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Hucky Eichelmann (born March 1956) is a German classically trained world guitarist, living most of his life in Asia, particularly in Thailand, where his name has become "synonymous with the classical guitar". [1]
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Hucky Eichelmann (born March 1956) is a German classically trained world guitarist, living most of his life in Asia, particularly in Thailand, where his name has become "synonymous with the classical guitar". [1]
Master's degree at the State Academy of Music and Dramatic Arts, Stuttgart.
Eichelmann originates from Sulzburg in Markgräflerland in south-west Germany. He has lived in Thailand since 1979, [2] where his recordings of the music of King Bhumibol have made the classical guitar a fashionable instrument. [3]
Though holding a master's degree in classical music, Eichelmann has developed his own diverse musical repertoire bridging the cultures of East and West [3] as well as those of classical with folk and popular music.
Eichelmann has promoted Asian music throughout the world. [2] His recordings are among the bestselling guitar recordings worldwide.
Hucky has collaborated with Ravi Shankar, Richard Harvey, [4] Nina Corti and Carlos Bonell, played alongside such guitarists as John Williams, David Russell, Jorge Morel, Paco Peña, Los Angeles Guitar Quartet, Juan Martin, Costas Cotsiolis and Kazuhito Yamashita.
He has performed at guitar festivals in Germany, Great Britain, Thailand, Singapore and Australia. [3] He was also invited to perform his last concert of the 20th century at the headquarters of the United Nations in New York City.
Eichelmann has performed various Royal Command Performances for members of the Thai Royal family [2] and he has conducted popular guitar classes on Thai TV.
He has made recordings for Peacock, WEA, Pacific, EMI and AMI Records.
Between 1978 and 2000 Eichelmann held teaching positions at the University of the Philippines, [2] Chulalongkorn University, [2] St. Cecilia Academy of Music and Mahidol University, Bangkok.
As a record and event producer he has worked with Ravi Shankar, [7] Stuttgart Ballet, [1] Chico & The Gypsies (formerly Gipsy Kings), [7] Martin Taylor, Pat Metheny, George Winston and Les Ballets Jazz de Montreal to name but a few.
Uday Shankar was an Indian dancer and choreographer, best known for creating a fusion style of dance, adapting European theatrical techniques to Indian classical dance, imbued with elements of Indian classical, folk, and tribal dance, which he later popularised in India, Europe, and the United States in the 1920s and 1930s. He was a pioneer of modern dance in India.
"Love You To" is a song by the English rock band the Beatles from their 1966 album Revolver. The song was written and sung by George Harrison and features Indian instrumentation such as sitar and tabla. Following Harrison's introduction of the sitar on "Norwegian Wood " in 1965, it was the first Beatles song to fully reflect the influence of Indian classical music. The recording was made with minimal participation from Harrison's bandmates; instead, he created the track with tabla player Anil Bhagwat and other Indian musicians from the Asian Music Circle in London.
The Dirtbombs are an American garage rock band based in Detroit, Michigan, notable for blending diverse influences such as punk rock and soul, while featuring a dual bass guitar, dual drum and guitar lineup. The Dirtbombs were formed by Mick Collins as a side project and started recording songs by 1995.
The history of the sitar in jazz, that is the fusion of the sounds of Indian classical music with Western jazz, dates back from the late-1950s or early-1960s when musicians trained in Indian classical music such as Ravi Shankar started collaborating with jazz musicians such as Tony Scott and Bud Shank. Later jazz recordings containing sitar music include albums by Miles Davis, Alice Coltrane, Yusef Lateef, Joe Harriott ,and Ornette Coleman.
John Barham is an English classical pianist, composer, arranger, producer and educator. He is best known for his orchestration of George Harrison albums such as All Things Must Pass (1970) and for his association with Indian sitar maestro Ravi Shankar.
Bilaskhani Todi is a Hindustani classical raga. It is a blend of the ragas Asavari and Todi, and has a close affinity with Komal Rishabh Asavari. Though being named Bilaskhani Todi, it does not belong to the Thaat Todi, but it belongs to the Thaat Bhairavi. It is named Bilaskhani Todi because of the Meend used while singing the notes 'Ga' and 'Re', a common feature of the Raag 'Todi'.
Harvey "The Snake" Mandel is an American guitarist best known as a member of Canned Heat. He also played with Charlie Musselwhite and John Mayall as well as maintaining a solo career.
Ram Narayan, often referred to with the title Pandit, was an Indian musician who popularised the bowed instrument sarangi as a solo concert instrument in Hindustani classical music and became the first internationally successful sarangi player.
