Jane Hirshfield

Last updated

Jane Hirshfield
Jane+Hirshfeld+by+Adam+Phillips.jpg
Hirshfield in 2011
Born (1953-02-24) February 24, 1953 (age 70)
New York City, U.S.
Alma mater Princeton University
GenrePoetry

Jane Hirshfield (born February 24, 1953 [1] ) is an American poet, essayist, and translator, known as 'one of American poetry's central spokespersons for the biosphere' and recognized as 'among the modern masters,' 'writing some of the most important poetry in the world today.' A 2019 elected member of the American Academy of Arts & Sciences, her books include numerous award-winning collections of her own poems, collections of essays, and edited and co-translated volumes of world writers from the deep past. Widely published in global newspapers and literary journals, her work has been translated into over fifteen languages. [2]

Contents

Life, education, and work

Jane Hirshfield was born on East 20th Street in New York City. She received her bachelor's degree in 1973 from Princeton University, in the school's first graduating class to include women as freshmen, and received lay ordination in Soto Zen at the San Francisco Zen Center in 1979. [3]

Hirshfield's nine books of poetry have received numerous awards, including the California Book Award, the Poetry Center Book Award, and the Donald Hall-Jane Kenyon Award in American Poetry [4] Her fifth book, Given Sugar, Given Salt, was a finalist for the National Book Critics Circle Award and her sixth collection, After, was shortlisted for the "T.S. Eliot Prize" (UK) and named a 'best book of 2006' by The Washington Post , the San Francisco Chronicle , and the Financial Times . Her eighth collection, The Beauty, was long-listed for the National Book Award [5] and named a 'best book of 2015' by The San Francisco Chronicle. [6] She has written two books of essays, Nine Gates: Entering the Mind of Poetry and Ten Windows: How Great Poems Transform the World. The Ink Dark Moon, her co-translation of the work of the two foremost women poets of classical-era Japan, was instrumental in bringing tanka (a 31-syllable Japanese poetic form) to the attention of American poets. She has edited four books collecting the work of poets from the past and is noted as being "part of a wave of important scholarship then seeking to recover the forgotten history of women writers." [7] She received a Guggenheim Fellowship in 1985, the Academy of American Poets' 2004 Fellowship [8] for Distinguished Achievement, and a National Endowment for the Arts fellowship in 2005.

Though never a full-time academic, Hirshfield has taught at the University of California, Berkeley, University of San Francisco, The Bennington Writing Seminars, and as the Elliston Visiting Poet at the University of Cincinnati. She was the Hellman Visiting Artist in 2013 in the Neuroscience Department at University of California, San Francisco, and Stanford University's 2016 Mohr Visiting Professor in Poetry. In 2022, she was the third Seamus Heaney International Visiting Poetry Fellow at Queen's University Belfast. [9] She has also taught at many writers conferences, including Bread Loaf and the Napa Valley Writers Conference and has served as both core and associate faculty in the Bennington Master of Fine Arts Writing Seminars. [10] Hirshfield appears frequently in literary festivals both in America and abroad, including the Geraldine R. Dodge Poetry Festival, the National Book Festival, the Los Angeles Times Festival of Books, Poetry International (London, UK), the China Poetry Festival (Xi'an, China), and the Second International Gathering of the Poets [Kraków, Poland]. She has received numerous residency fellowships, including from Yaddo, The MacDowell Colony, [11] The Rauschenberg Foundation, [12] the Rockefeller Foundation's Bellagio Center, Civitella Ranieri, [13] and the Djerassi Resident Artists Program. [14] [15] She is also a contributing editor at The Alaska Quarterly Review and Ploughshares , a former guest editor of The Pushcart Prize Anthology and an advisory editor at Orion and Tricycle .

