Infiniti | |
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Studio album by Junoon | |
Released | July 1, 2005 |
Recorded | January–May 2005 at Digital Fidelity Studio, in Lahore, Pakistan and Grandview Studios in New York City, United States |
Genre | Sufi rock, Classical rock, Hard rock, Pop rock |
Length | 53:40 |
Label | EMI, Nameless Sufi Music |
Producer | John Alec, Salman Ahmad |
Alternative cover | |
Junooni Cover. | |
Singles from Infiniti | |
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Infiniti is the debut album of the singer-songwriter/multi-instrumentalist Salman Ahmad. The album was released on July 1, 2005 under the record label EMI. Singles from the album include "Ghoom Taana" and "Al-Vida". The single "Ghoom Taana" also featured in Junoon's seventh studio album Dewaar . Although, the album was released as a solo album of Salman Ahmad but it was slated to be Junoon's eighth studio album.
Salman Ahmad is a Pakistani musician, rock guitarist, physician, activist, and professor at the City University of New York.
EMI Group Limited was a British Transnational conglomerate founded in March 1931 in London. At the time of its break-up in 2012, it was the fourth largest business group and record label conglomerate in the music industry, and was one of the big four record companies ; its labels included EMI Records, Parlophone, Virgin Records, and Capitol Records, which are now owned by other companies.
"Ghoom Taana" is a song by Pakistani sufi rock band Junoon. It was released as the fifth and final single from their seventh full-length studio album, Dewaar. The single also featured in Salman Ahmad's debut solo album, Infiniti. The song was originally sung jointly by Ali Noor, vocalist of Noori, and Ali Azmat. However, the duet sung with Shubha Mudgal featured only Salman Ahmad for the male vocals. In 2016, a new rendition of the song featured in the band's eighth studio album, Door.
The single "Ghoom Taana" featured Shubha Mudgal on vocals, but originally the song was sung by Ali Noor, from Noori and former Junoon vocalist, Ali Azmat.
Shubha Mudgal is an Indian singer of Hindustani classical music. Her repertoire includes the genres of Khayal, Thumri and Dadra, as also popular Indian pop music. She has received several awards and accolades for her artistic accomplishments, including the Padma Shri, awarded in 2000. Apart from music, Mudgal is known for supporting left-wing causes and associating herself with radical organizations like Shabnam Hashmi's ANHAD and SAHMAT.
Noori is a rock band from Lahore, Punjab, Pakistan, formed in 1996. The group was formed by songwriter, lead vocalist and guitarist, Ali Noor, along with his younger brother Ali Hamza, who were soon joined by bassist Muhammad Ali Jafri and drummer Salman Albert. Since the inception of the band, there had been many changes in the line-up; the only consistent members being, brothers, Ali Noor and Ali Hamza. The band produced songs such as Suno Ke Mein Hoon Jawaan and the epic Manwa Re,which are hummed by fans to date.
Ali Azmat is a Pakistani singer-songwriter, musician and actor. He is best known as the lead singer for the influential Sufi Rock band Junoon and for his subsequent solo career. In 2001, he became part of the first Pakistani band (Junoon) ever to perform at the United Nations General Assembly.
All music written & composed by Salman Ahmad and Sabir Zafar, those which are not are mentioned below.
Infiniti | ||
---|---|---|
No. | Title | Length |
1. | "Nachoon Gi" | 4:34 |
2. | "Al-Vida" | 5:19 |
3. | "Ghoom Taana" | 7:17 |
4. | "Nazar" | 4:12 |
5. | "Mein Tum Sey Duur" | 5:23 |
6. | "Tu Lang Ja" | 3:55 |
7. | "Terey Liye" | 3:48 |
8. | "Do Dil" | 4:31 |
9. | "Tanha" | 3:33 |
10. | "Sagar" | 5:34 |
11. | "Mun Gum Sum" | 4:30 |
12. | "Masjid Mandir" | 1:58 |
13. | "Ghoom Taana [Remix]" | 5:33 |
14. | "Jiyain" | 4:18 |
All information is taken from the CD.
The tabla is a membranophone percussion instrument originating from the Indian subcontinent, consisting of a pair of drums, used in traditional, classical, popular and folk music. It has been a particularly important instrument in Hindustani classical music since the 18th century, and remains in use in India, Pakistan, Afghanistan, Nepal, Bangladesh, and Sri Lanka. The name tabla likely comes from tabl, the Persian and Arabic word for drum. However, the ultimate origin of the musical instrument is contested by scholars, some tracing it to West Asia, others tracing it to the evolution of indigenous musical instruments of the Indian subcontinent. Some famous Tablists include Ustad Zakir Hussain, Ustad Allah Rakha Qureshi, Pandit Yogesh Samsi, Pandit Swapan Chaudhary, Pandit Suresh Talwalkar and Pandit Anindo Chatterjee.
