"If I Could Reach You" | ||||
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Single by the 5th Dimension | ||||
from the album Individually & Collectively | ||||
B-side | "Tomorrow Belongs to the Children" | |||
Released | August 1972 | |||
Genre | Pop | |||
Length | 3:08 | |||
Label | Bell | |||
Songwriter(s) | Randall Clayton McNeill | |||
Producer(s) | Bones Howe | |||
The 5th Dimension singles chronology | ||||
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"If I Could Reach You" is a song written by Randall Clayton McNeill and recorded by the 5th Dimension in 1972.
The song was the group's final top 10 on the Hot 100, peaking at number 10 there, and was the group's final number one on the Easy Listening chart, on 28 October 1972. [1]
"Without You" is a song written by Pete Ham and Tom Evans of British rock group Badfinger, and first released on their 1970 album No Dice. The power ballad has been recorded by over 180 artists, and versions released as singles by Harry Nilsson (1971), T. G. Sheppard (1983) and Mariah Carey (1994) became international best-sellers. The Nilsson version was included in 2021's Rolling Stone's 500 Greatest Songs of All Time. Paul McCartney once described it as "the killer song of all time".
"I'll Be There" is the first single released from Third Album by The Jackson 5. It was written by Berry Gordy, Hal Davis, Bob West, and Willie Hutch.
"Drift Away" is a song by Mentor Williams, written in 1970 and originally recorded by British singer Mike Berry on his 1972 album Drift Away. A version by John Henry Kurtz was released two months later in November 1972. Mentor Williams was a country songwriter, and John Henry Kurtz was an actor and swamp rock singer. It was later given to soul singer Dobie Gray for whom it became a surprise international hit. In 1973, the song became Gray's biggest hit, peaking at number five on the US Billboard Hot 100 and receiving a gold certification from the Recording Industry Association of America (RIAA). The song has been covered by numerous musicians.
The Adult Contemporary chart is published weekly by Billboard magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to Billboard by stations that are members of the Adult Contemporary radio panel. The chart debuted in Billboard magazine on July 17, 1961. Over the years, the chart has gone under a series of name changes, being called Easy Listening(1961–1962; 1965–1979), Middle-Road Singles(1962–1964), Pop-Standard Singles(1964–1965), Hot Adult Contemporary(1984–1996) and Adult Contemporary(1979–1984, 1996–present) The current number-one song on the chart is "Flowers" by Miley Cyrus.
"Three Times a Lady" is a 1978 song by American soul group Commodores for their album Natural High, written by lead singer Lionel Richie. It was produced by James Anthony Carmichael and Commodores.
"Black and White" is a song written in 1954 by David I. Arkin and Earl Robinson (music). It was first recorded by Pete Seeger featuring an African-American child, in 1956 from the album Love Songs for Friends & Foes.
"Breaking Up Is Hard to Do" is a song recorded by Neil Sedaka, co-written by Sedaka and Howard Greenfield. Sedaka recorded this song twice, in 1962 and 1975, in two significantly different arrangements, and it is considered to be his signature song. Between 1970 and 1975, it was a top-40 hit three separate times for three separate artists: Lenny Welch, The Partridge Family and Sedaka's second version.
"Oh Girl" is a song written by Eugene Record and recorded by American soul vocal group the Chi-Lites, with Record on vocals and also producing. It was released as a single on Brunswick Records in 1972. Included on the group's 1972 album A Lonely Man, "Oh Girl" centers on a relationship on the verge of break-up.
"Cherish" is a pop song written by Terry Kirkman and recorded by the Association. Released in 1966, the song reached number one on the U.S. Billboard Hot 100 in September of that year and remained in the top position for three weeks. Billboard ranked the record as the No. 7 song of 1966, and later as No. 2, after a revision of the year-end charts. It was certified Gold by the RIAA in the US in 1966. In Canada, the song also reached number one.
"Touch Me When We're Dancing" is a song written by Terry Skinner, J. L. Wallace and Ken Bell. Skinner and Wallace headed the Muscle Shoals, Alabama session group Bama, who first recorded this song and released it as a single in 1979 reaching number 42 on the Billboard Easy Listening chart and number 86 on the Billboard Hot 100 chart. The song was later recorded by The Carpenters in 1981 for their Made in America album. In 1984, it was recorded by country music artists Mickey Gilley and Charly McClain for their 1984 duet album It Takes Believers and in 1986 by the country music group Alabama.
"I'll Be Around" is a song recorded by the American R&B vocal group The Spinners. It was co-written by Thom Bell and Phil Hurtt and produced by Bell.
"Day After Day" is a song by the British rock band Badfinger from their 1971 album Straight Up. It was written by Pete Ham and produced by George Harrison, who also plays slide guitar on the recording. The song was issued as a single and became Badfinger's biggest hit, charting at number 4 in the United States and number 10 in the UK, ultimately earning gold accreditation from the Recording Industry Association of America.
"Where Is the Love" is a popular song written by Ralph MacDonald and William Salter, and recorded by Roberta Flack and Donny Hathaway. Released in 1972 from their album, Roberta Flack & Donny Hathaway. It peaked at number five on the Billboard Hot 100 singles chart and spent a week each at number one on the Billboard Easy Listening chart and R&B chart. Billboard ranked it as the No. 58 song for 1972. The song won a Grammy Award for Best Pop Performance by a Duo or Group with Vocals.
"Automatically Sunshine" is a song written by Smokey Robinson and released as a single by Motown singing group The Supremes as the second single from their popular album Floy Joy in 1972.
"Run to Me" is a song by the Bee Gees, the lead single from the group's album To Whom It May Concern (1972). The song reached the UK Top 10 and the US Top 20.