I Got a Name | ||||
---|---|---|---|---|
Studio album by | ||||
Released | December 1, 1973 | |||
Recorded | 1973 | |||
Studio | Hit Factory, New York City | |||
Genre | Folk rock | |||
Length | 30:57 | |||
Label | ABC (USA) Vertigo (UK) | |||
Producer | Terry Cashman, Tommy West | |||
Jim Croce chronology | ||||
| ||||
Singles from I Got a Name | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | C+ [2] |
Rolling Stone | (favorable) [3] |
I Got a Name is the fifth and final studio album and first posthumous release by American singer-songwriter, Jim Croce, released on December 1, 1973. It features the ballad "I'll Have to Say I Love You in a Song", which reached number 9 in the US singles chart, and the ballad "Salon and Saloon", the last song Croce recorded in his lifetime. The song, which is noted for its sparse piano-only vocal backing, was written by his guitarist and friend Maury Muehleisen and was included on the album as a gift to the writer.
This would be Croce's final album, as he died in a plane crash on September 20, 1973.
"I Got a Name" was used as the theme for the films The Last American Hero and Invincible . It was a posthumous hit for Croce, reaching number 10 in the US singles chart.
The album reached number 2 on the US charts behind his earlier album You Don't Mess Around with Jim in first place. [4] [5]
All tracks are written by Jim Croce, unless stated otherwise:
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "I Got a Name" | Charles Fox, Norman Gimbel | 3:11 |
2. | "Lover's Cross" | 3:04 | |
3. | "Five Short Minutes" | 3:29 | |
4. | "Age" | Jim Croce, Ingrid Croce | 3:46 |
5. | "Workin' at the Car Wash Blues" | 2:32 | |
6. | "I'll Have to Say I Love You in a Song" | 2:34 | |
7. | "Salon and Saloon" | Maury Muehleisen | 2:31 |
8. | "Thursday" | Sal Joseph | 2:28 |
9. | "Top Hat Bar and Grille" | 2:47 | |
10. | "Recently" | 2:34 | |
11. | "The Hard Way Every Time" | 2:29 |
Credits taken from album's liner notes [6]
Additional musicians
Weekly charts
| Year-end charts
|
Singles [8]
Year | Single | Chart | Position |
---|---|---|---|
1973 | "I Got a Name" | Adult Contemporary | 4 |
Pop Singles | 10 | ||
1974 | "I'll Have to Say I Love You in a Song" | Adult Contemporary | 1 |
Pop Singles | 9 | ||
Country | 68 | ||
"Workin' at the Car Wash Blues" | Adult Contemporary | 9 | |
Pop Singles | 32 | ||
Country | Certifications |
---|---|
United States | Gold |
James Joseph Croce was an American folk and rock singer-songwriter. Between 1966 and 1973, he released five studio albums and numerous singles. During this period, Croce took a series of odd jobs to pay bills while he continued to write, record and perform concerts. After Croce formed a partnership with songwriter and guitarist Maury Muehleisen in the early 1970s, his fortunes turned. Croce's breakthrough came in 1972, when his third album, You Don't Mess Around with Jim, produced three charting singles, including "Time in a Bottle", which reached No. 1 after Croce died. The follow-up album, Life and Times, included the song "Bad, Bad Leroy Brown", Croce's only No. 1 hit during his lifetime.
You Don't Mess Around with Jim is the third studio album by American singer-songwriter Jim Croce, released in April 1972 by ABC Records.
Life and Times is the fourth studio album by American singer-songwriter Jim Croce, released in January 1973. The album contains the No. 1 Billboard chart hit "Bad, Bad Leroy Brown". Croce was nominated for two 1973 Grammy awards in the "Pop Male Vocalist" and "Record of the Year" categories for the song "Bad, Bad Leroy Brown". It was Croce's final album to be released during his lifetime.
Little Criminals is the fifth studio album by American singer-songwriter Randy Newman. Like most of Newman's work, the album eschews traditional pop-music themes in favor of musical story-telling, often featuring quirky characters and cynical views. The first song on the album – "Short People" – became a hit single in its own right. The album itself peaked at #9 on the US Billboard 200 chart, Newman's highest-charting album to date.
Made in the Shade, released in 1975, is the third official compilation album by the Rolling Stones, and the first under their Atlantic Records contract. It covers material from Sticky Fingers (1971), Exile on Main St. (1972), Goats Head Soup (1973) and It's Only Rock 'n' Roll (1974).
The Original Soundtrack is the third studio album by the English rock band 10cc. It was released in 1975 and peaked at number three on the UK Albums Chart. The Original Soundtrack includes the singles "Life Is a Minestrone", and "I'm Not in Love", the band's most popular song.
