Funkadelic is the debut album by the American funk rock band Funkadelic, released in 1970 on Westbound Records.
Mary Isobel Catherine Bernadette O'Brien, better known by her stage name Dusty Springfield, was an English singer. With her distinctive mezzo-soprano sound, she was a popular singer of beautiful blue-eyed soul, pop and dramatic ballads, with French chanson, country, and also jazz in her repertoire. During her 1960s peak, she ranked among the most successful British female performers on both sides of the Atlantic. Her image – marked by a peroxide blonde bouffant/beehive hairstyle, heavy makeup and evening gowns, as well as stylised, gestural performances – made her an icon of the Swinging Sixties.
I Never Loved a Man the Way I Love You is the tenth studio album by American singer Aretha Franklin released on March 10, 1967, by Atlantic Records. It was Franklin's first release under her contract with the label, following her departure from Columbia Records after nine unsuccessful Jazz standard albums, and marked a commercial breakthrough for her, becoming her first top 10 album in the United States, reaching number 2 on the Billboard 200. Two singles were released to promote the album: "Respect" and "I Never Loved a Man ". The former topped the Billboard Hot 100, while latter reached the top 10.
Acid Eaters is the thirteenth studio album by the American punk rock band Ramones.
Tejas is the fifth studio album by the American rock band ZZ Top. It was released in late November 1976, on the London label. The title is a Caddo language word meaning "friends", which is the origin of the name of the band's home state, Texas.
Arif Mardin was a Turkish-American music producer, who worked with hundreds of artists across many different styles of music, including jazz, rock, soul, disco and country. He worked at Atlantic Records for over 30 years, as producer, arranger, studio manager, and vice president, before moving to EMI and serving as vice president and general manager of Manhattan Records.
Dusty in Memphis is the fifth studio album by English singer Dusty Springfield. Initial sessions were recorded at American Sound Studio in Memphis, while Springfield's final vocals and the album's orchestral parts were recorded at Atlantic Records' New York City studios. The album was released in March 1969 in the United States by Atlantic Records, and Philips Records distributed the record outside the U.S. Springfield worked on the album with a team of musicians and producers that included Jerry Wexler, Arif Mardin, Tom Dowd, conductor Gene Orloff, backing vocalists the Sweet Inspirations, bassist Tommy Cogbill, and guitarist Reggie Young.
"Son of a Preacher Man" is a song written and composed by American songwriters John Hurley and Ronnie Wilkins and recorded by British singer Dusty Springfield in September 1968 for the album Dusty in Memphis.
Wavelength is the tenth studio album by Northern Irish singer-songwriter Van Morrison, and was released in the autumn of 1978. The album has a different musical sound from his previous albums, leaning towards a pop rock sound with prominent electric guitars and synthesizers. Wavelength was Morrison's best selling album at the time of the original release. Mick Glossop, Bobby Tench and Peter Bardens were given credit for special assistance in production.
A Brand New Me is the sixth studio album by English singer Dusty Springfield, released in 1970.
Reggie Grimes Young Jr. was an American musician who was lead guitarist in the American Sound Studio house band, The Memphis Boys, and was a leading session musician. He played on various recordings with artists such as Elvis Presley, Joe Cocker, Dobie Gray, Joe Tex, Merrilee Rush, B.J. Thomas, John Prine, Dusty Springfield, Lynn Anderson, Herbie Mann, J.J. Cale, Jimmy Buffett, Dionne Warwick, Roy Hamilton, Willie Nelson, Waylon Jennings, the Box Tops, Johnny Cash, Jerry Lee Lewis, Merle Haggard, Joey Tempest, George Strait, and The Highwaymen. Young was inducted into the Musicians Hall of Fame and Museum in 2019.
Bare Trees is the sixth studio album by British-American rock band Fleetwood Mac, released in March 1972. It was their last album to feature Danny Kirwan, who was fired during the album's supporting tour. In the wake of the band's success in the mid-1970s, Bare Trees peaked at number 70 on US Billboard Top LPs & Tape chart. The album was certified platinum by the Recording Industry Association of America (RIAA) in 1988.