Dhol can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in India, Bangladesh and Pakistan primarily includes northern areas such as the Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan and Uttar Pradesh. The range stretches westward as far as eastern Afghanistan. A related instrument is the dholak or dholki.
The bass guitar is a plucked string instrument similar in appearance and construction to an electric guitar, except with a longer neck and scale length, and four to six strings or courses.
Lahore is a city in the Pakistani province of Punjab. Lahore is the country's second-most populous city after Karachi, and is one of Pakistan's wealthiest cities with an estimated GDP of $58.14 billion (PPP) as of 2015. Lahore is the largest city, and historic cultural centre of the Punjab region, and one of Pakistan's most socially liberal, progressive, and cosmopolitan cities.
Pakistan, officially the Islamic Republic of Pakistan, is a country in South Asia. It is the world’s sixth-most populous country with a population exceeding 212,742,631 people. In area, it is the 33rd-largest country, spanning 881,913 square kilometres. Pakistan has a 1,046-kilometre (650-mile) coastline along the Arabian Sea and Gulf of Oman in the south and is bordered by India to the east, Afghanistan to the west, Iran to the southwest, and China in the far northeast. It is separated narrowly from Tajikistan by Afghanistan's Wakhan Corridor in the northwest, and also shares a maritime border with Oman.
Grand View-on-Hudson is a village incorporated in 1918 in the town of Orangetown in Rockland County, New York, United States. It is located north of Piermont, east of Orangeburg, south of South Nyack, and west of the Hudson River. The population was 285 at the 2010 census. The name is derived from the scenic view from its location.
Junoon is a Sufi rock band from Lahore, Punjab, Pakistan, and Tappan, New York, formed in 1990. The band is directed by founder, lead guitarist and songwriter, Salman Ahmad, who was soon joined by keyboardist Nusrat Hussain, bass guitarist Brian O’Connell and vocalist Ali Azmat. Junoon is Pakistan's and one of South Asia's most successful bands; the Q magazine regarded them as "One of the biggest bands in the world" and The New York Times called Junoon "the U2 of Pakistan". Since their inception, the group has released a collective total of nineteen albums: seven studio albums; one soundtrack; two live albums; four video albums; and five compilations. They have sold over 30 million copies worldwide.
Junoon is the debut album of the Pakistani sufi rock band Junoon, released on 30 September 1991. It was released by EMI and recorded at the EMI studios in Karachi in 1990. The album is produced by founder, songwriter and lead guitarist Salman Ahmad. The album contained a total track list of twelve songs with eight tracks being in Urdu language, three tracks in English and one instrumental.
Inquilaab is the third studio album and the fourth overall album of the Pakistani band Junoon. Although previous albums by Junoon also achieved considerable success, 'Inquilaab' contained the band's first major hit, the patriotic song "Jazba-e-Junoon". The album also contained the hit "Saeein," which marked Junoon's foray into what later became the sufi rock sound that Junoon is most popularly associated with. Other hits from the album were "Mera Mahi" and "Husan Walo".
Azadi is the fourth studio album and the fifth overall album of the Pakistani sufi rock band, Junoon. The album was released in 1997 and established the Sufi rock sound that the band pioneered on their previous album, Inquilaab. The album was popular worldwide, bringing fame to Junoon.
Parvaaz is the fifth studio album and sixth overall album by the Pakistani band Junoon. It was released in 1999 and features songs mostly based on the poetry of the great Punjabi Sufi poet Bulleh Shah.
Ishq is the sixth studio album and the ninth overall album of the Pakistani sufi rock band, Junoon. The album was released on January 1, 2001 and was released by the title of Andaz outside Pakistan.
Dewaar is the seventh studio album and the thirteenth overall album of the Pakistani band, Junoon released in 2003. This was the last studio album released by the band after which both vocalist, Ali Azmat and bassist, Brian O'Connell, left the band.
Junoon for Peace is the first live album and the eleventh overall album by the Pakistani band, Junoon. The album was recorded live on October 27, 2001.