Red Octopus is the second album by American rock band Jefferson Starship, released on Grunt Records in 1975. Certified double platinum by RIAA in 1995, it is the best-selling album by any incarnation of Jefferson Airplane and its spin-off groups. The single "Miracles" was the highest-charting single any permutation of the band had until Starship's "We Built This City" a decade later, ultimately peaking at No. 3 on the Billboard singles chart; the album itself reached No. 1 for four non-consecutive weeks on the Billboard 200. As was common in the era, stereo and quadraphonic mixes of the album were released concurrently.
I'm in You is the fifth studio album by Peter Frampton. It was released on 3 June 1977, almost a year and a half after his blockbuster 1976 live album Frampton Comes Alive! It was recorded at Electric Lady Studios in New York, where Frampton's Camel had been recorded four years earlier.
"Bad, Bad Leroy Brown" is an uptempo, strophic story song written by American folk rock singer Jim Croce. Released as part of his 1973 album Life and Times, the song was a No. 1 hit for him, spending two weeks at the top of the Billboard Hot 100 in July 1973. Billboard ranked it as the No. 2 song for 1973.
Spitfire is the third album by American rock band Jefferson Starship. Released in 1976, a year after the chart-topping Red Octopus, it quickly scaled the charts, peaking for six consecutive weeks at No. 3 in Billboard and attaining a RIAA platinum certification. The album features writing contributions from members of singer Marty Balin's former band Bodacious DF, as well as Jesse Barish, who became one of Balin's frequent collaborators. Stereo and quadraphonic mixes of the album were released. "Song to the Sun" was included in the 1977 Laserock program.
St. Vincent's Court is the fourth studio album by Kim Carnes, released in 1979.
Beautiful Noise is the tenth album by American singer-songwriter Neil Diamond, released in 1976. Diamond's third album with Columbia Records, it was produced by Robbie Robertson, known for his work with The Band. Garth Hudson of The Band also contributed organ to several songs on the album. Diamond performed the album track "Dry Your Eyes" with The Band at their farewell show The Last Waltz, which was filmed by director Martin Scorsese and made into a 1978 documentary of the same title.
Aretha is the thirty-first studio album by American singer Aretha Franklin, originally released on October 27, 1986, by Arista Records. It is the third album with the Aretha title to be released by Franklin, following her 1961 album and 1980 album.
Christmas Duets is a 2008 album released by RCA Records, consisting of archival Elvis Presley vocal recordings mixed with completely re-recorded instrumentation and new vocals by contemporary country and gospel singers. Three tracks on the album do not have duet vocals: "The First Noel", "If I Get Home On Christmas Day", and "Winter Wonderland". However, the instrumental tracks for these songs were re-recorded by contemporary musicians, just like on all other songs. Martina McBride and Carrie Underwood duets have both charted on the Billboard country charts, with the former reaching the Top 40.
Have You Heard: Jim Croce Live is a live album by American singer-songwriter Jim Croce, released in 2006, over thirty years after his death. The album is a companion to a DVD released in 2003 of Jim Croce's performances. The recordings were taken from different television programs that Croce appeared on. Two of the tracks on the DVD, "Time in a Bottle" and "I'll Have to Say I Love You in a Song" were cut from the CD release because they were not live performances.
Fantastic Voyage is the fourth album by the funk band Lakeside, released in 1980 via SOLAR Records. It was produced by the band. The album has sold over a million copies.
Making Music is the fourth studio album by American soul singer-songwriter and producer Bill Withers, released in 1975. It was also released in the UK as Making Friends.
What's Wrong with This Picture? is the second album by the singer-songwriter Andrew Gold. It was released in 1976 on Asylum Records. It includes the hit single "Lonely Boy" which peaked at No. 7 on the Billboard singles chart featuring Linda Ronstadt on backing vocals. The album's artwork reflects its title, mimicking a style of visual puzzle that consists of various logical inconsistencies or paradoxes for the viewer to try to identify. One example is the view of the sea through the windows of the room, which are at different levels from one another.
Open Your Eyes You Can Fly is the fifth solo studio album by Brazilian jazz singer Flora Purim. It was released in 1976 via Milestone Records. Recording sessions for the album took place at Paramount Recording Studios in Los Angeles, California. The album features contributions from Airto Moreira on percussion and vocals, David Amaro and Egberto Gismonti on guitars, George Duke on keyboards, Hermeto Pascoal on electric piano and flute, Alphonso Johnson and Ron Carter on bass, Robertinho Silva and Leon "Ndugu" Chancler on drums, and Laudir de Oliveira on congas. One of the songs featured here, Sometime Ago, was composed by Chick Corea with lyrics by Neville Potter and was featured on the eponymous album by Return to Forever produced in 1972, Flora Purim and her husband Airto Guimorvan Moreira also played on that album.
Fever is a studio album by American musician Roy Ayers. It was released in 1979 through Polydor Records. Recording sessions for the album took place at Sigma Sound Studios and Electric Lady Studios in New York City, and at Record Plant in Los Angeles. The production was handled by Ayers himself with co-production by Carla Vaughn.