IDC is David McCarthy, an English recording artist and DJ from London, England.
An extensive programme of DJ dates at major European music Festivals, headline sets at 'Top 100' club venues throughout Europe and SE Asia and a succession of critically acclaimed releases have established him as a respected figure in international electronic music.
A major interview feature in leading international dance music publication DJ Mag declared "Electro iconoclast IDC isn't your typical DJ/producer – he's more like a multi-instrumentalist mix between Brian Wilson and DFA's James Murphy" [1]
IDC's releases have consistently received 5 star press reviews, starting with his debut single 'Scratch', through to the release of his debut album 'Overthrow The Boss Class' in 2008 and continuing with subsequent album and single releases.
Second album 'The Sun Is Always Shining Above The Clouds' saw the world's biggest selling dance magazine Mixmag write "IDC is back with a rich and diverse album made across five studios over 18 months" [2] and make lead single "Eins Deux Tres" 'Tune of the Month', describing it as "a beautifully compelling collage of Beach Boys-like vocal harmonies and electronic voices." [3]
The album received an audiophile re-release in 2017 in an expanded re-mastered form addressing Loudness War issues which surrounded the original version.
The third album from IDC is expected in 2018. [4]
IDC's debut single release 'Scratch' was likened to the output of DFA Records, described as "pushing the boundaries of electro-disco" in DJ Mag [5] and was one of the last records to be championed by John Peel on his legendary BBC radio show. [6]
2007 release "Stomp" was called "one seriously heavy slice of deviant dancefloor electro" in another 5 star review in iDJ, with crossover potential compared to The Prodigy in DJ Mag [7] and named 'Record of the Week' in places ranging from UK dance music mag legend DMC Update to John Kennedy's X-Posure show on XFM.
The following single 'Akai Elvis' nudged the UK charts with DJ Mag writing "you can instantly hear why it's getting the same kind of response LCD Soundsytem's Losing My Edge got before it reached saturation levels." [8]
August 2008 saw the release of the debut IDC album 'Overthrow The Boss Class'. The ten track collection was recorded in London and Brighton, with McCarthy taking on all writing, performing and production duties, except for a guest vocal on the track 'Modern Touch' by Martin Andrews from the group 'Volunteer'. 'OTBC' was mastered at The Soundmasters by Streaky Gee, whose credits include The Prodigy, Fatboy Slim, Death in Vegas and The Stone Roses.
Once again superlative reviews followed, with a 5 star 'Recommended Album' review in International DJ Magazine calling it "2008's 'We Are the Night (Chemical brothers)'" [9] and DJ Mag raving "there's a simplicity and fun to the production – a sense of delirious enjoyment rather that trying to be clever – that gives it an instantly accessible appeal." [10]
DJ legend Mark Moore singled out the track 'Modern Touch' for particular praise in his monthly review column by writing "I shall go on record as declaring this as 2 minutes 53 seconds of perfect pop. Once it's over you just have to play it again... and again." [11]
April 2009 saw the release of IDC's first post debut album material, with the track 'Imaginary Bones' being released as an extended single package featuring Lo Fidelity Allstars' Phil Ward on vocals on two distinct versions taken from different recording sessions, along with several remixes. The main 'dance' version featured heavily at various parties at WMC Miami. iDJ magazine said ""this raucous romp could well be IDC's biggest club monster to date" [12] and DMC Update made it five star single of the week saying "this is the most pissed up, drugged up, headfuck of a record that I've heard in a very long time, it makes The Prodigy sound like they've got The X Factor." [13]
The 'alternate version' featuring a full band and horn section picked up UK BBC Radio 1 airplay and led to a 'live band' session on John Kennedy's X-Posure show on XFM. The session featured three tracks recorded live at Capital Radio's Leicester Square studios, with McCarthy on bass and vocals joined by Seamus Murphy, Phil Ward and Martin Andrews.
2009 saw extensive periods in recording studios, with parts recorded in London, Brighton, Edinburgh and New York. The first fruits of these sessions was released as a 'free download' track the end of 2009. 'This Is Not A Riot' featured samples of crowd chants recorded at various demonstrations around the world, as well as the sampling of the LRAD Long Range Acoustic Device riot control sonic weapon.
