Isabella Stewart Gardner (April 14, 1840 – July 17, 1924) was an American art collector, philanthropist, and patron of the arts. She founded the Isabella Stewart Gardner Museum in Boston.
Gardner created much fodder for the gossip columns of the day, with her reputation for stylish tastes and unconventional behavior. The Boston society pages called her by many names, including "Belle,” "Donna Isabella,” "Isabella of Boston,” and "Mrs. Jack.” Her surprising appearance at a 1912 concert (at what was, then, a very formal Boston Symphony Orchestra) wearing a white headband emblazoned with "Oh, you Red Sox" was reported, at the time, to have "almost caused a panic,” and still remains in Boston one of the most talked about of her eccentricities.[1]
Isabella Stewart was born in New York City on April 14, 1840, the daughter of wealthy linen-merchant David Stewart and Adelia Stewart (née Smith).[2] She grew up in Manhattan. From age five to fifteen, she attended a nearby academy for girls, where she studied art, music, and dance, as well as French and Italian. Attendance at Grace Church exposed her to religious art, music, and ritual. At age 16, she and her family moved to Paris, France, where she was enrolled in a school for American girls. Her classmates included members of the wealthy Gardner family of Boston. In 1857, she was taken to Italy, and in Milan, she saw Gian Giacomo Poldi Pezzoli's collection of Renaissance art arranged in rooms designed to recall historical eras. She said, at the time, that if she were ever to inherit some money, she would have a similar house for people to visit and enjoy. She returned to New York, in 1858.[3]
Shortly after returning, her former classmate, Julia Gardner, invited her to Boston, where she met Julia's brother, John Lowell "Jack" Gardner. Three years her senior, he was the son of John L. and Catharine E. (Peabody) Gardner, and one of Boston's most eligible bachelors. They married in Grace Church on April 10, 1860, and then lived in a house that Isabella's father gave them, at 152 Beacon Street in Boston. They resided there for the rest of Jack's life.[3][4]
Jack and Isabella had one son, born on June 18, 1863. He died from pneumonia on March 15, 1865, however. A year later, Isabella suffered a miscarriage and was told she could not bear any more children. Her close friend and sister-in-law died about the same time. Gardner became extremely depressed and withdrew from society. On the advice of doctors, she and Jack traveled to Europe, in 1867. Isabella was so ill that she had to be taken aboard the ship on a stretcher. The couple spent almost a year traveling, visiting Scandinavia and Russia but spending most of their time in Paris. The trip had the desired effect on Isabella's health and became a turning point in her life. It was on this trip that she began her lifelong habit of keeping scrapbooks of her travels. Upon her return, she began to establish her reputation as a fashionable, high-spirited socialite.[3]
In 1875, Jack's brother, Joseph P. Gardner, died, leaving three young sons. Jack and Isabella "adopted" and raised the boys. Augustus P. Gardner was 10 years old, at the time. Isabella's biographer, Morris Carter, wrote that "in her duty to these boys, she was faithful and conscientious".[2]
Travel and collecting
Isabella Stewart Gardner in Venice (1894), by Anders Zorn (Gardner Museum)
In 1874, Isabella and Jack Gardner visited the Middle East, Central Europe, and Paris. Beginning in the late 1880s, they frequently traveled across America, Europe, and Asia to discover foreign cultures and expand their knowledge of art around the world. Jack and Isabella would take more than a dozen trips abroad over the years, keeping them out of the country for a total of ten years.[5]
The earliest works in the Gardners' collection were accumulated during their trips to Europe, especially. In 1891, she started to focus on European fine art, after inheriting $1.75 million from her father.[6] One of her first acquisitions was The Concert by Vermeer (c. 1664), purchased at a Paris auction house in 1892.[7] She also collected from other places abroad, such as Egypt, Turkey, and the Far East. The Gardners began to collect, in earnest, in the late 1890s, rapidly building a world-class collection, primarily of paintings and sculpture, but also tapestries, photographs, silver, ceramics and manuscripts, and architectural elements, such as doors, stained glass, and mantelpieces.
In the early years of the 20th century, Isabella traveled with friend and Boston architect, Edmund March Wheelwright, to collect for the Harvard Lampoon Building, also called "Lampoon Castle,” a faux Flemish castle in Harvard Square. Isabella donated many pieces of art to the castle, over her years of collecting. The value of this collection is uncertain, due to the secret nature of the Lampoon.
Nearly seventy works of art in her collection were acquired, with the help of connoisseur Bernard Berenson. Among the collectors with whom she competed was Edward Perry Warren, who supplied a number of works to the Museum of Fine Arts, Boston. The Gardner collection includes works by some of Europe's most important artists, such as Botticelli'sMadonna and Child with an Angel, Titian'sRape of Europa, Fra Angelico'sDormition and Assumption of the Virgin, and Diego Velázquez'sKing Philip IV of Spain. She purchased some of her collection on her own, but often asked for male colleagues, such as her business partner, to purchase on her behalf, as it was uncommon for women to participate in art collecting.[8]
Stewart Gardner's favorite foreign destination was Venice, Italy. The Gardners regularly stayed at the Palazzo Barbaro, a major artistic center for a circle of American and English expatriates in Venice, and visited Venice's artistic treasures with amateur artist and former Bostonian Ralph Curtis. While in Venice, Gardner bought art and antiques, attended the opera, and dined with expatriate artists and writers.
