The use of jade in Mesoamerica for symbolic and ideological ritual was highly influenced by its rarity and value among pre-Columbian Mesoamerican cultures, such as the Olmec, the Maya, and the various groups in the Valley of Mexico. Although jade artifacts have been created and prized by many Mesoamerican peoples, the Motagua River valley in Guatemala was previously thought to be the sole source of jadeite in the region.
This extreme durability makes fine grained or fibrous jadeite and nephrite highly useful for Mesoamerican technology. It was often worked or carved as ornamental stones, a medium upon which glyphs [1] were inscribed, or shaped into figurines, weapons, and other objects. Many jade artifacts crafted by later Mesoamerican civilizations appear cut from simple jade axes, implying that the earliest jadeite trade was based in utilitarian function.
In general terms, jade refers to two distinct minerals: nephrite, a calcium- and magnesium-rich amphibole mineral, and jadeite, a pyroxene rich in sodium and aluminum. A general misconception is that nephrite does not naturally exist in Mesoamerica. However, the Middle Motagua River Valley area that yields jadeite also yields nephrite, although Mesoamerican artisans had less interest in working nephrite. [2] Colloquially 'jade' objects in Mesoamerica are composed of jadeite, but may also refer to other similar-looking, relatively hard greenstones such as albitite, omphacite, chrysoprase, and quartzite. [3]
Variation in color is largely due to variation in trace element composition. In other words, the types of trace elements and their quantities affect the overall color of the material. “Olmec Blue” jade, characterized by an icelike shade of pale blue, owes its unique color to the presence of iron and titanium, while the more typical green jade's color is due to the varying presence of sodium, aluminum, iron, and chromium. Translucence can vary as well, with specimens ranging from nearly clear to completely opaque.
The archaeological search for the Mesoamerican jade sources, which were largely lost at the time of the Maya collapse, began in 1799 when Alexander von Humboldt started his geological research in the New World. Von Humboldt sought to determine whether or not Neolithic jadeite celts excavated from European Megalithic archaeological sites like Stonehenge and Carnac shared sources with the similar looking jade celts from Mesoamerica (they do not).[ citation needed ]
The first discovery of in-situ jade quarries has been attributed by some to archeologist Mary Lou Ridinger in 1974. [4] However, in 1952, the first documented discovery of in-situ jadeite in a pre-Columbian Maya jadeite quarry was made by Robert E. Leslie in the Motagua River valley near Manzanal, Guatemala, as documented in a 1955 publication co-authored by Leslie with William F. Foshag, who, at the time, was Head Curator of the Smithsonian Institution Department of Geology. [5] Since her first discovery, Ridinger also discovered many varieties of Central American jadeite that had never before been seen, such as lilac jade and a variety of jadeite with pyrite inclusions. [6]
From 1974 to 1996, the only documented source of jadeite in Mesoamerica was the lowland Motagua River valley. Research conducted by the Mesoamerican Jade Project of Harvard's Peabody Museum of Archaeology & Ethnology between 1977 and 2000 led to the identification of both the long lost 'Olmec Blue' mines, a discovery published by Mesoamerican Jade project Field Director Russell Seitz and his colleagues from the American Museum of Natural History in Antiquity in December 2001. In addition, they conducted geochemical dating of several ancient Maya lode mines and alluvial sources in the mountainous areas on both sides of the Motagua. Following their exposure by the torrential rains of Hurricane Mitch in 1998, alluvial cobbles of blue jade were traced up a southern Motagua tributary, the Rio Tambor, to massive outcrops of fine grained translucent 'Olmec Blue' jadeite, at elevations of between 1200 and 3800 feet in the province of Jalapa, along a fault extending from Carrizal Grande to La Ceiba. Geochemical dating revealed that the southern deposits, including the archaeologically important translucent blue jade, were ~40 MA older that the coarse grained opaque jades mined for sale to tourists, or those from the higher elevations around a northern Motagua tributary, the Rio Blanco, where jadeite outcrops are found at elevations of up to an elevation of 6,000 feet and several of the ancient mining sites are connected by dry-laid stone paths.
