"I Let the Music Speak" | |
---|---|
Song by ABBA | |
from the album The Visitors | |
Released | November 30, 1981 |
Length | 5:20 |
Songwriter(s) | Benny Andersson, Björn Ulvaeus |
Producer(s) | Benny Andersson, Björn Ulvaeus |
Audio | |
"I Let The Music Speak" on YouTube |
"I Let the Music Speak" is a song by ABBA, featured as the first track to side two of their 1981 album The Visitors . It is the fifth-longest ABBA track, after "Eagle", "The Day Before You Came", "The Visitors", and "Chiquitita". [1]
Billboard said the song "is the singer's personal acknowledgement of the wondrous transcendental power and sweep of music". [2] Abba - Uncensored on the Record says the song "suggest[s] that after all the good times and bad times, music will never let you down". [3]
The song opens with a "rolling and wishful piano figure", and includes a "warm synth string ensemble", focusing on the alto and tenor sections. The woodwind filigree is courtesy of flautist Jan Kling. The song also has an acoustic guitar starting in the second verse, which blend with Benny's grand piano, which is the "leading voice in the rousing musings of the chorus". The melodic design is quite angular - following the recitative medium. Frida's main vocals are assisted by Agnetha's "pouncing falsetto grabs" prior to the chorus. [4]
Abba - Uncensored on the Record notes the song has a "theatrical presentation" and doesn't sound like a pop song. [3] The song was listed among 4 others as one of the "best cuts" of the album The Visitors. [5] Managing Information, Volume 7, Issues 6-10 explains "Songs such as I Let the Music Speak', and the album's title-track [The Visitors] were a major break from their traditional style." [6] ABBA:Let the music speak describes the song as a "thespian ear-grabber" and "a rich tapestry of rhythmic contemplation, deftly easing from waltz to march time and back again". [7]
Benny and Bjorn explained that "I Let the Music Speak" was an early example of their foray into musicals: "Songs like "Thank You for the Music" or "I Let the Music Speak" had a theatrical quality. You could see "Chess" as a development from what we did with Abba". [8]
I Let The Music Speak has lent its name to various media, including a 12-song album tribute to the songs of Benny and Bjorn by Anne Sofie von Otter, [9] and also a book about ABBA entitled ABBA: Let The Music Speak. [10]
The opening line "I'm hearing images, I'm seeing songs, no poet has ever painted" was included as the quote at the beginning of the chapter entitled "'I let the music speak': cross domain application for a cognitive model of musical learning'". [11]
Notable covers include:
Björn Kristian Ulvaeus is a Swedish musician, singer, songwriter, and producer best known as a member of the musical group ABBA. He is also the co-composer of the musicals Chess, Kristina från Duvemåla, and Mamma Mia! He co-produced the films Mamma Mia! and Mamma Mia! Here We Go Again with fellow ABBA member and close friend Benny Andersson. He is the oldest member of the group.
Göran BrorBennyAndersson is a Swedish musician, composer and producer best known as a member of the pop group ABBA and co-composer of the musicals Chess, Kristina från Duvemåla, and Mamma Mia! For the 2008 film version of Mamma Mia! and its 2018 sequel, Mamma Mia! Here We Go Again, he worked also as an executive producer. Since 2001, he has been active with his own band Benny Anderssons orkester.
ABBA: The Album is the fifth studio album by the Swedish pop group ABBA. It was released in Scandinavia on 12 December 1977 through Polar Music, but due to the massive pre-orders the UK pressing plants were not able to press sufficient copies before Christmas 1977 and so it was not released in the UK until January 1978. The album was released in conjunction with ABBA: The Movie, with several of the songs featured in the film. Altogether the album contains nine songs.
Benny Anderssons orkester is the first album by Benny Anderssons orkester, released in June 2001.
"The Day Before You Came" is a song recorded by Swedish pop group ABBA, released in October 1982 as the lead single from the compilation album The Singles: The First Ten Years.
"Intermezzo No. 1" is an instrumental track from Swedish pop group ABBA's self-titled third album, released in April 1975. It was the first of only two tracks by the group not to contain lyrics; the other was the title track of their 1976 release, Arrival. It is the only purely instrumental ABBA song however, as Arrival includes "a static layer of rich harmony vocals". On the cover, the song was credited as "Intermezzo No.1 featuring Benny Andersson".
"Dum Dum Diddle" is a song by ABBA, released on their 1976 album Arrival. In 1977 it was released as a promo single in Argentina on the RCA label.
"I Saw It in the Mirror" is a song by Swedish pop band ABBA, released on their 1973 album Ring Ring.
"Disillusion" is a ballad by the pop group ABBA, on their first album Ring Ring (1973). It is notable as the only song ABBA recorded and released on a studio album to have a songwriting credit from Agnetha Fältskog. She was a songwriter as well as a singer, and had dabbled in that in her pre-ABBA career. She wrote the music, with lyrics added by fellow ABBA member Björn Ulvaeus.
"Elaine" is a song recorded by Swedish pop group ABBA. It was used as the B-side to the 1980 single "The Winner Takes It All". It was not included on any of their original albums but was later included as a bonus track on the 2001 reissue of Super Trouper.
"Andante, Andante" is a song recorded by Swedish pop group ABBA for the album Super Trouper. It was released as a single in only two countries, El Salvador and Argentina. It was written by members Benny Andersson and Björn Ulvaeus on 9 April 1980 at Polar Music studios. Initially, this song was called "Hold Me Close". Anni-Frid Lyngstad handles the lead vocals.
"Just Like That" is originally an unreleased song by ABBA from 1982, and written by Benny Andersson and Björn Ulvaeus. The first official release of the song is by Swedish brother and sister duo Gemini, on their album Gemini (1985), produced by Benny and Björn with Anders Glenmark, and released as a 1986 single. Gemini's version is heavily rewritten compared to the ABBA original, with a slower arrangement and completely different verses.
"One Man, One Woman" is a song by ABBA, released on their 1977 album ABBA: The Album. It is that album's third track after "Eagle" and "Take a Chance on Me". Composed by Benny Andersson and Björn Ulvaeus, it has appeared on several compilation albums over the years, such as 1998's Love Stories and 2012's The Essential Collection.
"Soldiers" is an ABBA song, released on their 1981 album The Visitors. Its working title was "Peasants".
"Lovers (Live a Little Longer)" is a song by ABBA, released on their 1979 album Voulez-Vous.
"Should I Laugh or Cry" is a song by Swedish pop group ABBA, released as the B-side to the 1981 singles "One of Us" and "When All Is Said and Done" for the album The Visitors. Lead vocals were handled by Anni-Frid Lyngstad. It first appeared on the 1983 compilation album Thank You for the Music.
"I Wonder (Departure)" is a song by ABBA, released on their 1977 album ABBA: The Album. It was originally part of the ABBA-produced mini-musical The Girl with the Golden Hair, which they performed at the end of each of their 1977 concert tours.
"What About Livingstone?" is a song by ABBA, released on their 1974 album Waterloo.
"My Mama Said" is a song by ABBA, released on their 1974 album Waterloo. It was written by Benny Andersson and Björn Ulvaeus. The song was also released as the B-side to Honey, Honey in. Poland.
"Hole in Your Soul" is a rock 'n' roll song by ABBA, released on their 1977 album ABBA: The Album. The song was a reworking of "Get On The Carousel", a number featured in the mini-musical The Girl with the Golden Hair, written by the group for their 1977 concert tours.
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