By 1896, Isabella and Jack Gardner recognized that their house on Beacon Street in Boston's Back Bay, although enlarged once, was not sufficient to house their growing collection of art, including works by Botticelli, Vermeer, and Rembrandt.[9] After Jack's sudden death in 1898, Isabella realized their shared dream of building a museum for their treasures. She purchased land for the museum in the marshy Fenway area of Boston and hired architect Willard T. Sears to build a museum modeled on the Renaissance palaces of Venice. Gardner was deeply involved in every aspect of the design, though, leading Sears to quip that he was merely the structural engineer making Gardner's design possible. The building completely surrounds a glass-covered garden courtyard, the first of its kind in America. Gardner intended the second and third floors to be galleries. A large music room originally spanned the first and second floors on one side of the building, but Gardner later split the room, to make space to display a large John Singer Sargent painting called El Jaleo on the first floor and tapestries on the second floor.[10]
After the building was ready, Gardner spent a year carefully installing her collection, according to her personal aesthetic. The eclectic gallery installations, paintings, sculpture, textiles, and furniture from different periods and cultures combine to create a rich, complex, and unique narrative. In the Titian Room, Titian's masterpiece The Rape of Europa (1561–1562) hangs above a piece of pale green silk, which had been cut from one of Stewart Gardner's gowns designed by Charles Frederick Worth. Throughout the collection, similar stories, intimate portrayals, and discoveries abound.[11]
The museum privately opened on January 1, 1903, with a grand opening celebration featuring a performance by members of the Boston Symphony Orchestra[12] and a menu that included champagne and doughnuts. It opened to the public, months later, with a variety of paintings, drawings, furniture and other objects dating from ancient Egypt to Matisse.[12] The museum is still arranged with a variety of textiles, furniture, and paintings, floor to ceiling.[13]
Illness and death
Gardner family tomb, Mount Auburn Cemetery
In 1919, Isabella Gardner suffered the first of a series of strokes, and died five years later, on July 17, 1924, at the age of 84 in her living quarters on the fourth floor of her Museum.[14] She is buried in the Gardner family tomb at Mount Auburn Cemetery, located in Watertown and Cambridge, between her husband and her son.[15]
Legacy
After Gardner's death, the fourth floor served as residence for the museum's director for over sixty years. While alive, Gardner, herself, would use the fourth floor for her residence. When Anne Hawley became director, she decided not to live there. Six months after Anne took office, the museum was robbed. More recently, it has been converted for use as museum offices.
Stewart Gardner was an intimate patroness of many artists, writers, and musicians. An accomplished traveler and shrewd collector, she was a leading figure in American social and cultural life. In Boston they called her the "Queen of the Back Bay".[17] The site of her former home, which was demolished in 1904,[18] is a stop on the Boston Women's Heritage Trail.[19]
She is the namesake of Gardner Mountain and Isabella Ridge in Washington state.[20]
Related Research Articles
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The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever."
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1 2 Gardner, Frank A MD [1933] Gardner Memorial: Biographical and Genealogical Record of the Descendants of Thomas Gardner, Planter of Cape Ann, 1624, Salem, 1626–74, Through His Son Lieut. George GardnerISBN978-0-7404-2590-5
1 2 3 Anne Hawley and Alexander Wood, "A sketch of the life of Isabella Stewart Gardner" in Isabella Stewart Gardner Museum: Daring by Design (2014), New York: Skira Rizzoli Publications, pp. 14 et seq. ISBN978-0-8478-4380-0
↑ Rosemary Matthews, . "Collectors and why they collect: Isabella Stewart Gardner and her museum of art". Journal of the History of Collections 21.2 (2009): 183–189.
↑ Docherty, L. J. (1999). "Collection as Creation: Isabella Stewart Gardner's Fenway Court". In Wessel Reinink; Jeroen Stumpel (eds.). Memory & Oblivion: Proceedings of the XXIXth International Congress of the History of Art held in Amsterdam, 1–7 September 1996. Dordrecht, Netherlands: Springer. ISBN9789401140065. OCLC851367318.
↑ Hilliard T. Goldfarb, The Isabella Stewart Gardner Museum: a companion guide and history (Yale University Press, 1995).
↑ Anne Higonnet, "Private museums, public leadership: Isabella Stewart Gardner and the art of cultural authority" in Cultural Leadership in America: Art Matronage and Patronage, ed. by Wanda Corn (1997) 84
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