Carlos Antonio Bonell is an English classical guitarist of Spanish origin. He has been described by Classical Guitar magazine as "one of the great communicators of the guitar world".
At the Woodstock Festival is a live album by Indian classical musician Ravi Shankar that was released in 1970 on World Pacific Records. It was recorded on 15 August 1969, during the first day of the Woodstock Festival in upstate New York. Shankar's set took place during a downpour and he later expressed his dissatisfaction with the event due to the prevalence of drugs among the crowd.
Paul Livingstone is an American sitarist, composer and multi-instrumentalist. He is one of the few American disciples of Pandit Ravi Shankar, also trained under Rajeev Taranath and Amiya Dasgupta all of the Senia Maihar Gharana.
Leon Koudelak is a Czech classical guitarist.
Ravi Shankar's Music Festival from India was an Indian classical music revue led by sitarist and composer Ravi Shankar intended for Western concert audiences and performed in 1974. Its presentation was the first project undertaken by the Material World Charitable Foundation, set up the previous year by ex-Beatle George Harrison. Long a champion of Indian music, Harrison also produced an eponymous studio album by the Music Festival orchestra, which was released in 1976 on his Dark Horse record label. Both the CD format of the Ravi Shankar's Music Festival from India album and a DVD of their performance at the Royal Albert Hall in London were issued for the first time on the 2010 Shankar–Harrison box set Collaborations.
In Concert 1972 is a double live album by sitar virtuoso Ravi Shankar and sarodiya Ali Akbar Khan, released in 1973 on Apple Records. It was recorded at the Philharmonic Hall, New York City, in October 1972, and is a noted example of the two Hindustani classical musicians' celebrated jugalbandi (duet) style of playing. With accompaniment from tabla player Alla Rakha, the performance reflects the two artists' sorrow at the recent death of their revered guru, and Khan's father, Allauddin Khan. The latter was responsible for many innovations in Indian music during the twentieth century, including the call-and-response dialogue that musicians such as Shankar, Khan and Rakha popularised among Western audiences in the 1960s.
Chants of India is an album by Indian musician Ravi Shankar released in 1997 on Angel Records. Produced by his friend and sometime collaborator George Harrison, the album consists of Vedic and other Hindu sacred prayers set to music, marking a departure from Shankar's more familiar work in the field of Hindustani classical music. The lyrical themes of the recorded chants are peace and harmony among nature and all creatures. Sessions for the album took place in the Indian city of Madras and at Harrison's home in Henley-on-Thames, Oxfordshire, following his work on The Beatles' Anthology (1995). Anoushka Shankar, John Barham, Bikram Ghosh, Tarun Bhatacharaya and Ronu Majumdar are among the many musicians who contributed to the recording.
Anant Lal, often referred to by the title Pandit, was an Indian classical musician who played the shehnai. He worked for All India Radio and played with artists such as Ravi Shankar and Debu Chaudhuri in addition to recording under his own name. Lal was one of the leading exponents of the shehnai in Hindustani classical music. In 1989, he received the Sangeet Natak Akademi Award, the highest recognition afforded artists in India.
West Meets East is an album by American violinist Yehudi Menuhin and Indian sitar virtuoso Ravi Shankar, released in Britain in January 1967. It was recorded following their successful duet in June 1966 at the Bath Musical Festival, where they had played some of the same material.
Kamala Chakravarty is an Indian classical musician and former dancer, known for her association with sitar maestro Ravi Shankar. From 1967 until the late 1970s, she accompanied Shankar, in the role of tambura player and singer, in a number of acclaimed performances, including the Monterey International Pop Festival (1967), his Human Rights Day duet with violinist Yehudi Menuhin (1967), the Concert for Bangladesh (1971) and the Music Festival from India (1974). She lived with Shankar as his "wife" from 1967 to 1981, while he was still married to musician and teacher Annapurna Devi.
The Asian Music Circle was an organisation founded in London, England, in 1946, that promoted Indian and other Asian styles of music, dance and culture in the West. The AMC is credited with having facilitated the assimilation of the Indian subcontinent's artistic traditions into mainstream British culture. Founded by Indian writer and former political activist Ayana Angadi and his English wife, Patricia Fell-Clarke, a painter and later a novelist, the organisation was run from their family home in the north London suburb of Finchley.
Live: Ravi Shankar at the Monterey International Pop Festival is a live album by Indian sitarist Ravi Shankar, released on the World Pacific record label in November 1967. It consists of part of Shankar's celebrated performance at the Monterey International Pop Festival in California on 18 June 1967. Shankar was accompanied throughout by his regular tabla player, Alla Rakha, who performs a frenetic five-minute solo on the recording.
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