Junoon is a Pakistani sufi rock band founded in 1990 by lead guitarist and only original member, Salman Ahmad. The band has released seven studio albums, as well as numerous live albums, compilations, singles, video albums, music videos, and soundtracks. Keyboardist Nusrat Hussain left the band after the first studio album release and was replaced by bassist Brian O'Connell. They released their self-titled debut album in 1991; which barely made a dent in the Pakistani music industry. Guitarist Mekaal Hasan and band producer John Alec replaced O'Connell, and have been playing bass for live shows since O'Connell's departure.
"Jazba-e-Junoon" is a song by the Pakistani sufi rock band Junoon. It is the thirteenth and final track from the band's album third album, Inquilaab (1996), released on EMI Records. Written by lead vocalist and guitarist Salman Ahmad and it is the lead single on the album, the song uses blending of rock guitars and bluesy vocals with eastern elements like the use of tablas, raga-inspired melodies and traditional Pakistani folk music.
Daur-e-Junoon is the second live album and overall the twelfth album released by the Pakistan rock band, Junoon. The album was released on March 29, 2002.
Rock & Roll Jihad is the first soundtrack album and the eighteenth overall album of the Pakistani band, Junoon. The soundtrack is based on Salman Ahmad and Junoon's musical journey. The album features five new studio recordings along with five live tracks from "The concert for Pakistan" and the album was officially released on June 1, 2010 under the record label Nameless Sufi Music on all major online stores. Salman Ahmad, lead guitarist & vocalist, also published a book named, Rock & Roll Jihad: A Muslim Rock Star's Revolution, regarding his time with Junoon and all the struggle he faced to become a rockstar.
"Talaash" is a song by the Pakistani sufi rock band Junoon. It is the seventh track and the only single released from the band's second album, Talaash (1993), released on EMI Records. Written by guitarist Salman Ahmad, it is the lead single on the album. The song uses blending of rock guitars and bluesy vocals with eastern elements like the use of tablas. It remains one of the band's most popular songs. In addition, the album version of the song featured in the compilation album, Kashmakash, released in 1995.
"Heer" is an instrumental song by the Pakistani sufi rock band Junoon. The instrumental was first released on the band's self-titled debut album, Junoon released in 1991 and later in the fourth studio album, Azadi released in 1997. The instrumental is composed by the band's lead guitarist Salman Ahmad. The instrumental uses blending of rock guitars and bluesy vocals with eastern elements like the use of tablas, raga-inspired melodies and traditional Pakistani folk music.
"Saeein" is a song by Pakistani sufi rock band Junoon. It is Junoon's eleventh single and the second from the 1996 studio album Inquilaab. The song is written by lead guitarist, Salman Ahmad and lyricist, Sabir Zafar. Due to the song's popularity, it also featured on the band's fourth studio album Azadi released in 1997. "Saeein" is one of Junoon's most popular songs, and has been covered numerous times, most notably by Indian singer Harshdeep Kaur. The song marked Junoon's foray into what later became the sufi rock sound that the band is most popularly associated with. The song uses blending rock guitars and bluesy vocals with eastern elements like the use of tablas, raga-inspired melodies, traditional Pakistani folk music, and Eastern inspired poetry.
"Bulleya" is a song by the Pakistani sufi rock band Junoon, released in 1999. It is the first track from the band's fifth album, Parvaaz (1999), recorded at Abbey Road Studios, London and released on EMI Records. The song is a famous kafi written by the sufi saint Bulleh Shah. Bulleh Shah is famous for his spiritual and metaphysical poetry, and Bullah Ki Jaana is one of his well-known poems. The song is composed and produced by lead guitarist and founder of the band Salman Ahmad. It is the lead single on the album, the song uses blending of rock guitars and bluesy vocals with eastern elements like the use of tablas, raga-inspired melodies and traditional Pakistani folk music.
Dosti is the second compilation album and seventh overall album of the Pakistani rock band, Junoon. The album was released by Virgin Records India in 1998 and was produced by Brian O'Connell and Salman Ahmad. The album includes famous singles such as "Dosti", "Husan Walo", "Neend Athi Nahin" and "Chalay Thay Saath".
Talaash is the second studio album of the Pakistani sufi rock band Junoon, released on September 3, 1993. The album was to be their first with bassist Brian O'Connell, who joined the band after Nusrat Hussain departed from the band to pursue his career as a solo artist and released his debut album Amrit in 1992. This was also the first Junoon album produced by Salman Ahmad and O'Connell, both also went on releasing several other albums by Junoon before O'Connell left the band after Dewaar in 2003. The album also served as a soundtrack for the Pakistani television show Talaash, which featured the band and its novel storyline was based on the band.