcheson, David Burns. It was made at Cricklewood Studios. The screenplay concerns a songwriter who is accused of murdering a nightclub manager.
No Lady is a 1931 British comedy film directed by Lupino Lane and starring Lane, Renee Clama and Sari Maritza. It was made at Lime Grove Studios in Shepherd's Bush by Gaumont British, a company linked to Gainsborough Pictures. The film sets were designed by art director Andrew Mazzei. It was popular enough to be re-released in 1943. While possibly originally intended to top the bill, it was released as a second feature and is classified as a quota quickie.
Trust the Navy is a 1935 British comedy film directed by Lupino Lane and starring Lane, Nancy Burne and Wallace Lupino. It was made at Cricklewood Studios. It marked the screen debut of Guy Middleton, who went on to be a leading character actor in British films of the following decades.
Account Rendered is a 1932 British crime film directed by Leslie Howard Gordon and starring Cecil Ramage and Reginald Bach. It was made as a quota quickie at Cricklewood Studios.
The Man Who Changed His Name is a 1934 British crime film directed by Henry Edwards and starring Lyn Harding, Betty Stockfeld and Leslie Perrins. It was based on the play The Man Who Changed His Name by Edgar Wallace. It was made as a quota quickie at Twickenham Studios. The film's art direction was by James A. Carter.
The Umbrella is a 1933 British comedy film directed by Redd Davis and starring Kay Hammond, Harold French and Victor Stanley. It was made as a quota quickie at Twickenham Studios.
The Flaw is a 1933 British thriller film directed by Norman Walker and starring Henry Kendall, Eric Maturin and Phyllis Clare. It was made as a quota quickie at Wembley Studios, and was remade in 1955 with the same title.
References
- ↑ Chibnall p.283
