James Biery

Last updated

James Biery (born 1956) is an American organist, composer and conductor who is Minister of Music at Grosse Pointe Memorial Church (Presbyterian) in Grosse Pointe Farms, Michigan, where he directs the choirs, plays the 66-rank Klais organ and oversees the music program of the church. [1] Prior to this appointment Biery was music director for Cathedrals in St. Paul, Minnesota and Hartford, Connecticut.

Contents

Education

Biery was educated at Northwestern University, where he earned Bachelor and Master of Music degrees in Organ Performance as a student of Grigg Fountain and Wolfgang Rübsam. Mr. Biery also holds the Choirmaster and Fellowship Certificates of the AGO.

Awards

Since 2006 James Biery has been awarded the ASCAP Plus award annually for his compositions. In 1986, he was the prize-winner for the highest score on the FAGO exam administered by the American Guild of Organists. The winner of several organ competitions, he was named Second Prize Winner in the 1980 AGO National Open Competition in Organ Playing.

Works

His organ and choral compositions are published by MorningStar Music Publishers, Concordia, Augsburg Fortress, GIA, Oregon Catholic Press, and Boosey & Hawkes. He has recorded for AFKA and Naxos.

Mr. Biery developed his compositional skills from two disciplines: years of study of the organ and its literature and intense scrutiny of the orchestral scores of numerous composers whose music he transcribed for organ duet and organ solo. As an organist, Biery has distinguished himself by performing much of the repertoire of the nineteenth and early twentieth centuries. His facility at the organ combined with his demonstrated ability to perform and study a vast amount of literature has given Biery a firm basis upon which to compose for the instrument. [2]

Choral

Song titleVoicingDescription
At the Lamb's High Feast We Sing SATB This exciting setting of the Salzburg tune is highly effective for either Epiphany, Easter, or Communion. Biery dramatically mixes reverent moments of a cappella singing with moments of powerful organ. The choir also introduces a descant-like Biery tune in stanza three which is coupled with jubilant brass. A page for the congregation is included in the choral score.
Break Forth in Joyous SongSATB (Optional Children's Choir, Congregation, Trumpet, and Keyboard)This is a joyful hymn by James and Marilyn Biery to the familiar tune Marion. It is suitable for any service or interfaith service that can include a hymn of praise.
Choral Sentences for Holy Week and EasterSATB a cappella/Solo or Unison/SATB and OrganThis is a medley of four "choral pictures" suitable as introits or short anthems. Palm Sunday—patient, plodding donkey carrying Jesus into Jerusalem; Maundy Thursday—prayerful petition; Good—plaintive melody with mournful accompaniment; Easter—women trudging to the tomb only to discover that Christ has risen.
Christ, the Solid RockSATB and OrganThis is a hymn-anthem with a new melody for "My Hope Is Built on Nothing Less." Undemanding choral writing is enhanced by an independent organ part. "Christ, the Solid Rock" begins quasi mysterioso, builds to triumphant climax (stanza 4), and ends in reflective mood. This piece brings new meaning to this beloved text.
Emmanuel Comes! An Advent Service of the WordOrgan (or Keyboard) and Congregation. Optional SATB, flute, oboe, and/or guitar This collection of five selections for Advent includes two canticles, a song for the lighting of the Advent candles, a song for the presentation of the gifts, and a sung prayer. All texts are by Marilyn Biery with music by James Biery. Each component may be used individually, or they may by used together to create an entire service.
Lenten Communion AntiphonsSATB, cantor, and congregationThis collection contains antiphons for each Sunday in Lent. It is usable in all three years of the lectionary cycle.
O Little Town of Bethlehem^SATB and Organ (Traditional text with Joseph Barnby tune, Bethlehem)It is a sensitive, English-style arrangement with a meditative anthem.
O Sacrum Convivium SATB, a cappellaThis piece contains harmonic structure based on continuous pedal-point combines with intricate text layering to evoke mood of sacred mystery. The final "alleluia" section builds to exultant climax, then fades away. This is one of MorningStar's bestsellers.
Stir Up Thy Power, O Lord Unison, two-part, or SATBThe easy unison choral part can split into two or three parts at the anthem's climax, if desired. The organ part is semi-independent. The text is from the Collect for the third or fourth Sunday of Advent but is also appropriate for general use
The Beatitudes SATB and Organ with optional Congregation (Matthew 5:3-12 or the parallel passage, Luke 6:20-26)Marilyn Biery's insightful paraphrase of the Beatitudes combines with James Biery's flowing musical lines to make a hymn-anthem. This piece is suitable for general use and particularly appropriate when the Beatitudes are read.
The Lord Is My ShepherdUnison treble choir or Soprano solo and SATB choir, a cappellaThis is an easy but satisfying setting of Psalm 23 for combined children's and SATB choirs. It is perfect for combining church youth choirs – children through high school.
The Peace of ChristSATB and Keyboard, Flute, Oboe, or Violin This song of blessing is based on an original hymn tune by James Biery. It is useful for any time a blessing is appropriate, such as weddings, reception of new members, and baptisms.
Ubi caritas^SATB, a cappellaThis is a setting of the complete traditional Maundy Thursday Latin text (the famous Duruflé motet only includes the first stanza) written in the style of Biery's "O Sacrum Convivium." Using sumptuous harmonies, it features a recurring statement of the text, "Where true love and charity are found, God is there." The chant-like verses inspire us to set aside petty quarrels and to experience, as one family, God's limitless and pure joy. This piece can be used throughout the year.
Word of God EternalSA (Hebrews 13:8 and a ninth century Latin hymn)This is a challenging work for the treble chorus.

