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| Igor Kordej | |
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| Born | Igor Kordej 23 June 1957 Zagreb, PR Croatia, FPR Yugoslavia |
| Nationality | Croatian |
| Area(s) | Penciller, Inker, Colorist |
Notable works | New X-Men , Soldier X |
Igor Kordej (referred to as Igor Kordey in American and French publications; born 23 June 1957) [1] is a Croatian comic book artist, illustrator, graphic designer and scenographer.
Igor Kordej graduated at ŠPUD (The School of Applied Arts and Design in his native Zagreb), graphic department (1972-1977) and attended two years at Academy of Fine Arts, University of Zagreb, graphic department (1977-1979).
Kordej started as a professional graphic designer when he was 18, and as a professional comic artist and illustrator when he was 19 years old, joining the group of comic artists called Novi kvadrat ("New square") in 1976–1979, [2] and publishing in several Yugoslavian youth magazines of that era. In 1979 Novi kvadrat won the national award 7 sekretara SKOJ-a, thus marking a break-up of the group.[ citation needed ]
In the early 1980s, Kordej teamed up with Mirko Ilić again in SLS studio (acronym for "Slow, Bad and Expensive"), and focuses on producing album covers and posters for Yugoslavian pop musicians and groups. After the break-up with Ilić he continues with solo career, doing illustration for Yugoslavian mainstream magazines, film and theater posters, [3] logotypes and album covers. [4] [5]
Kordej started a career in European comic market in 1986 (France, Spain, Germany), and since 1989 on the US market, in the magazine Heavy Metal Magazine . His work from that period includes the album Les cinq saisons – Automne, published in 1990 by Dargaud. IT was appointed by the Ministry of Culture in France as a work of significant cultural value and was assigned to all public libraries in France (in 2011 the same album was featured in Paul Gravett's book 1001 Comics You Must Read Before You Die). [6]
Kordej moved from Zagreb to a small Istrian village, Groznjan, in 1988 where he led, as an artist and supervisor, a group of over 20 artists and story writers (among others a young Darko Macan, Edvin Biuković and Goran Sudžuka), as well as veterans Radovan Devlić and Dragan Filipović Fipa, [7] producing comics and design for the German market.
In 1991, he moved to Denmark at the invitation of Semic International company, where he spent almost a year producing comics and illustrations for Malibu Comics. In 1997 he moved to Canada, invited by the company Digital Chameleon to become its creative director. After disputes with management, he left the company after eight months to become a freelancer again.[ citation needed ]
From 1994 to 1996, Kordej worked for both Marvel Comics and Dark Horse Comics. At Marvel, he worked under editor-in-chief Marcus McLaurin, when Kordej produced several hand-painted comics for Tales of Marvels series. He returned to Marvel in 2001 when he was invited by editor-in–chief Joe Quesada to work on the series Cable and New X-Men . Shortly after the 9/11 attacks many of Marvel artists produced illustrations inspired by the tragedy. They all went on public auction, with the profits donated to families of fallen rescuers. Kordey's illustration Pennsylvania Plane [8] was bought by The Library of Congress. Because of his speed as an artist, at his peak, Kordej was producing artwork for three or four monthly books at the same time. However, as a result, he has attracted heavy criticism for the quality of his art, especially from the readers. [9] [10]
A few months later, in June 2004, Kordej signed a contract with Editions Delcourt. In two decades of his collaboration with the publisher, he published nearly eighty albums on the francophone market. [11]
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