Gilbert Scott-Heron was an American soul and jazz poet, musician, and author, known primarily for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson featured a musical fusion of jazz, blues, and soul, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. His own term for himself was "bluesologist", which he defined as "a scientist who is concerned with the origin of the blues". His poem "The Revolution Will Not Be Televised", delivered over a jazz-soul beat, is considered a major influence on hip hop music.
Brian Robert Jackson is an American keyboardist, flautist, singer, composer, and producer known for his collaborations with Gil Scott-Heron in the 1970s. The sound of Jackson's Rhodes electric piano and flute accompaniments featured prominently in many of their compositions, most notably on "The Bottle" and "Your Daddy Loves You" from their first official collaboration Winter in America.
From South Africa to South Carolina is a studio album by the American vocalist Gil Scott-Heron and the keyboardist Brian Jackson. It was released in November 1975 by Arista Records. Scott-Heron performed "Johannesburg" and "A Lovely Day" on Saturday Night Live in December 1975. The album was reissued in the late 1990s via Scott-Heron's Rumal-Gia label, distributed by TVT Records.
Pieces of a Man is the first studio album by American vocalist Gil Scott-Heron. It was recorded in April 1971 at RCA Studios in New York City and released later that year by Flying Dutchman Records. The album followed Scott-Heron's debut live album Small Talk at 125th and Lenox (1970) and departed from that album's spoken word performance, instead featuring compositions in a more conventional popular song structure.
Winter in America is a studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson. It was recorded in September to October 1973 at D&B Sound Studio in Silver Spring, Maryland and released in May 1974 by Strata-East Records. Scott-Heron and Jackson produced the album in a stripped-down fashion, relying on traditional African and R&B sounds, while Jackson's piano-based arrangements were rooted in jazz and the blues. The subject matter on Winter in America deals with the African-American community and inner city in the 1970s.
The First Minute of a New Day is an album by American vocalist Gil Scott-Heron, keyboardist Brian Jackson, and the Midnight Band—an eight-piece musical ensemble. It was released in January 1975 on Arista Records. Recording sessions for the album took place in the summer of 1974 at D&B Sound in Silver Spring, Maryland. It was the follow-up to Scott-Heron's and Jackson's critically acclaimed collaboration effort Winter in America. The First Minute of a New Day was the first album to feature "Winter in America", the title track of Scott-Heron's previous album which was not featured on its original LP release. The album was reissued on compact disc by Scott-Heron's label Rumal-Gia Records in 1998.
"The Bottle" is a song by American soul artist Gil Scott-Heron and musician Brian Jackson, released in 1974 on Strata-East Records in the United States. It was later reissued during the mid-1980s on Champagne Records in the United Kingdom. "The Bottle" was written by Scott-Heron and produced by audio engineer Jose Williams, Jackson, and Scott-Heron. The song serves as a social commentary on alcohol abuse, and it features a Caribbean beat and notable flute solo by Jackson, with Scott-Heron playing keyboards.
Pressure Cookin' is the third album by American singing trio Labelle, released in August 1973. This release was their first and only for RCA Records, and was critically raved due to the songs that songwriter and member Nona Hendryx composed. The album is also notable for being the first album released following lead singer Patti LaBelle giving birth to her only child, son Zuri Edwards.
"Rivers of My Fathers" is a song by American vocalist Gil Scott-Heron and keyboardist Brian Jackson. It was written and composed by Scott-Heron and Jackson for their first collaborative album, Winter in America (1974). The song was recorded on October 15, 1973 at D&B Sound Studio in Silver Spring, Maryland and produced by Scott-Heron and Jackson with assistance from engineer Jose Williams.
The Revolution Will Not Be Televised is a compilation album by American singer and songwriter Gil Scott-Heron. It was released in 1974 by Flying Dutchman Records and titled after Scott-Heron's 1971 song of the same name.
A New Black Poet - Small Talk at 125th and Lenox, also known simply as Small Talk at 125th and Lenox, is the debut album of recording artist Gil Scott-Heron, released in 1970 on Flying Dutchman Records. Recording sessions for the album were originally said to have taken place live at a New York nightclub located on the corner of 125th Street and Lenox Avenue, but liner notes included in the 2012 box set The Revolution Begins: The Flying Dutchman Masters, Scott-Heron himself insists that a small audience was brought to 'the studio' and seated on 'folding chairs'. By the time of the recordings, Scott-Heron had published a volume of poetry and his first novel, The Vulture. Well received by music critics who found Scott-Heron's material imaginative, Small Talk at 125th and Lenox has been described as "a volcanic upheaval of intellectualism and social critique" by Allmusic editor John Bush.
The Mind of Gil Scott-Heron is a 1978 album by spoken word and rap pioneer Gil Scott-Heron. Like many of Scott-Heron's albums, the album's content primarily addresses political and social issues; however, The Mind of Gil Scott-Heron relies far more on his spoken word delivery than his other albums. Whereas much of the artist's earlier albums contained backup jazz-funk music from Brian Jackson, many of these tracks, which address contemporary issues such as Watergate, the pardon of Richard Nixon and the Attica Prison riot, are either live recordings or studio-recorded songs with little more than sparse drum backing or occasional instrumentation. Many of the tracks featured were included on previous Gil Scott-Heron albums.
I'm New Here is the 15th and final studio album by American vocalist and pianist Gil Scott-Heron. It was released on February 8, 2010, by XL Recordings and was his first release of original music in 16 years, following a period of personal and legal troubles with drug addiction.
We're New Here is a remix album by American vocalist Gil Scott-Heron and English music producer Jamie xx, released on February 21, 2011, by Young Turks and XL Recordings. A longtime fan of Scott-Heron, Jamie xx was approached by XL label head Richard Russell to remix Scott-Heron's 2010 studio album I'm New Here. He worked on the album while touring with his band The xx in 2010 and occasionally communicated with Scott-Heron through letters for his approval to rework certain material.
Bridges is an album by Gil Scott-Heron and Brian Jackson, released in the fall of 1977 on Arista Records.
Spirits is the 1994 album by Gil Scott-Heron. The title track is an interpretation of the John Coltrane piece Equinox, and "The Other Side" is a live version of Scott-Heron's 1971 track "Home is Where the Hatred Is" with a new arrangement and many new verses that expand the original to nearly twenty minutes. It was later sampled for "Home" on the 2011 Jamie XX collaboration album, We're New Here.
Moving Target is a studio album by American spoken-word poet and blues musician Gil Scott-Heron.
Secrets is a 1978 studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson.
1980 is a studio album by American singer-songwriter Gil Scott-Heron and keyboardist Brian Jackson. Their ninth album together, it was recorded from August to October 1979 during a period of creative tension between the two musicians and released in February 1980 by Arista Records.
Real Eyes is an album by the American poet and musician Gil Scott-Heron, released in 1980. It was Scott-Heron's first album since 1970 to be made without input from his musical collaborator Brian Jackson.
[1] 
[4] 