"Gonna Fly Now", also known as "Theme from Rocky", is the theme song from the movie Rocky, composed by Bill Conti with lyrics by Carol Connors and Ayn Robbins, and performed by DeEtta West and Nelson Pigford. Released in 1976 with Rocky, the song became part of 1970s American popular culture after the film's main character and namesake Rocky Balboa as part of his daily training regimen runs up the 72 stone steps leading to the entrance of the Philadelphia Museum of Art in Philadelphia and raises his arms in a victory pose, while the song plays. The song was written in Philadelphia. The song is often played at sporting events, especially in Philadelphia. Most notably, the Philadelphia Eagles play the song before the opening kickoff of every home game at Lincoln Financial Field.
The Classics IV is an American band formed in Jacksonville, Florida, United States, in 1965. The band, founded by Dennis Yost, is known mainly for the hits "Spooky," "Stormy," and "Traces," released 1967 to 1969, which have become cover standards.
"I'm Not in Love" is a song by British group 10cc, written by band members Eric Stewart and Graham Gouldman. It is known for its innovative and distinctive backing track, composed mostly of the band's multitracked vocals. Released in the UK in May 1975 as the second single from the band's third album, The Original Soundtrack, it became the second of the group's three number-one singles in the UK between 1973 and 1978, topping the UK Singles Chart for two weeks. "I'm Not in Love" became the band's breakthrough hit outside the United Kingdom, topping the charts in Canada and the Republic of Ireland as well as peaking within the top ten of the charts in several other countries, including Australia, Germany, New Zealand, Norway and the United States.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"Tonight's the Night (Gonna Be Alright)" is a song written by Rod Stewart, and recorded at Muscle Shoals Sound Studio in Sheffield, Alabama for his 1976 album A Night on the Town. The song, controversial at the time of release, proved to be a massive commercial success and became his second US chart topper on the Billboard Hot 100. It made its debut at number 81 on 2 October 1976 and rose quickly, climbing from number eight to the top of the chart on 13 November 1976, and remained on top for eight consecutive weeks until 8 January 1977. It was the longest stay of any song during 1976, the longest run at the top for a single in the US in over eight years (since the Beatles’ "Hey Jude" in November 1968), and the longest stay at number one for Rod Stewart in his entire recording career, and the final number one of the US Bicentennial year. The song also peaked at No. 5 in the UK, No. 1 for six weeks in Canada, No. 3 in Australia and charted well in other parts of the world. It was the number 1 song on both Billboard's 1977 year-end chart and the year-end Canadian singles chart. It became the best-selling single of 1977 in the United States. As of 2018, it is the 19th-most popular song in the history of the chart.
"Deacon Blues" is a song written by Walter Becker and Donald Fagen in 1976 and recorded by their group Steely Dan on their 1977 album Aja. It peaked at number 19 on the Billboard charts and number 17 on the U.S. Cash Box Top 100 in June 1978. It also reached #40 on the Easy Listening chart. In Canada, it peaked at #14, a position it occupied for two weeks, and #20 Adult Contemporary. In 2021, it was listed at No. 214 on Rolling Stone's "Top 500 Greatest Songs of All Time".
"Don't Let Me Be Misunderstood" is a song written by Bennie Benjamin, Horace Ott and Sol Marcus for American singer-songwriter and pianist Nina Simone, who recorded the first version in 1964. "Don't Let Me Be Misunderstood" has been covered by many artists. Two of the covers were transatlantic hits, the first in 1965 by the Animals, which was a blues rock version; and in 1977 by the disco group Santa Esmeralda, which was a four-on-the-floor rearrangement. A 1986 cover by new wave musician Elvis Costello found success in Britain and Ireland.
"Good Rocking Tonight" is a jump blues song originally released in 1947 by its writer, Roy Brown and was covered by many recording artists. The song includes the memorable refrain, "Well I heard the news, there's good rocking tonight!" The song anticipated elements of rock and roll music.
The discography of American rock musician Eddie Money consists of 11 studio albums, two live albums, four EPs, and 28 singles. He also released seven compilation albums.
"Heartache Tonight" is a song written by Don Henley, Glenn Frey, Bob Seger and J. D. Souther, recorded by the Eagles and features Glenn Frey on lead vocals. The track was included on their album The Long Run and released as a single in 1979. It reached No. 1 on the U.S. Billboard Hot 100 in November of that year and was certified Platinum by the Recording Industry Association of America representing one million copies sold. It was the Eagles' final chart-topping song on the Hot 100.
"Tonight, I Celebrate My Love" is a romantic ballad written by lyricist Gerry Goffin with Michael Masser and recorded by Peabo Bryson and Roberta Flack for their 1983 album of duets, Born to Love, issued as the lead single. The track—produced by Masser—became a million-selling international hit.
The discography for Canadian country-pop singer Anne Murray includes 32 studio albums, 15 compilation albums and 76 singles. Murray has sold over 55 million records across the world, becoming one of the best-selling Canadian artists in history. She has scored 10 number one hits on Hot Country Songs and 8 number one hits on Adult Contemporary Chart.
That's What Friends Are For is an album by American singers Johnny Mathis and Deniece Williams that was released in July 1978 by Columbia Records. The project was a continuation of the pairing of the artists that began on his previous LP, You Light Up My Life, which included "Too Much, Too Little, Too Late", the duet that was on its way to number one on three different charts in Billboard magazine as the recording sessions for this album got underway.
"Desirée" is a 1977 song written and recorded by Neil Diamond and included as a track on Diamond's 1977 album, I'm Glad You're Here with Me Tonight. The single peaked at number 16 on the Billboard Hot 100 and reached number one on the U.S. Easy Listening chart to become his fifth number one on that chart. The song likewise reached number one on the Canadian AC chart.
"How You Gonna See Me Now" is a song written by Alice Cooper, Bernie Taupin, and Dick Wagner, performed by Cooper and produced by David Foster. It was released on Cooper’s album, From the Inside.
"Don't Let Me Be Lonely Tonight" is a song written and performed by American singer-songwriter James Taylor, from his 1972 album One Man Dog. The song has been included on three of Taylor's greatest-hits collection albums: Greatest Hits (1976), Classic Songs (1987) and The Best of James Taylor (2003). Taylor re-recorded the song for the 2001 Michael Brecker album Nearness of You: The Ballad Book; this rendition won Taylor the Grammy Award for Best Male Pop Vocal Performance in 2002.
"Imaginary Lover" is a 1978 hit single by the Atlanta Rhythm Section, the first release and greatest hit from their album Champagne Jam.
"So in to You" is a 1977 hit single by the Atlanta Rhythm Section. It was the first release from their sixth studio LP, A Rock and Roll Alternative.
"I'm Gonna Tear Your Playhouse Down" is a song written by Memphis-based songwriter Earl Randle, and first recorded in 1972 by soul singer Ann Peebles. The song was also a hit in 1984 for English singer Paul Young.
Play Me Out is the thirteenth studio album by Australian-American pop singer Helen Reddy that was released in 1981 by MCA Records. Having recorded 12 studio albums at Capitol Records over a 10-year period, she felt the move was "'long overdue... For the last three years I didn't feel I was getting the support from them.'" Whatever support she received from the new label was not enough to get the album onto Billboard magazine's Top LPs & Tape chart.
