It's Time for Dave Pike | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1961 | |||
Recorded | January 30 and February 9, 1961 | |||
Studio | Plaza Sound Studios, New York City | |||
Genre | Jazz | |||
Length | 37:49 | |||
Label | Riverside RLP 360 | |||
Producer | Orrin Keepnews | |||
Dave Pike chronology | ||||
|
It's Time for Dave Pike is the debut album led by American jazz vibraphonist Dave Pike which was recorded in 1961 for the Riverside label. [1]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
DownBeat | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The contemporaneous DownBeat reviewer praised the spirit of Pike's playing, while identifying reservations: "he doesn't always follow through on ideas, cramming too much into one solo. He has a little trouble bringing his solos to a conclusion". [3] The AllMusic site awarded the album 3 stars stating "By 1961 standards, this album isn't experimental or forward-thinking – certainly not compared to some of the adventurous, challenging sounds that were coming from modal and avant-garde improvisers in the early '60s. But it's easy to enjoy if you appreciate swinging, inspired bop along the lines of Milt Jackson, who is one of Pike's primary influences". [2]
All compositions by Dave Pike except as indicated
Sunday at the Village Vanguard is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Released in 1961, the album is routinely ranked as one of the best live jazz recordings of all time.
Richard Hyman is an American jazz pianist and composer. Over a 70-year career, he has worked as a pianist, organist, arranger, music director, electronic musician, and composer. He was named a National Endowment for the Arts Jazz Masters fellow in 2017.
Ezz-thetics is a studio album by the George Russell sextet, released on Riverside Records in mid-1961.
The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
Cannonball Adderley and the Poll-Winners is an album by jazz saxophonist Julian "Cannonball" Adderley released on the Riverside label, featuring performances by Adderley with Wes Montgomery, Ray Brown, Victor Feldman, and Louis Hayes.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
Blue Soul is an album led by American trumpeter Blue Mitchell recorded and released in 1959 on the Riverside label.
Smooth as the Wind is an album by American trumpeter Blue Mitchell with strings and brass recorded in late 1960 and early 1961 and released on the Riverside label.
Easy Does It is the third studio album by American jazz pianist Bobby Timmons, recorded in 1961 and released on the Riverside label.
Big Bags is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.
A Long Drink of the Blues is a studio album by saxophonist Jackie McLean. It was recorded in 1957, and released in 1961 on New Jazz Records as NJ 8253. It features two tracks with McLean in a sextet featuring trumpeter Webster Young, trombonist Curtis Fuller, bassist Paul Chambers and drummer Louis Hayes, and three with a quartet featuring pianist Mal Waldron, bassist Art Phipps and drummer Art Taylor.
Elvin! is a jazz album by drummer Elvin Jones recorded in 1961 and 1962 and released on the Riverside label. It features Jones playing in a group with his brothers, trumpeter Thad and pianist Hank, along with tenor saxophonist Frank Foster, flautist Frank Wess and bassist Art Davis.
The Quota is the third album by saxophonist Jimmy Heath featuring performances recorded in 1961 originally released on the Riverside label.
Circle Waltz is the second album by pianist Don Friedman which was recorded in 1962 and released on the Riverside label.
White Gardenia is an album by jazz saxophonist Johnny Griffin with brass and strings which was recorded in 1961 and released on the Riverside label. Intended as a tribute album to jazz singer Billie Holiday, who had died two years earlier, she had sung all of the songs, except for the title track, which is the only original composition by Griffin on the album. The white gardenia was the flower Holiday often wore in her hair. The orchestral arrangements were written by Melba Liston and Norman Simmons.
That's How I Love the Blues! is an album by American jazz vocalist Mark Murphy featuring tracks recorded in late 1962 for the Riverside label.
New Ideas is an album by trumpeter Don Ellis recorded in 1961 and released on the New Jazz label.
Manhattan Latin is an album by American jazz vibraphonist Dave Pike which was recorded in 1964 for the Decca label. The album is among Chick Corea's earliest recordings
Gerry Mulligan and the Concert Jazz Band at the Village Vanguard is a live album by jazz saxophonist and bandleader Gerry Mulligan featuring performances recorded at the Village Vanguard in late 1960 which were released on the Verve label.
Merry Olde Soul is an album by vibraphonist/pianist Victor Feldman recorded in early 1961 and originally released on the Riverside label.