It is noteworthy that the richest 'Olmec Blue' source area, far from being in 'the Motagua Valley' lies about 50 km southwest of Copán. Since the Motagua River becomes Guatemala's border with Honduras, Honduras may host alluvial jade as well. The rediscovered 'Olmec' jade is of the quality traded throughout formative Mesoamerica, reaching areas as distant as the Valley of Mexico and Costa Rica. While Pool notes that "for many years, it had been suggested that there might be another source in the Balsas River valley"[ citation needed ], no such Mexican source has come to light; However, recent work has revealed that the high pressure-low temperature metamorphic rocks (blueschist facies) hosting jade deposits in Guatemala also outcrop as jadeite boulder bearing serpentine melange deposits at several places in Cuba and Hispaniola, where the material was exploited by the Taino and Carib cultures. Jade artifacts, mainly pointed celts, apparently stemming from these Antillean sources have been excavated as far east as Antigua in the Windward Islands. Given the scope and duration of the regional tectonic processes that created and exhumed these jade deposits, they may well extend into Chiapas as well.
However, one of the five islands in the chain known as Isla de Bahias, i.e., Bay Island, is not only rich in green Jadeite and some blue as well, but there is a beach aptly called Jade Beach with approximately fifty-foot walls of Jadeite. Barbaretta is sandwiched between Guanaha to the east and Morat, Roatan, and Utila to the west. The beach is covered with well-polished stones.[ citation needed ]
Jade was shaped into a variety of objects including, but not limited to, figurines, celts, ear spools (circular earrings with a large hole in the center), and teeth inlays (small decorative pieces inserted into the incisors). Mosaic pieces of various sizes were used to decorate belts and pectoral coverings.
A good example of jadeite garb is the Maya Leiden Plaque. The plaque was known more as a portable stella, with hieroglyphs and narratives inscribed on its face. The markings provide a scene of a Maya lord standing with one foot on top of a captive. [1]
Jade sculpture often depicted deities, people, shamanic transformations, animals and plants, and various abstract forms. Sculptures varied in size from single beads, used for jewelry and other decorations, to large carvings, such as the 4.42 kilogram head of the Maya sun god found at Altun Ha. Jade workshop areas have been documented at two Classic Maya sites in Guatemala: Cancuen and Guaytán. The archaeological investigation of these workshops has informed researchers on how jadeite was worked in ancient Mesoamerica.
The value of jade went beyond its material worth. Perhaps because of its color, mirroring that of water and vegetation, it was symbolically associated with life and death and therefore possessed high religious and spiritual importance.
The Maya placed jade beads in the mouth of the dead. Michael D. Coe has suggested that this practice relates to a sixteenth-century funerary ritual performed at the deaths of Pokom Maya lords: "When it appears then that some lord is dying, they had ready a precious stone which they placed at his mouth when he appeared to expire, in which they believe that they took the spirit, and on expiring, they very lightly rubbed his face with it. It takes the breath, soul or spirit."
Bishop Landa has associated the placement of jade beads in the mouths of the dead with symbolic planting and rebirth of the maize god. [7] Precious offerings depicting maize have been found in the Sacred Cenote, paralleling the interment of the Maize God himself entering the underworld. Many objects found were considered uniquely beautiful, and had been exquisitely crafted before offered as sacrifice. [8]
The Maya also associated jade with the sun [9] and the wind.[ citation needed ] Many Maya jade sculptures and figurines of the wind god have been discovered, as well as many others displaying breath and wind symbols. In addition, caches of four jade objects placed around a central element which have been found are believed to represent not only the cardinal directions, but the directional winds as well.
Elite Maya wore jade pendants that depicted "mirror gods" associated with rulership in Mesoamerica. [10] Mirror divination was a part of spiritual practice in Maya culture, and the Maya sun god, Kinich Ahau, was often depicted in jade and other materials with a mirror on his forehead. The reflective quality of highly polished jade connected itself to other mirrored objects, promoting its spiritual importance and aesthetic value to the Maya. [10]
The aesthetic and religious significance of the various colors remains a source of controversy and speculation. The bright green varieties may have been identified with the young Maize God. The Olmec were fascinated with the unique blue jade of Guatemala and it played an important role in their rituals involving water sources. The Olmec used blue jade because it represented water, an Olmec iconography representing the Underworld. Blue also represented the blue color that snakes turn before shedding their skin; therefore, blue represents aquatic and serpentine rejuvenation.