Shotgun Willie is the 16th studio album by Willie Nelson, released in 1973. The recording marks a change of style for Nelson, who later stated that the album "cleared his throat". When Nelson refused to sign an early extension of his contract with RCA Records in 1972, the label decided not to release any further recordings. Nelson hired Neil Reshen as his manager, and while Reshen negotiated with RCA, Nelson moved to Austin, Texas, where the ongoing hippie music scene at the Armadillo World Headquarters renewed his musical style. In Nashville, Nelson met producer Jerry Wexler, vice president of Atlantic Records, who was interested in his music. Reshen solved the problems with RCA and signed Nelson with Atlantic Records as their first country music artist.
Smokey is the debut studio album by American soul singer, songwriter, and producer Smokey Robinson. It was released on June 19, 1973, by Tamla Records and was Robinson's first solo record after his departure from The Miracles. The album featured the single "Sweet Harmony", which was his tribute to his former singing partners in the Miracles: Bobby Rogers, Pete Moore and Ronnie White. Smokey was arranged by Dave Blumberg, Gene Page and Willie Hutch. It also featured the song "Baby Come Close", his first solo hit single, and the single "Just My Soul Responding", a protest song dealing with ghetto life in America, and the plight of the American Indian. Smokey peaked at number 70 on the Billboard albums chart, on which it spent 19 weeks.
"I Never Loved a Man (The Way I Love You)" is a 1967 single released by American soul singer Aretha Franklin. Released on Atlantic Records as the first big hit of her career and the lead single from her tenth studio album of the same name, it became a defining song for Franklin, peaking at number one on the rhythm and blues charts and number nine on the pop charts. The B-side was "Do Right Woman, Do Right Man". Before this Franklin had placed only two Top 40 singles on the pop chart during her modest tenure with Columbia Records.
"Don't Cha Wanna Ride" is a song by English singer and songwriter Joss Stone from her second studio album, Mind Body & Soul (2004). The track was written by Stone, Desmond Child, Betty Wright, Steve Greenberg, and Michael Mangini and is based upon a sample from the 1968 song "Soulful Strut" by Chicago-based soul and jazz instrumental group Young-Holt Unlimited. The song was first serviced to US radio on 26 July 2004, then was issued physically in the United Kingdom on 4 July 2005 as the fourth and final single from the album. The song was later included on the 2011 compilation album The Best of Joss Stone 2003–2009.
See All Her Faces is the seventh studio album by singer Dusty Springfield, originally released on the Philips Records label in 1972. It contains a mixture of tracks from different recording sessions; some tracks were recorded with Jeff Barry for an aborted third album for Atlantic Records, other tracks were recorded for Philips in the UK between April and July 1970 – these came to be Springfield's final recordings with longtime producer and arranger Johnny Franz. Some, such as "Willie and Laura Mae Jones", recorded with Jerry Wexler, Tom Dowd and Arif Mardin, had been previously released as singles in the US. See All Her Faces collects many of those tracks, recorded from 1969 to 1971, placing seven of the British recordings on Side A, while Side B comprises tracks recorded both in the UK and the US. As a result, the album has no cohesive sound, but offers many different styles of music. The album boasts eight producers, including Springfield herself. It has been suggested that See All Her Faces is best appreciated track by track, rather than as a whole stylistic statement, as her album Dusty in Memphis is often praised to be.
John Prine is the debut album by American country/folk singer-songwriter John Prine, issued by Atlantic Records in 1971. In 2012, the album was ranked number 452 on Rolling Stone magazine's list of the 500 greatest albums of all time. It was later ranked number 149 in a revised version of the list published in 2020.
Still Bill is the second studio album by American soul singer-songwriter and producer Bill Withers, released in 1972 by Sussex Records. The album was recorded and produced by Withers with musicians from the Watts 103rd Street Rhythm Band. The rhythmic music produced for the record features soul, funk, and blues sounds, backing lyrics that explore themes of human nature, emotion, and sex from a middle-class male perspective. It also features some of Withers' most popular songs, including the hit singles "Lean on Me" and "Use Me". A commercial and critical success at the time of its release, Still Bill has since been regarded by music journalists as a highlight of the singer's recording career and a classic of 1970s R&B.
Moonshot is a studio album by Canadian singer-songwriter Buffy Sainte-Marie, released in 1972 by Vanguard Records.