The track received national UK radio airplay on BBC Radio 1 with Rob Da Bank calling it "revolutionary rave". [14] and went on to be referenced as "riot-folk" by the world renown monthly magazine Fortean Times [15] which officially acknowledged the track as the first-ever musical work to feature the LRAD.
June 2010 saw the release of single 'Daytime Radio Hit', ironically named due to the inclusion of the expletive-laden guest vocals of Holly from The New York Chimes which resulted in the only radio airplay coming from longtime supporter John Kennedy on XFM with an exclusively created 'bleeped' version. Dance press reviews continued to be highly positive, with iDJ calling it "jaunty electro boogie" [16] and DJ Mag citing it as "an aptly-named DFA-style grooveathon." [17]
The second IDC album 'The Sun Is Always Shining Above The Clouds' was released in August 2011. Mixmag wrote "IDC is back with a rich and diverse album made across five studios over 18 months" [2] and DJ Mag called it "a brilliant work" [18] giving a rating of 9 out of 10.
"Eins Deux Tres" was the lead single from the album and it was awarded 'Tune of the Month' in Mixmag describing it as "a beautifully compelling collage of Beach Boys-like vocal harmonies and electronic voices. There's a Mobyness about its uplifting chords while the range of quirky samples and strings are reminiscent of The Avalanches. The best tri-lingual track we've ever featured!". [19] DJ Mag gave it 9/10 writing "an explosion of ELO strings over a 'One More Time' rhythm stomp, never mind 'Money Shot' of the month, I think this is 'Single of the Year'" [20]
'TSIASATC' album track 'Everybody' was released as an EP in 2012 which included an extended version and several remixes. It was declared "an essential must-have electro package for 2012" in a 9/10 review in DJ Mag. [21]
In 2013 'Everybody' appeared on the soundtrack of the motion picture Make your Move 3d.
Later in the year stand-alone single 'The Man with The Last Laugh' was released and received yet another 9/10 in DJ Mag: "This 21st century John Barry-style megatune gets a much deserved full release. The campaign for a dance track James Bond theme starts here!" [22]
2014 saw the tenth anniversary of debut single 'Scratch' celebrated with a re-issue which included a brand new '2014TYL' version remixed by IDC. The other tracks from the original vinyl release were made available digitally for the first time.
'What's going On Here?' was released as a single in January 2015. It came backed with a live full-band version of 'Imaginary Bones'. 'Assemble The Musi8ians' followed later that year and 'Sugar Coated Bullet' was the most recent new material release in 2016.
IDC's DJ career began around 2005 with guest headline sets at major electro clubs of the time such as Nag Nag Nag in London and Rio in Berlin, following on from the release of his acclaimed debut single.
Dates then extended around Europe, most notably headlining a dance stage at Szegit Festival in Budapest and beginning an ongoing series of regular headline appearances at the 3,000 capacity Sala 1 of Razzmatazz Barcelona, which he has now played on over 30 occasions.
One New Year's Eve set at Razzmatazz led to a two-page review in International DJ Magazine calling IDC "the future king of electronic rock'n'roll" [23]
DJ Magazine ran a feature on IDC saying "he makes music that sounds like a washing machine on crack – no wonder the likes of Mark Moore, Erol Alkan, Radio One's Pete Tong and XFM's John Kennedy are all over his tunes" [24] and dates continued around Europe and at major UK venues such as Together at Turnmills in London, Stealth in Nottingham and festivals such as Bestival.
International headline set at clubs such as Zouk Singapore and Volar Hong Kong extended IDC's reputation to SE Asia and further UK DJ dates, including 'special guest' support slots to 2ManyDJs and Calvin Harris, raised his profile at home, leading to a return to Bestival for a prime-time Friday night slot on the main Bollywood dance stage.
DJ Mag stated "IDC is a genius" [25] and iDJ called him "clearly one of electronic music's finest purveyors". [26]
Although 2013 onwards has been almost entirely dedicated to studio work, a reduced DJ schedule has subsequently included a special set at Razzmatazz Barcelona as part of the Stone Roses first official comeback gig and a number of London club dates.