Next to emery, jade was the hardest mineral known to ancient Mesoamerica. [11] In the absence of metal tools, ancient craftsmen used tools themselves made of jade, leather strops, string saws to cut and carve jade, and reeds or other hard materials to drill holes. Working the raw stone into a finished piece was a very labor-intensive process, often requiring repeated physical movement to shape the jade. [12] It would take many hours of work to create even a single jade bead. [13]
Craftsmen employed lapidary techniques such as pecking, percussion, grinding, sawing, drilling, and incising to shape and decorate jade. Several of these techniques were thought to imbue pieces with religious or symbolic meaning. For instance, drilling holes into jade was thought to give a piece "life," or animate, a carving. [12]
In addition to being an elite good of highly symbolic use in the performance of ideological ritual, the high pressure minerals that form these translucent rocks are much tougher and more damage resistant than slightly harder but far more brittle materials such as flint.
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: CS1 maint: year (link)A chacmool is a form of pre-Columbian Mesoamerican sculpture depicting a reclining figure with its head facing 90 degrees from the front, supporting itself on its elbows and supporting a bowl or a disk upon its stomach. These figures possibly symbolised slain warriors carrying offerings to the gods; the bowl upon the chest was used to hold sacrificial offerings, including pulque, tamales, tortillas, tobacco, turkeys, feathers, and incense. In Aztec examples, the receptacle is a cuauhxicalli. Chacmools were often associated with sacrificial stones or thrones. The chacmool form of sculpture first appeared around the 9th century AD in the Valley of Mexico and the northern Yucatán Peninsula.
The Olmecs were the earliest known major Mesoamerican civilization, flourishing in the modern-day Mexican states of Veracruz and Tabasco from roughly 1200 to 400 BCE during Mesoamerica's formative period. They were initially centered at the site of their development in San Lorenzo Tenochtitlán, but moved to La Venta in the 10th century BCE following the decline of San Lorenzo. The Olmecs disappeared mysteriously in the 4th century BCE, leaving the region sparsely populated until the 19th century.
Jade is an umbrella term for two different types of decorative rocks used for jewelry or ornaments. Jade is often referred to by either of two different silicate mineral names: nephrite, or jadeite. Nephrite is typically green, although may be yellow, white or black. Jadeite varies from white or near-colorless, through various shades of green, to lavender, yellow, orange, brown and black. Rarely it may be blue. Both of these names refer to their use as gemstones, and each has a mineralogically more specific name. Both the amphibole jade (nephrite) and pyroxene jade are mineral aggregates (rocks) rather than mineral species. Nephrite was deprecated by the International Mineralogical Association as a mineral species name in 1978. The name "nephrite" is mineralogically correct for referring to the rock. Jadeite, is a legitimate mineral species, differing from the pyroxene jade rock. In China, the name jadeite has been replaced with fei cui, the traditional Chinese name for this gem that was in use long before Damour created the name in 1863.
Olmec figurines are archetypical figurines produced by the Formative Period inhabitants of Mesoamerica. While not all of these figurines were produced in the Olmec heartland, they bear the hallmarks and motifs of Olmec culture. While the extent of Olmec control over the areas beyond their heartland is not yet known, Formative Period figurines with Olmec motifs were widespread in the centuries from 1000 to 500 BCE, showing a consistency of style and subject throughout nearly all of Mesoamerica.
La Venta is a pre-Columbian archaeological site of the Olmec civilization located in the present-day Mexican state of Tabasco. Some of the artifacts have been moved to the museum "Parque - Museo de La Venta", which is in nearby Villahermosa, the capital of Tabasco.
The representation of jaguars in Mesoamerican cultures has a long history, with iconographic examples dating back to at least the mid-Formative period of Mesoamerican chronology.
Jadeite is a pyroxene mineral with composition NaAlSi2O6. It is hard (Mohs hardness of about 6.5 to 7.0), very tough, and dense, with a specific gravity of about 3.4. It is found in a wide range of colors, but is most often found in shades of green or white. Jadeite is formed only in the subduction zones of continental margins, where rock undergoes metamorphism at high pressure but relatively low temperature.
The religion of the Olmec people significantly influenced the social development and mythological world view of Mesoamerica. Scholars have seen echoes of Olmec supernatural in the subsequent religions and mythologies of nearly all later pre-Columbian era cultures.
Bloodletting was the ritualized practice of self-cutting or piercing of an individual's body that served a number of ideological and cultural functions within ancient Mesoamerican societies, in particular the Maya. When performed by ruling elites, the act of bloodletting was crucial to the maintenance of sociocultural and political structure. Bound within the Mesoamerican belief systems, bloodletting was used as a tool to legitimize the ruling lineage's socio-political position and, when enacted, was important to the perceived well-being of a given society or settlement.