[3]

Related Research Articles

<span class="mw-page-title-main">Louis Vierne</span> French organist and composer (1870–1937)

Louis Victor Jules Vierne was a French organist and composer. As the organist of Notre-Dame de Paris from 1900 until his death, he focused on organ music, including six organ symphonies and a Messe solennelle for choir and two organs. He toured Europe and the United States as a concert organist. His students included Nadia Boulanger and Maurice Duruflé.

<span class="mw-page-title-main">Herbert Howells</span> English composer, organist and teacher (1892–1983)

Herbert Norman Howells was an English composer, organist, and teacher, most famous for his large output of Anglican church music.

<span class="mw-page-title-main">Charles Wood (composer)</span> Irish composer (1866–1926)

Charles Wood was an Irish composer and teacher; his students included Ralph Vaughan Williams at Cambridge and Herbert Howells at the Royal College of Music. He is primarily remembered and performed as an Anglican church music composer, but he also wrote songs and chamber music, particularly for string quartet.

<span class="mw-page-title-main">John Goss (composer)</span> English organist and composer (1800–1880)

Sir John Goss was an English organist, composer and teacher.

<span class="mw-page-title-main">American Guild of Organists</span>

The American Guild of Organists (AGO) is an international organization of academic, church, and concert organists in the US, headquartered in New York City with its administrative offices in the Interchurch Center. Founded as a professional educational association, it was chartered by the Board of Regents of the University of the State of New York in 1896, with the authority to grant certificates of associate or fellow to members who passed examinations.

(James) Frederick Stocken is a British classical composer, organist and musicologist.

<span class="mw-page-title-main">Jonathan Battishill</span> English composer, keyboardist and singer (1738–1801)

Jonathan Battishill was an English composer, keyboard player, and concert tenor. He began his career as a composer writing theatre music but later devoted himself to working as an organist and composer for the Church of England. He is considered one of the outstanding 18th century English composers of church music and is best remembered today for his seven-part anthem Call to Remembrance, which has long survived in the repertoires of cathedral choirs.

<span class="mw-page-title-main">Leo Sowerby</span> American composer and church musician

Leo Salkeld Sowerby was an American composer and church musician. He won the Pulitzer Prize for music in 1946 and was often called the “Dean of American church music” in the early to mid 20th century. His many students included Florence Price and Ned Rorem.

Edward Woodall Naylor was an English organist and composer.

<span class="mw-page-title-main">Ivor Atkins</span> British musician (1869–1953)

Sir Ivor Algernon Atkins was the choirmaster and organist at Worcester Cathedral from 1897 to 1950, and a friend of and collaborator with Edward Elgar. He is remembered for editing Allegri's Miserere with the famous top-C part for the treble. He is also well known for "The Three Kings", an arrangement of a song by Peter Cornelius. Atkins was also a composer of songs, church music, service settings and anthems.

<span class="mw-page-title-main">Frederick Swann</span> American organist and choral conductor (1931–2022)

Frederick Lewis Swann was an American church and concert organist, choral conductor, composer, and president of the American Guild of Organists. His extensive discography includes both solo organ works and choral ensembles he has conducted.

<span class="mw-page-title-main">Hugh Blair (composer)</span> English composer and organist (1864–1932)

Hugh Blair was an English musician, composer and organist.

Francis John Dolben Pott is a British composer, pianist and academic.

Jeremy Daniell Filsell is an English pianist, organist and composer who currently serves as director of music at Saint Thomas Church, New York City.

<span class="mw-page-title-main">Pietro Yon</span> Italian composer

Pietro Alessandro Yon was an Italian-born organist and composer who made his career in the United States.

Walter Louis MacNutt was a Canadian organist, choir director, and composer. His compositional output includes numerous choral works, songs, pieces for solo organ, and works for orchestra, many of which have been published by companies like Broadcast Music Incorporated, Frederick Harris Music, the Waterloo Music Company, and the Western Music Company. In 1938 his Suite for Piano was awarded the first Vogt Society prize for Canadian composition. One of his more popular works, the secular song Take Me to a Green Isle, is taken from a poem by H.E. Foster. He also composed many songs to the poems of William Blake. In his later years, he composed music mainly for the Anglican church, include two Missae breves and the Mass of St James (1974).

Norman Cocker was a British organist, choir master and composer of church music, educational and light music.

Nicholas O'Neill is an English composer, arranger, organist and choral director.

<span class="mw-page-title-main">Peter Planyavsky</span> Austrian organist and composer (born 1947)

Peter Planyavsky is an Austrian organist and composer. He attended the Schottengymnasium. After graduating from the Vienna Academy of Music in 1966 he spent a year in an organ workshop, and has been instrumental in organ-building projects, notably the construction of the Rieger organ in the Great Hall of the Wiener Musikverein. In 1968 he was appointed organist in the Upper Austrian Stift Schlägl, and the following year organist at Vienna's St. Stephen's Cathedral. From 1983 until 1990 Planyavsky was their director of music, with overall responsibility for church music at the cathedral.

Frederick Thomas Durrant, typically known as F.T. Durrant, was an organist, musical academic and composer, long resident in Harrow.

References

  1. "Clergy & Staff". Grosse Pointe Memorial Church. Retrieved 2020-10-16.
  2. "James Biery's Biography". Archived from the original on February 23, 2007. Retrieved February 7, 2007.
  3. "James Biery's Choral Works" . Retrieved February 8, 2007.