Track listing :
Track listing :
IDC's own Brighton club residency "Dirty Weekend" was featured in a major undercover-filming news exposé on European satellite TV channel Sky News regarding the contemporary use of laughing gas in clubs in the UK. The story was picked up by UK national tabloid papers and the dance press and used by the authorities as a reason to clamp down on the sale of N
2O for recreational purposes. [27]
Official IDC remix releases of other artists have appeared on major labels such as Sony/BMG, Universal, Astralwerks and EMI as well as on respected independent dance labels including Bad Life and Hottwerk.
Early notable unofficial mash-up re-workings included a version of The Ting Tings song "Great DJ", which used the unreleased demo version as the source material and became a big download hit via music blogs and the Hypemachine site well before the band became widely known.
IDC's initial illicit productions received radio airplay around the world, establishing him at the forefront of the UK bootleg movement and leading him to become one of the main contributors to the MTVMash weekly show for MTVNE, creating exclusive tracks for the two season series. His productions included the only official Outkast mash-up, "Hey Mug", which mixed Hey Ya! with English band The Streets and was cleared for use by Andre 3000 himself. [28]
Leftfield are a British electronic music group formed in 1989, a duo of Neil Barnes and Paul Daley. The duo was influential in the evolution of electronic music in the 1990s, with Mixmag describing them as "the single most influential production team working in British dance music". As with many of their contemporaries, such as The Chemical Brothers and Fatboy Slim, Leftfield are notable for their use of guest vocalists in their works. Among them are Toni Halliday on "Original", Johnny Rotten on "Open Up", Djum Djum on "Afro-Left", Earl 16 and Cheshire Cat on "Release the Pressure", and Grian Chatten of Fontaines D.C. on "Full Way Round". The term progressive house was coined to define their style, a fusion of house with dub and reggae.
Above & Beyond are an electronic music group consisting of English DJs Jono Grant, Tony McGuinness and Finnish DJ Paavo Siljamäki. Formed in 2000, they are the owners of London-based electronic dance music labels Anjunabeats and Anjunadeep, and also host a weekly radio show titled Group Therapy Radio. The trio has been consistently ranked among DJ Magazine's Top 100 DJs Poll, having placed at No. 6 in 2007, No. 4 in 2008 & 2009, No. 5 in 2010 & 2011, No. 51 in 2018, No. 22 in 2019, No. 19 in 2020, No. 21 in 2021, No. 30 in 2022, and most recently No. 40 in 2023.
"Voodoo Ray" is the debut single by British electronic musician Gerald Simpson, recording under the name A Guy Called Gerald. The single was released in the UK in 1988 on the 7" and 12" vinyl formats, on the Rham! label. A version of the track appeared on A Guy Called Gerald's 1988 album Hot Lemonade, and the original single was later released in the United States in 1989 by Warlock Records.
Soulwax are a Belgian electronic band and DJ/production collective from Ghent, who formed in 1995. Centred around brothers David and Stephen Dewaele, other current members include Igor and Laima Cavalera, and Stefaan Van Leuven. The group first rose to prominence following the release of their album Much Against Everyone's Advice, and have released five studio albums to date. Outside of Soulwax, the Dewaeles also perform DJ sets under the moniker 2manydjs.
Marco "Benny" Benassi is an Italian DJ, record producer and remixer. He is widely seen as a pioneer of electro house, a genre brought into the mainstream by his 2002 summer club hit "Satisfaction".
David Maurice Clarke is an English electronic music DJ, producer and radio presenter. BBC radio presenter John Peel named Clarke "The Baron of Techno".
Robert Ferguson, known professionally as Fergie, is a Northern Irish DJ and electronic music artist from Larne. He has been an internationally touring DJ and a music producer for over 20 years. He presented a radio show on BBC Radio 1 for over four years while recording 13 Essential Mixes for the station. He was featured in the DJ Mag Top 100 DJs poll seven years in a row and currently holds the record for the highest new entry since the poll began, achieved when he was voted 8th in 2000.
"Not Over Yet" is a song by British dance act Grace. Originally released in 1993 under the band name State of Grace, it was re-released in March 1995 as the first single from their only album, If I Could Fly (1996). It received critical acclaim from music critics, peaking at number six on the UK Singles Chart and number-one on the US Billboard Hot Dance Music/Club Play chart. Lead vocals and backing vocals were performed by singer Patti Low. In 1995, the lead vocals were replaced by new frontwoman and singer, Dominique Atkins for the album release, although Low's backing vocals remained in place. This Atkins/Low combination appeared on all subsequent re-releases and remixes of the track. The woman who appears in the accompanying music video is Low.
