"Kids" is a duet between singers Robbie Williams and Kylie Minogue, released as the second single from Sing When You're Winning, Williams' third studio album, and the third single from Light Years, Minogue's seventh studio album. Williams and his then songwriting partner Guy Chambers co-wrote the song for Minogue.
"Let Love Be Your Energy" is a song by English singer Robbie Williams, released in April 2001 as the fourth single from his third studio album, Sing When You're Winning (2000). The song reached number 10 in the United Kingdom and entered the top 40 in several other countries. It was not released in Australia until 2002, when it peaked at number 53 on the ARIA Singles Chart. The music video for the single was presented in animation. It featured a cartoon facsimile of Williams always on the run in search of love. There is a second, raunchier version of the video depicting animated nudity and sex.
"Waiting for a Star to Fall" is a song by American pop music duo Boy Meets Girl in 1988, written by the duo's two members, Shannon Rubicam and George Merrill. They wrote the song after witnessing a falling star at a Whitney Houston concert and originally offered the song to Houston, but Arista Records CEO Clive Davis rejected it. American singer Belinda Carlisle then recorded the song but denied its inclusion on her 1987 album Heaven on Earth, so Rubicam and Merrill decided to record and release the song themselves.
"I Want That Man" is a song by American singer Deborah Harry. The song was released as the lead single from her third solo album, Def, Dumb & Blonde, and was the first record Harry released in which she reverted to using Deborah as her name instead of Debbie. It became a hit in several territories, reaching number two in Australia and on the US Billboard Modern Rock Tracks chart. The single also became a top-twenty hit in Ireland, New Zealand and the United Kingdom.
"Misunderstood" is a song by British pop singer Robbie Williams. Williams co-wrote and co-produced the song with Stephen Duffy from English band Duran Duran, who also plays the acoustic guitars, bass, and harmonica on the track. The song was released as the second single from Williams' hits compilation Greatest Hits in December 2004, peaking at number eight on the UK Singles Chart and reaching the top 10 in Denmark, Italy, and the Netherlands. The song was featured on the Bridget Jones: The Edge of Reason soundtrack.
"Radio" is a song by British pop singer Robbie Williams, co-written by William and Stephen Duffy. It was the first single from Williams' compilation album Greatest Hits, released in 2004. Williams wrote the song's distinctive synth-pop melody by attempting to play Harold Faltermeyer's "Axel F" on an electronic keyboard, from memory. "Radio" is Williams's first solo outing without the involvement of long-time producer and co-writer Guy Chambers, and is particularly notable as Williams's last UK number-one for eight years, until 2012's "Candy".
"Old Before I Die" is a song by English singer-songwriter Robbie Williams, released as the first single from his debut album, Life thru a Lens (1997). The Oasis-influenced song became a number-two hit in the United Kingdom and a number-one hit in Spain following its release on 14 April 1997.
"Lovin' Each Day" is the fourth and final single released from Irish singer-songwriter Ronan Keating's debut solo album, Ronan (2000). The song was written by Gregg Alexander and Rick Nowels and was included only on the re-release of the album before appearing on Keating's second album, Destination (2002). The single was released on 9 April 2001 in Australia and on 16 April in Ireland and the United Kingdom.
"Lovelight" is a song written and originally performed by Lewis Taylor for his 2002 album, Stoned, Part I. In 2006, the song was covered by British singer Robbie Williams. His version was produced by Mark Ronson and was released as the second single from his seventh solo album, Rudebox, on 13 November 2006. Williams' version reached number eight on the UK Singles Chart and became a top-10 hit in five other European countries.
"King of Wishful Thinking" is a song by British pop duo Go West, written by Peter Cox, Richard Drummie and Martin Page. It was featured in the film Pretty Woman and appeared on its soundtrack. It was later featured on Go West's third studio album, Indian Summer, in 1992.
"Leave a Light On" is a song written by Rick Nowels and Ellen Shipley, produced by Nowels for American rock singer Belinda Carlisle's third solo album, Runaway Horses (1989). Released as a single, it narrowly missed the top 10 in the United States, peaking at number 11. It fared better elsewhere, reaching the top five in several countries, including Australia, Austria, Canada, Ireland, and the United Kingdom.
"Live Your Life Be Free" is a song written by Rick Nowels and Ellen Shipley, produced by Nowels for Belinda Carlisle's fourth album Live Your Life Be Free. Released on September 16, 1991, the single reached the top 20 in Australia, Sweden, and the United Kingdom. The song's music video was directed by Nick Egan.
"Runaway Horses" is a song by American singer Belinda Carlisle. It was released as the fourth single from her third album of the same name in February 1990. "Runaway Horses" reached the top 50 in Australia and the United Kingdom. The music video was directed by Greg Masuak.
"Vision of You" is a song by American singer Belinda Carlisle, released as the fifth single from her third solo album, Runaway Horses (1989). The song was released on May 14, 1990, in the United Kingdom and reached number 41. A year later, it was remixed and re-released on 12-inch vinyl with a live version of "Heaven Is a Place on Earth", but this release charted lower, at number 71.
"Do You Feel Like I Feel?" is a song by American singer Belinda Carlisle, released as the second single from her fourth studio album, Live Your Life Be Free (1991). It became Carlisle's last single to chart on the US Billboard Hot 100, peaking at number 73.
"Little Black Book" is the fourth and final single from American singer Belinda Carlisle's fourth studio album, Live Your Life Be Free (1991). Released on August 17, 1992, it was Carlisle's first single containing a co-writing credit from her. American singer-songwriter Sheryl Crow performs the background vocals under the name "Cherryl Crowe". One of the single's B-side, "The Air You Breathe", was originally performed by Stéphanie in 1991 under the title "You Don't Die from Love".
"Always Breaking My Heart" is the second single from American singer Belinda Carlisle's sixth studio album, A Woman and a Man (1996). The song was written by Per Gessle from Swedish band Roxette, and a demo of the song recorded by Gessle was later released as a B-side of his single "Do You Wanna Be My Baby?", as well as the 2009 reissue of Crash! Boom! Bang! (1994). Released on September 9, 1996, "Always Breaking My Heart" peaked at number eight on the UK Singles Chart and number 50 in Australia. It remains Carlisle's final UK top-10 hit.
"All Fired Up" is a song written by Kerryn Tolhurst and first performed and released by Australian country rock group Rattling Sabres in 1987. It charted nationally, peaking at number 94 on the Australian Music Report. The following year, American singer-songwriter Pat Benatar recorded a version that became a chart hit in several countries, including Australia, where it reached number two on the ARIA Singles Chart.
"Scooby Snacks" is a song by American band Fun Lovin' Criminals from their debut album, Come Find Yourself (1996). The song was written by the band and contains several sampled quotes from Quentin Tarantino films, so Tarantino is also credited as a writer. Most of the song is rapped, with the exception of the chorus, which is sung. The "Scooby Snacks" in the song is a reference to diazepam, also known as Valium.
"Naked and Sacred" is a song by American singer and actress Chynna Phillips from her first solo album, Naked and Sacred (1995). Written by Phillips, Billy Steinberg and Rick Nowels, the song was released as Phillips' debut solo single on October 10, 1995, and charted at number 15 in Australia and number 62 in the United Kingdom. It was also a modest adult contemporary hit in Canada, peaking at number 19 on the RPM Adult Contemporary chart.
