| "(I'd) Wait a Million Years" | ||||
|---|---|---|---|---|
 | ||||
| Single by The Grass Roots | ||||
| from the album Leaving It All Behind [1] | ||||
| B-side | "Fly Me to Havana" | |||
| Released | June 1969 [2] | |||
| Genre | Psychedelic pop | |||
| Length | 2:35 | |||
| Label | ABC/Dunhill | |||
| Songwriter(s) |
| |||
| Producer(s) | Steve Barri | |||
| The Grass Roots singles chronology | ||||
| ||||
"(I'd) Wait a Million Years" (also known as "Wait a Million Years", "Million Years or So", or simply "Million Years") is a 1969 hit single by The Grass Roots.
It was the first of three single releases from the group's fifth LP, Leaving It All Behind , and is among the group's five greatest hits. It was written by Gary Zekley and Mitchell Bottler. The album version contains a slow organ intro and a longer fadeout, increasing the track's length by almost a minute.
The song reached number 15 on the U.S. Billboard Hot 100 the week ending September 6, 1969, [4] and number 12 on the Cash Box Top 100. [5] In Canada, "I'd Wait a Million Years" spent three weeks at number 12. [6]
Arranged By [Horns] – Jimmie Haskell
"Up the Ladder to the Roof" is a 1970 hit single recorded first by The Supremes for the Motown label. It was the first Supremes single to feature new lead singer Jean Terrell in place of Diana Ross, who officially left the group for a solo career two weeks before the recording of this song in January 1970. This song also marks a number of other firsts: it is the first Supremes single since "The Happening" in 1967 to be released under the name "The Supremes" instead of "Diana Ross & The Supremes", the first Supremes single solely produced by Norman Whitfield associate Frank Wilson, and the first Supremes single to make the United Kingdom Top 10 since "Reflections" in 1967.
"Breaking Up Is Hard to Do" is a song recorded by Neil Sedaka, co-written by Sedaka and Howard Greenfield. Sedaka recorded this song twice, in 1962 and 1975, in two significantly different arrangements, and it is considered to be his signature song. Between 1970 and 1975, it was a top-40 hit three separate times for three separate artists: Lenny Welch, The Partridge Family and Sedaka's second version. The song was also adapted into multiple languages, most notably in Italian and French.
"Sad Sweet Dreamer" is a song by Sweet Sensation, which was a number-one single on the UK Singles Chart for one week in October 1974.
"(Your Love Keeps Lifting Me) Higher and Higher" is an R&B song written by Gary Jackson, Raynard Miner, and Carl Smith. It was recorded by Jackie Wilson for his album Higher and Higher (1967), produced by Carl Davis, and became a Top 10 pop and number one R&B hit.
"(I've Been) Searchin' So Long" is a song written by James Pankow for the group Chicago and recorded for their album Chicago VII (1974). The first single released from that album, it reached number 9 on the U.S. Billboard Hot 100. It also hit number 8 on the Adult Contemporary chart. In Canada, the song peaked at number 5.
"No Tell Lover" is a song written by Lee Loughnane, Danny Seraphine, and Peter Cetera for the group Chicago and recorded for their album Hot Streets (1978), with Cetera and Donnie Dacus singing lead vocals. The second single released from that album, it reached No. 14 on the U.S. Billboard Hot 100 chart and No. 5 on the adult contemporary chart.
"Don't Pull Your Love" is the debut single by Hamilton, Joe Frank & Reynolds which became a top ten hit single in 1971. The song was written by Brian Potter and Dennis Lambert.
"A Beautiful Morning" is a song written by Felix Cavaliere and Eddie Brigati and recorded by the Rascals. Coming out in early 1968, it was the group's first track released after shortening their name from the Young Rascals. The single was one of the earliest released in stereo, as 7-inch singles generally were in mono. Together with the Doors "Hello, I Love You", it's credited with changing the industry standard of singles.
"You're the Best Thing That Ever Happened To Me" — also known simply as "Best Thing That Ever Happened To Me" — is a song written by Jim Weatherly, and produced by Don Law. It was first recorded in 1973 by Danny Thomas. Soon after it was done by Ray Price from his album You're the Best Thing That Ever Happened To Me. The song enjoyed two runs of popularity, each by an artist in a different genre.
"Love Ballad" is a song by R&B/Funk band L.T.D. Jeffrey Osborne is the lead singer.
"Cupid" is a song by American singer Sam Cooke, released on May 16, 1961. It charted at number 17 on the Billboard Hot 100 and number 20 on the Hot R&B Sides chart; the track performed best in the United Kingdom, peaking at number seven on the UK Singles Chart. The song is featured on Cooke's greatest hits album, The Best of Sam Cooke (1962). Cooke's producers had asked him to write a song for a girl they had seen on a Perry Como TV show—but once they heard her sing, they kept "Cupid" for Cooke himself.
"Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by the Association. The Addrisi Brothers had two Top 40 hits as recording artists, but their biggest success as songwriters was "Never My Love". Recorded by dozens of notable artists in the decades since, in 1999 the music publishing rights organization Broadcast Music, Inc. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S.
"Midnight Confessions" is a song written by Lou T. Josie and originally performed by the Ever-Green Blues. American rock band The Grass Roots later made it famous when they released it as a single in 1968. Though never released on any of the group's studio albums, it was on their first compilation album, Golden Grass, and has since been included on many of their other compilations.
"All I Know" is a song written by American songwriter Jimmy Webb, first recorded by Art Garfunkel on his 1973 debut solo album, Angel Clare, released by Columbia Records. Instrumental backing was provided by members of the Wrecking Crew, L.A. session musicians. Garfunkel's version is the best known and highest-charting version, peaking at number nine on the Billboard Hot 100 and number one on the Easy Listening chart for four weeks in October 1973. Garfunkel's version begins with a solo piano, before he begins to sing. When the orchestration is beginning to fade out, the solo piano takes over, playing melodic passages to the song's end.
"Morning Girl" is a 1969 song by The Neon Philharmonic. It was a hit in Canada and the United States. The recording featured a chamber-sized orchestra of Nashville Symphony Orchestra musicians, and the project was headed by composer Tupper Saussy and vocalist Don Gant.
"Which Way You Goin' Billy?" is a song by the Canadian band the Poppy Family. First released as a single in 1969, it features on the album of the same name and was a chart-topping hit in Canada and Ireland. It was also a significant hit in other parts of the world, reaching #2 on both the U.S. Cash Box and Billboard pop charts.
"How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"
"Sooner or Later" is a 1971 hit song by The Grass Roots. It was released as a single and put on their third compilation album, Their 16 Greatest Hits. It reached number 9 on the US Billboard Hot 100, becoming their third and last top ten hit.
"Two Divided by Love" is a 1971 hit song by The Grass Roots. It was the first single released from their sixth studio album, Move Along.
"Lady" is a song written by Graeham Goble and performed by Australian rock music group Little River Band. It was released in September 1978 as the third and final single from their fourth studio album, Sleeper Catcher. The song peaked at number 46 on the Australian Kent Music Report singles chart. The song also peaked at No. 10 on the Billboard Hot 100 in April 1979.
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