Justice is a French electronic music duo consisting of Gaspard Augé and Xavier de Rosnay. Justice is known for incorporating a strong rock influence into their music and image.
Kissy Sell Out is a British/Canadian DJ, producer, graphic designer, label manager of San City High Records and Stepper Man, part-time astrophysicist and science columnist for Sick Chirpse. Kissy Sell Out gained notability in 2006 for his electro music productions and energetic DJ style. In 2009 Mixmag described him as "one of the most exciting, charismatic and entertaining DJs of the decade".
The Penelopes are a French indie pop/electronic band from Paris, consisting of Axel Basquiat and Vincent T. They have recently relocated to London. Though the band is a duo, they have additional musicians on bass, guitar and drums for live performances. The Penelopes are also award winning film composers, remixers, producers, and DJs.
John Walker known by his stage name, Kutski is a British radio DJ, from Chester, England. He presented various shows for BBC Radio 1, playing a variety of hard dance music, including breakbeat, electro, hard trance, hardcore and hardstyle. Kutski now produces and hosts a weekly podcast, "Keeping the Rave Alive", which plays music similar to that heard on his BBC Radio 1 shows.
Maya Jane Coles is a British music producer, audio engineer and DJ, born in London. Under her real name, she mostly composes and plays house and techno music, while her alias Nocturnal Sunshine creates darker, more bass-driven productions with a heavy hip-hop and dub influence. She was previously part of an electronic dub duo called She Is Danger with Lena Cullen.
Future Perfect is the debut studio album by British production duo Loadstar. The album was released on 26 May 2013 through RAM Records. Loadstar appeared on DJ Target and MistaJam's BBC Radio 1Xtra shows to promote the album. They also hosted an Essential Mix on BBC Radio 1. The album charted at number 168 on the UK Albums Chart and also on the dance and indie charts.
Bicep are an electronic music production and DJ duo from Belfast, Northern Ireland, consisting of Andrew Ferguson and Matthew McBriar.
Jordy van Egmond, known professionally as Dyro, is a Dutch DJ and EDM producer. Since 2010 he has released original singles and remixes on labels such as Revealed Recordings, Musical Freedom, and Def Jam, and has also released official remixes for tracks such as "Right Now" by Rihanna and "Iron" by Nicky Romero and Calvin Harris. He collaborated with Tiësto on a single titled "Paradise" in 2013, and also that year he collaborated with Hardwell on the single "Never Say Goodbye". Featuring Bright Lights, it peaked at No. 23 on the UK Dance Chart. In 2014 Dyro ranked No. 27 on the DJ Mag Top 100 DJs list.
Hannah Alicia Smith is a British house music DJ and producer better known by her stage name Hannah Wants, and a former professional footballer.
"Ultra Flava" is a house song by British duo Heller and Farley Project. After the wide renown with their remix of Ultra Naté's "How Long" in 1994 and M People's "Open Your Heart" in 1995, they released it as a single in 1996. It is a slightly re-worked version of their mix of "How Long", without Naté's vocals. They entitled it "Ultra Flava" as a nod to the track's origins. It was a huge club hit and peaked at number 22 on the UK Singles Chart, while reaching number-one on the UK Dance Singles Chart. In the US, it peaked at number three on the Billboard Hot Dance Music/Club Play chart. A black-and-white music video was also produced to promote the single.
Harry Agius, known professionally as Midland, is a British DJ, producer and record label owner who began his career in Leeds and is now based in London. He founded his label Graded in 2013 as an output for his own productions.
Graham Anthony Goodwin, known as Sian, is an Irish electronic dance music producer, DJ, visual artist, and record label owner. He founded Octopus Recordings label in 2008. He has released records on Diynamic, Cocoon Recordings, and Drumcode Records music labels, and produced remixes for Jan Blomqvist, Oliver Heldens, and Deadmau5, among others. Goodwin hosts a show on his label’s Octopus Radio, appears on BBC Northern Ireland radio, the Sirius XM BPM station, and has been featured on Apple Music.