Mesoamerica is a historical region and cultural area that begins in the southern part of North America and extends to the Pacific coast of Central America, thus comprising the lands of central and southern Mexico, all of Belize, Guatemala, El Salvador, and parts of Honduras, Nicaragua and Costa Rica. As a cultural area, Mesoamerica is defined by a mosaic of cultural traits developed and shared by its indigenous cultures.
Ancient Maya art comprises the visual arts of the Maya civilization, an eastern and south-eastern Mesoamerican culture made up of a great number of small kingdoms in present-day Mexico, Guatemala, Belize and Honduras. Many regional artistic traditions existed side by side, usually coinciding with the changing boundaries of Maya polities. This civilization took shape in the course of the later Preclassic Period, when the first cities and monumental architecture started to develop and the hieroglyphic script came into being. Its greatest artistic flowering occurred during the seven centuries of the Classic Period.
Jadeite is presumed one of the most precious materials of Pre-Columbian Costa Rica. It, along with other similar-looking greenstones were cherished and worked for years. Jadeite was used to decorate the body and was presumably a symbol of power.
Karl Andreas Taube is an American Mesoamericanist, Mayanist, iconographer and ethnohistorian, known for his publications and research into the pre-Columbian cultures of Mesoamerica and the American Southwest. He is Distinguished Professor of Anthropology at the College of Humanities, Arts, and Social Sciences, University of California, Riverside. In 2008 he was named the College of Humanities, Arts, and Social Sciences distinguished lecturer.
Sierra de las Minas is a mountain range in eastern Guatemala which extends 130 km west of the Lake Izabal. It is 15–30 km wide and bordered by the valleys of the Polochic River in the north and the Motagua River in the south. Its western border is marked by the Salamá River valley which separates it from the Chuacús mountain range. The highest peak is Cerro Raxón at 3,015 m. The Sierras (Chuacús) rich deposits of jade and marble have been mined for centuries. The small scale mining activities explain the name of the mountain range.
El Manatí is an archaeological site located approximately 60 km south of Coatzacoalcos, in the municipality of Hidalgotitlán 27 kilometers southeast of Minatitlán in the Mexican state of Veracruz. El Manatí was the site of a sacred Olmec sacrificial bog from roughly 1600 BCE until 1200 BCE.
The Feathered Serpent is a prominent supernatural entity or deity, found in many Mesoamerican religions. It is still called Quetzalcoatl among the Aztecs; Kukulkan among the Yucatec Maya; and Q'uq'umatz and Tohil among the K'iche' Maya.
Greenstone is a common generic term for valuable, green-hued minerals and metamorphosed igneous rocks and stones which early cultures used in the fashioning of hardstone carvings such as jewelry, statuettes, ritual tools, and various other artifacts. Greenstone artifacts may be made of greenschist, chlorastrolite, serpentine, omphacite, chrysoprase, olivine, nephrite, chloromelanite among other green-hued minerals. The term also includes jade and jadeite, although these are perhaps more frequently identified by these latter terms. The greenish hue of these rocks generally derives from the presence of minerals such as chlorite, hornblende, or epidote.
The use of mirrors in Mesoamerican culture was associated with the idea that they served as portals to a realm that could be seen but not interacted with. Mirrors in pre-Columbian Mesoamerica were fashioned from stone and served a number of uses, from the decorative to the divinatory. An ancient tradition among many Mesoamerican cultures was the practice of divination using the surface of a bowl of water as a mirror. At the time of the Spanish conquest this form of divination was still practiced among the Maya, Aztecs and Purépecha. In Mesoamerican art, mirrors are frequently associated with pools of liquid; this liquid was likely to have been water.
Economy is conventionally defined as a function for production and distribution of goods and services by multiple agents within a society and/or geographical place An economy is hierarchical, made up of individuals that aggregate to make larger organizations such as governments and gives value to goods and services. The Maya economy had no universal form of trade exchange other than resources and services that could be provided among groups such as cacao beans and copper bells. Though there is limited archeological evidence to study the trade of perishable goods, it is noteworthy to explore the trade networks of artifacts and other luxury items that were likely transported together.
The Leyden plaque, sometime called Leiden plate or Leiden plaque, is a jadeite belt plate from the early classic period of the Maya civilization. Although the plate was found on the Caribbean coast, it may have been made in Tikal. The plate is now in the National Museum of Ethnology in Leiden, Netherlands, hence its official name. It is one of the oldest Maya objects using the Mesoamerican Long Count calendar.
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