Information retrieval (IR) in computing and information science is the task of identifying and retrieving information system resources that are relevant to an information need. The information need can be specified in the form of a search query. In the case of document retrieval, queries can be based on full-text or other content-based indexing. Information retrieval is the science of searching for information in a document, searching for documents themselves, and also searching for the metadata that describes data, and for databases of texts, images or sounds.
Music information retrieval (MIR) is the interdisciplinary science of retrieving information from music. Those involved in MIR may have a background in academic musicology, psychoacoustics, psychology, signal processing, informatics, machine learning, optical music recognition, computational intelligence or some combination of these.
Theoretical computer science (TCS) is a subset of general computer science and mathematics that focuses on mathematical aspects of computer science such as the theory of computation, formal language theory, the lambda calculus and type theory.
Score following is the process of automatically listening to a live music performance and tracking the position in the score. It is an active area of research and stands at the intersection of artificial intelligence, pattern recognition, signal processing, and musicology. Score following was first introduced in 1984 independently by Barry Vercoe and Roger Dannenberg.
Optical music recognition (OMR) is a field of research that investigates how to computationally read musical notation in documents. The goal of OMR is to teach the computer to read and interpret sheet music and produce a machine-readable version of the written music score. Once captured digitally, the music can be saved in commonly used file formats, e.g. MIDI and MusicXML . In the past it has, misleadingly, also been called "music optical character recognition". Due to significant differences, this term should no longer be used.
Eduardo Reck Miranda is a Brazilian composer of chamber and electroacoustic pieces but is most notable in the United Kingdom for his scientific research into computer music, particularly in the field of human-machine interfaces where brain waves will replace keyboards and voice commands to permit the disabled to express themselves musically.
Evolutionary music is the audio counterpart to evolutionary art, whereby algorithmic music is created using an evolutionary algorithm. The process begins with a population of individuals which by some means or other produce audio, which is either initialized randomly or based on human-generated music. Then through the repeated application of computational steps analogous to biological selection, recombination and mutation the aim is for the produced audio to become more musical. Evolutionary sound synthesis is a related technique for generating sounds or synthesizer instruments. Evolutionary music is typically generated using an interactive evolutionary algorithm where the fitness function is the user or audience, as it is difficult to capture the aesthetic qualities of music computationally. However, research into automated measures of musical quality is also active. Evolutionary computation techniques have also been applied to harmonization and accompaniment tasks. The most commonly used evolutionary computation techniques are genetic algorithms and genetic programming.
Computer audition (CA) or machine listening is the general field of study of algorithms and systems for audio interpretation by machines. Since the notion of what it means for a machine to "hear" is very broad and somewhat vague, computer audition attempts to bring together several disciplines that originally dealt with specific problems or had a concrete application in mind. The engineer Paris Smaragdis, interviewed in Technology Review, talks about these systems — "software that uses sound to locate people moving through rooms, monitor machinery for impending breakdowns, or activate traffic cameras to record accidents."
Godfried Theodore Patrick Toussaint was a Canadian computer scientist, a professor of computer science, and the head of the Computer Science Program at New York University Abu Dhabi (NYUAD) in Abu Dhabi, United Arab Emirates. He is considered to be the father of computational geometry in Canada. He did research on various aspects of computational geometry, discrete geometry, and their applications: pattern recognition, motion planning, visualization, knot theory, linkage (mechanical) reconfiguration, the art gallery problem, polygon triangulation, the largest empty circle problem, unimodality, and others. Other interests included meander (art), compass and straightedge constructions, instance-based learning, music information retrieval, and computational music theory.
Human–computer information retrieval (HCIR) is the study and engineering of information retrieval techniques that bring human intelligence into the search process. It combines the fields of human-computer interaction (HCI) and information retrieval (IR) and creates systems that improve search by taking into account the human context, or through a multi-step search process that provides the opportunity for human feedback.
Music informatics is a study of music processing, in particular music representations, fourier analysis of music, music synchronization, music structure analysis and chord recognition. Other music informatics research topics include computational music modeling, computational music analysis, optical music recognition, digital audio editors, online music search engines, music information retrieval and cognitive issues in music. Because music informatics is an emerging discipline, it is a very dynamic area of research with many diverse viewpoints, whose future is yet to be determined.
A human-based computation game or game with a purpose (GWAP) is a human-based computation technique of outsourcing steps within a computational process to humans in an entertaining way (gamification).
Informatics is the study of computational systems. According to the ACM Europe Council and Informatics Europe, informatics is synonymous with computer science and computing as a profession, in which the central notion is transformation of information. In some cases, the term "informatics" may also be used with different meanings, e.g. in the context of social computing, or in context of library science.
Computational musicology is an interdisciplinary research area between musicology and computer science. Computational musicology includes any disciplines that use computation in order to study music. It includes sub-disciplines such as mathematical music theory, computer music, systematic musicology, music information retrieval, digital musicology, sound and music computing, and music informatics. As this area of research is defined by the tools that it uses and its subject matter, research in computational musicology intersects with both the humanities and the sciences. The use of computers in order to study and analyze music generally began in the 1960s, although musicians have been using computers to assist them in the composition of music beginning in the 1950s. Today, computational musicology encompasses a wide range of research topics dealing with the multiple ways music can be represented.
Semantic audio is the extraction of meaning from audio signals. The field of semantic audio is primarily based around the analysis of audio to create some meaningful metadata, which can then be used in a variety of different ways.
Harmonic pitch class profiles (HPCP) is a group of features that a computer program extracts from an audio signal, based on a pitch class profile—a descriptor proposed in the context of a chord recognition system. HPCP are an enhanced pitch distribution feature that are sequences of feature vectors that, to a certain extent, describe tonality, measuring the relative intensity of each of the 12 pitch classes of the equal-tempered scale within an analysis frame. Often, the twelve pitch spelling attributes are also referred to as chroma and the HPCP features are closely related to what is called chroma features or chromagrams.
Sound and music computing (SMC) is a research field that studies the whole sound and music communication chain from a multidisciplinary point of view. By combining scientific, technological and artistic methodologies it aims at understanding, modeling and generating sound and music through computational approaches.
The Sound and Music Computing (SMC) Conference is the forum for international exchanges around the core interdisciplinary topics of Sound and Music Computing. The conference is held annually to facilitate the exchange of ideas in this field.
