Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.
Krautrock is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can, Faust, Tangerine Dream, Kraftwerk, Cluster, Ash Ra Tempel, Popol Vuh, Amon Düül II and Harmonia.
Gary George Peacock was an American jazz double bassist. He recorded a dozen albums under his own name, and also performed and recorded with major jazz figures such as avant garde saxophonist Albert Ayler, pianists Bill Evans, Paul Bley and Marilyn Crispell, and as a part of Keith Jarrett’s “Standards Trio” with drummer Jack DeJohnette. The trio existed for over thirty years, and recorded over twenty albums together. DeJohnette once stated that he admired Peacock's "sound, choice of notes, and, above all, the buoyancy of his playing." Marilyn Crispell called Peacock a "sensitive musician with a great harmonic sense."
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
Paul Bley, CM was a Canadian jazz pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing and his early live performance on the Moog and ARP synthesizers. His music has been described by Ben Ratliff of the New York Times as "deeply original and aesthetically aggressive". Bley's prolific output includes influential recordings from the 1950s through to his solo piano recordings of the 2000s.
Barry Altschul is a free jazz and hard bop drummer who first came to notice in the late 1960s for performing with pianists Paul Bley and Chick Corea.
"Aladdin Sane (1913–1938–197?)" is a song by the English singer-songwriter David Bowie, the title track from his 1973 album Aladdin Sane. Described by biographer David Buckley as the album's "pivotal" song, it saw Bowie moving into more experimental musical styles following the success of his breakthrough glam rock release The Rise and Fall of Ziggy Stardust and the Spiders from Mars in 1972.
Glen Moore is an American jazz bassist, who occasionally performs on piano, flute and violin.
Slaughter on 10th Avenue is the debut album by English guitarist Mick Ronson, then-guitarist of David Bowie's backing band the Spiders from Mars. It was released in February 1974 by RCA Records.
Play Don't Worry is the second album by English guitarist and singer Mick Ronson, recorded in 1974 and released in January 1975 after his several projects in the early seventies together with David Bowie, Lou Reed and the band the Spiders from Mars. It contains mainly covers arranged by Ronson for his own sound, covering everyone from Pure Prairie League, The Velvet Underground and Little Richard. The backing track to "White Light/White Heat" was salvaged from Bowie's Pin Ups sessions. The title track was co-written by Bob Sargeant, later producer to The Beat amongst others, who released an album First Starring Role in April 1974 which included Ronson on recorder and producing four tracks.
Annette Peacock is an American composer, musician, songwriter, producer, and arranger. She is a pioneer in electronic music who combined her voice with one of the first Moog synthesizers in the late 1960s.
This article contains a comprehensive collection of information related to recordings by American pianist Mike Garson.
Michael David Garson is an American pianist, who has worked with David Bowie, Nine Inch Nails, St. Vincent, Duran Duran, Free Flight, The Smashing Pumpkins, Melissa Auf der Maur and The Pretty Reckless.
Dan Lacksman is a Belgian composer and sound engineer, artist and member of Telex, director of numerous acoustic albums, pop or jazz.
Closer is the seventh album led by jazz pianist Paul Bley, featuring seven compositions by Carla Bley, recorded in 1965 and released on the ESP-Disk label.
The Paul Bley Synthesizer Show is an album by Paul Bley performing compositions by Annette Peacock which was released on the Milestone label in 1971.
Dual Unity is a live album by Annette Peacock and Paul Bley which was released by Freedom Records in 1972.
Improvisie is a live album by Paul Bley with Annette Peacock and Han Bennink which was released on the French America label in 1971.
Annette is an album by Paul Bley with Franz Koglmann and Gary Peacock recorded in Germany in 1992 and released on the hat ART label in 1993. The album features compositions by Annette Peacock.
Paul Bley & Scorpio is an album by Paul Bley performing compositions by Annette Peacock and Carla Bley which was released by the Milestone label in 1973.
