Jae Won Lee is a Korean American ceramic artist living and working in Michigan in the United States. She received her Master of Fine Arts from the New York State College of Ceramics at Alfred University in 1995 and is currently an Associate Professor at Michigan State University in East Lansing, where she teaches Foundation Courses and Senior Seminar. She hand-builds porcelain and uses other materials such as paper and hair. Much of Lee's work is derived from an isolation that is created by her trans-cultural identity of both Korea and the United States.
Lee's works serve as a means to express and internally reconcile her two dichotomous cultural worlds. [1] Being Korean, but living in the US, she finds that neither place is her home. Lee says that her “…sense of ‘home’ is a spectrum of emotions...of yearning for belonging, wholeness, and rootedness.” [1] The possibility that these two worlds might coexist is embedded deeply in her work. To her, “...art is a reflection of the human experience.” [1]
Lee’s work is meditative in both the ways it is made and conceived. Her journal is an essential part of her creative process. [2] For her, writing is a solitary act of contemplation that distills her ideas to the most essential forms. The same applies in her studio life; working is a solitary act. The obsessive nature of her work, especially with making multiples, creates a meditative space that is vital in her work. The effect is forms like hundreds of bundles of tiny needles--like porcelain coils or a row of wafer-thin porcelain discs. Her forms are reduced to the “ultimate necessities” and hark back to minimalist and formalist work. [2] The reductive nature of her work makes important every undulation, the subtle variation, and the “slightest twitch in the nervous system." [3]
Pottery and porcelain, is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were created as early as the Jōmon period, giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics holds within its artistic tradition, owing to the enduring popularity of the tea ceremony.
Korean ceramic history begins with the oldest earthenware from around 8000 BC. Throughout the history, the Korean peninsula has been home to lively, innovative, and sophisticated art making. Long period of stability have allowed for the establishment of spiritual traditions, and artisan technologies specific to the region. Korean ceramics in Neolithic period have a unique geometric patterns of sunshine, or it's decorated with twists. In Southern part of Korea, Mumun pottery were popular. Mumun togi used specific minerals to make colors of red and black. Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea. A lot of talented Korean potters were captured to Japan after the porcelain war in 1592–1598. Arita ware, founded by Yi Sam-pyeong opened a new era of porcelain in Japan. Another Japanese representative porcelain, Satsuma ware was also founded by Dang-gil Shim and Pyeong-ui Park. 14th generation of Su-kwan Shim have been using the same name to his grandfather and father to honor they are originally Korean, 14th Su-kwan Shim is honorable citizen of Namwon, Korea.
Greenwich House Pottery is a non-profit pottery studio located in the West Village of New York City.
Joseon white porcelain or Joseon baekja refers to the white porcelains produced during the Joseon dynasty (1392-1910).
Regis Brodie is a tenured Professor of Art at the Department of Art and Art History at Skidmore College in Saratoga Springs, NY and a potter. Since 1972, he has been serving as the Director of the Summer Six Art Program at Skidmore College. He also wrote a book called The Energy Efficient Potter which was published by Watson-Guptill Publications in 1982. He started the Brodie Company in 1999 in the interest of developing tools which would aid the potter at the potter's wheel.
Hakuji (白磁) is a form of Japanese pottery and porcelain, normally white porcelain, which originated as an imitation of Chinese Dehua porcelain. Today the term is used in Japan to refer to plain white porcelain.
Frans Wildenhain also known as Franz Rudolf Wildenhain was a Bauhaus-trained German potter and sculptor, who taught for many years at the School for American Craftsmen at the Rochester Institute of Technology in Rochester, New York.
Gwyn Hanssen Pigott OAM (1935–2013) was an Australian ceramic artist. She was recognized as one of Australia’s most significant contemporary artists. By the time she died she was regarded as "one of the world's greatest contemporary potters". She worked in Australia, England, Europe, the USA, New Zealand, Japan and Korea. In a career spanning nearly 60 years, influences from her apprenticeships to English potters were still apparent in her later work. But in the 1980s she turned away from production pottery to making porcelain still-life groups largely influenced by the Italian painter Giorgio Morandi.
Adelaide Alsop Robineau (1865–1929) was an American china painter and potter, and is considered one of the top ceramists of American art pottery in her era.
Jeanne Quinn is an American ceramic artist who works primarily with installations. She is a Professor in the Department of Art and Art History at the University of Colorado. She lives and works in Boulder, Colorado, and Brooklyn, New York.
Julia Galloway is a potter who creates utilitarian work, and is a professor and Director of the School of Art at the University of Montana-Missoula.
Klytie Pate was an Australian studio potter who emerged as an innovator in the use of unusual glazes and the extensive incising, piercing and ornamentation of earthenware pottery. She was one of a small group of Melbourne art potters which included Marguerite Mahood and Reg Preston who were pioneers in the 1930s of ceramic art nationwide. Her early work was strongly influenced by her aunt, the artist and printmaker, Christian Waller.
Margaret Ponce Israel was a painter and ceramicist who lived and worked in New York City.
Jack Doherty is a Northern Irish studio potter and author. He is perhaps best known for his vessels made of soda-fired porcelain. He has been featured in a number of books, and his work has been exhibited widely in both Europe and North America. Articles of his have appeared in various pottery journals and he has been Chair of the Craft Potters Association.
Kitamura Junko is a Japanese ceramic artist. Examples of her work are in the Museum of Fine Arts, Houston, The Brooklyn Museum, the British Museum, the Museum of Fine Art, Boston, and the Arthur M. Sackler Gallery, Smithsonian. She has won prizes for her work from the Siga Prefecture Art Exhibition in 1983, the Kyoto Art and Crafts Exhibition in 1984 and 1985, and the World Triennial Exhibition of Small Ceramics in Zagreb, Croatia in 1997. Kitamura completed her MFA at the Kyoto City University of Art. She is married to artist Yo Akiyama, and was the student of two prominent Japanese artists: Suzuki Osamu and Kondo Yutaka.
Ceramic art is art made from ceramic materials, including clay. It may take forms including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is one of the visual arts. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artefacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery". In a one-person pottery studio, ceramists or potters produce studio pottery.
Ayumi Horie is a Portland, Maine-based studio potter. She is recognized for her unique aesthetic as well as for her pioneering use of digital marketing and social media within contemporary ceramics. She is curator of the popular Instagram feed Pots in Action and is a 2015 United States Artist Distinguished Fellow in Craft.
Dick Lehman is an American ceramics artist based in Indiana. Dozens of articles and photos featuring his techniques and insights have appeared in periodicals and books on ceramic art since 1985, including 34 articles in U.S.-published Ceramics Monthly, the largest circulating magazine in the field, plus articles in 11 other international periodicals.
Greenwich House is a West Village settlement house in New York City.
John Reeve was a Canadian studio potter.