Tom Petty and the Heartbreakers were an American rock band from Gainesville, Florida. Formed in 1976, the band originally comprised lead singer and rhythm guitarist Tom Petty, lead guitarist Mike Campbell, keyboardist Benmont Tench, drummer Stan Lynch and bassist Ron Blair. In 1982, Blair, weary of the touring lifestyle, departed the band. His replacement, Howie Epstein, stayed with the band for the next two decades. In 1991, Scott Thurston joined the band as a multi-instrumentalist—mostly on rhythm guitar and second keyboard. In 1994, Steve Ferrone replaced Lynch on drums. Blair returned to the Heartbreakers in 2002, the year before Epstein's death. The band had a long string of hit singles including "Breakdown", "American Girl", "Refugee", "The Waiting", "Learning to Fly", and "Mary Jane's Last Dance", among many others, that stretched over several decades of work.
Into the Great Wide Open is the eighth studio album by American rock band Tom Petty and the Heartbreakers. Released in July 1991, it was the band's last with MCA Records. The album was the second that Petty produced with Jeff Lynne, following the successful Full Moon Fever (1989).
"It Wasn't Me" is the first single from Jamaican-American reggae musician Shaggy's fifth studio album, Hot Shot (2000). The song features vocals from RikRok. The lyrics of the song depict one man asking his friend what to do after his girlfriend caught him cheating on her with "the girl next door". His friend/Shaggy's character's advice is to deny everything, despite clear evidence to the contrary, with the phrase "It wasn't me."
"Calling Elvis" is a song written by Mark Knopfler and performed by British rock band Dire Straits. It first appeared on the final studio album by the band, On Every Street (1991). It was released in August 1991 by Vertigo and Warner Bros. as the first single from that album, peaking at number 21 in the United Kingdom, and reaching the top 10 in numerous other countries. It was included on the 2005 compilation The Best of Dire Straits & Mark Knopfler: Private Investigations. A live version of the song also appears on the 1993 live album On the Night.
"Mama Told Me Not to Come", also written as "Mama Told Me (Not to Come)", is a song by American singer-songwriter Randy Newman written for Eric Burdon's first solo album in 1966. Three Dog Night's 1970 cover topped the US pop singles chart. Tom Jones and Stereophonics' version also reached No. 4 on the UK Singles Chart in 2000.
"You Remind Me" is a song by American singer-songwriter Mary J. Blige. It served as Blige's first single from her debut album, What's the 411? (1992). Written by Eric Milteer and produced by Dave "Jam" Hall, it was originally used on the soundtrack of 1991 comedy film Strictly Business. The song marked Blige's first top forty hit, reaching number twenty-nine on the Billboard Hot 100 and number one on the Hot R&B Singles chart. The music video was released in 1992. The song also sampled Patrice Rushen’s 1982 song, ‘Remind Me’.
"Breakfast in Bed" is a soul–R&B song written by Muscle Shoals songwriters Eddie Hinton and Donnie Fritts for Dusty Springfield. It takes a knowing spin on the line "You Don't Have to Say You Love Me", the title of a song that had previously been a number one hit for her in the UK. After being released on her 1969 album Dusty in Memphis, it was recorded and popularized the same year by Baby Washington. Harry J produced three reggae versions in 1972, by Lorna Bennett, Scotty, and Bongo Herman.
"Circle in the Sand" is a song recorded by American singer Belinda Carlisle for her second studio album, Heaven on Earth (1987). It was written by Rick Nowels, who also produced it, and Ellen Shipley. "Circle in the Sand" was the third single released from Heaven on Earth in May 1988. It reached number seven, becoming Carlisle's fourth and last top-10 hit in the United States. It also charted at number five in Canada, ending the year as the country's 69th-most-successful single.
"Learning to Fly" is a song by American rock band Tom Petty and the Heartbreakers. It was written in 1991 by Tom Petty and his writing partner Jeff Lynne for the band's eighth studio album, Into the Great Wide Open (1991). The entire song is based on four simple chords,. Released in June 1991 by MCA, it became a top hit for Petty and the Heartbreakers, topping the US Billboard Album Rock Tracks chart and peaking at number 28 on the Billboard Hot 100.
"Real Love" is a song by American singer Jody Watley from her second studio album, Larger Than Life (1989). The single reached the number-one spot on the US Billboard Hot Black Singles and Dance Club Play charts. On the US Billboard Hot 100, "Real Love" peaked at number two for two weeks in May 1989. The song was also nominated for a Soul Train Music Award for Best Female Single.
"Baby I Don't Care" is a song by English pop rock band Transvision Vamp and the first single taken from their second album, Velveteen (1989). It was released in 1989 and remains their highest-charting single, peaking at number three in both the United Kingdom and Australia. It was ranked at number 25 on the Australian end-of-year chart for 1989. The song was later featured as the title track on the band's 2002 compilation album, Baby I Don't Care.
"Girlfriend" is a song by American singer Pebbles from her 1987 self-titled debut studio album. Written and produced by L.A. Reid and Babyface, "Girlfriend" was released as the album's lead single on October 26, 1987, by record label MCA. The song charted in several countries, peaking at number five on the US Billboard Hot 100 and reaching the top 10 in Ireland and the United Kingdom.
"You Came" is a song by English singer Kim Wilde from her sixth studio album, Close (1988). It was released on 4 July 1988 as the album's second single. The song was written by Wilde and Ricky Wilde, after the birth of his first child, Marty.
"I Get Weak" is a song by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Diane Warren and produced by Rick Nowels, the song was released as the second single from Heaven on Earth in January 1988. "I Get Weak" reached number two on the US Billboard Hot 100, number four on Canada's RPM 100 Singles chart, and number 10 on the UK Singles Chart.
"Stop Draggin' My Heart Around" is a song recorded by Stevie Nicks and Tom Petty and the Heartbreakers and released as the first single from Nicks' debut solo album Bella Donna (1981). The track is the album's only song that was neither written nor co-written by Nicks. Written by Tom Petty and Mike Campbell as a Tom Petty and the Heartbreakers song, Jimmy Iovine, who was also working for Stevie Nicks at the time, arranged for her to sing on it. Petty sang with Nicks in the chorus and bridge, while his entire band played on the song with the exception of Ron Blair, who was replaced by bassist Donald "Duck" Dunn for the recording.
"High Enough" is a song by American supergroup Damn Yankees from their self-titled debut album. A power ballad, it is their most successful single in terms of chart position and sales, rising to No. 3 on the US Billboard Hot 100 chart, the group's first top-ten pop single. It also reached No. 2 on the US Mainstream Rock Tracks chart. The success of "High Enough" helped send its parent album into the top 20 on the US albums chart.
"Keep Coming Back" is a song by American singer-songwriter Richard Marx. It appears on his third solo album, Rush Street, and was both written and produced by Marx. The lyrics to the song detail a man's unrequited love for a woman. Working with musicians such as Luther Vandross and keyboardist Greg Phillinganes, Marx sought to explore different musical territory with this single, stating that "I wanted to write an old-fashioned R&B song."
"If Looks Could Kill" is a song by English alternative rock band Transvision Vamp. It was the second single taken from their third album, Little Magnets Versus the Bubble of Babble (1991), and served as the band's final single. Released on 10 June 1991, the song reached number 41 on the UK Singles Chart and number 38 in New Zealand.
"Landslide of Love" was the third single to be taken from English pop rock band Transvision Vamp's second album, Velveteen (1989). It was a top-20 UK hit in 1989, spending five weeks on the UK Singles Chart and peaking at number 14.