Hirshfield served as a chancellor of the Academy of American Poets (2012–2017). [10]

In 2019, Hirshfield was elected to the American Academy of Arts & Sciences. [16]

Poetry

David Baker described Hirshfield as "one of our finest, most memorable contemporary poets" [17] and U.S. Poet Laureate Kay Ryan called Hirshfield "a true person of letters". [10] [18] Hirshfield's poetry has often been described as sensuous, insightful, and clear. In the award citation for Hirshfield's 2004 Academy of American Poets' Fellowship, Rosanna Warren noted

Hirshfield has elaborated a sensuously philosophical art that imposes a pause in our fast-forward habits of mind. Her poems appear simple, and are not. Her language, in its cleanliness and transparency, poses riddles of a quietly metaphysical nature. Clause by clause, image by image, in language at once mysterious and commonplace, Hirshfield's poems clear a space for reflection and change. They invite ethical awareness, and establish a delicate balance. [10]

The comment is echoed by the Polish Nobel Prize poet Czeslaw Milosz, who wrote, "A profound empathy for the suffering of all living beings... It is precisely this I praise in the poetry of Jane Hirshfield. The subject of her poetry is our ordinary life among other people and our continuing encounter with everything Earth brings us: trees, flowers, animals, and birds…In its highly sensuous detail, her poetry illuminates the Buddhist virtue of mindfulness." [19]

Hirshfield's poetry reflects her immersion in a wide range of poetic traditions, both Asian and Western, interests found also in the essays of Nine Gates and Ten Windows. Polish, Scandinavian, and Eastern European poets have been particularly important to her, along with the poetry of Japan and China. Zbigniew Herbert's poem, "Pebble" stands as a model behind the small studies Hirshfield has labelled "pebbles", included in After and Come, Thief. [20]

Hirshfield's work consistently explores themes of social justice and environmental awareness, specifically the belief that natural world and human world are inextricably linked. Mark A. Eaton noted in The Dictionary of Literary Biography that "Hirshfield's work recognizes the full breadth and responsibilities of humans' transactions with the earth, not just the intimacies." Donna Seaman, reviewing Hirshfield's ninth collection, Ledger, described Hirshfield's "carefully weighted tone as she reckons with our constant subtraction of Earth's life forces and incessant addition of carbon to our atmosphere, acid to our seas." [21] Hirshfield has become an increasingly visible spokesperson for peace, justice, and environmental issues. In a review of her seventh collection,Come, Thief, Afaa M. Weaver wrote that her poems "find a middle ground between the larger landscape of political conflict and the personal landscape of our need to connect with one another." [22] Hirshfield's voice as a spokesperson for peace, justice, and environmental issues has become increasing visible, with her work concluding the Library of America's "War No More: Three Hundred Years of American Antiwar and Peace Writing" [23] and appearing in many other collections of poems of social awareness. [24] [25]

An article in Critical Survey of Poetry (2002) summarized the effect of Zen on Hirshfield's work:

Little of her poetry is political in the usual sense of direct comment on specific issues, but all her work is political in the sense of integrating the stirrings of the heart, with the political realities that surround all people. Undoubtedly, the source for these characteristics of her poetry, and for her very concept of what poetry is, "the magnification of being," derives from her strong Zen Buddhist training. Her emphasis on compassion, on the preexistent unity of subject and object, on nature, on the self-sufficient suchness of being, and on the daunting challenge of accepting transitoriness, as Peter Harris notes, are central themes in her poetry derived from Buddhism. Hirshfield does not, however, burden her poetry with heavy, overt Zen attitudes. Only occasionally is there any direct reference. [26]

While many reviewers mention, even make central, Hirshfield's Buddhism as the prevailing filter of her work, Hirshfield has expressed frustration in multiple interviews with being so labeled. "I always feel a slight dismay if I'm called a "Zen" poet. I am not. I am a human poet, that's all." [27] Lisa Russ Spaar has called Hirshfield "a visionary", continuing: "It is arguable that the riddle, the existential joke of being, of meaning, of Dickinson's "prank of the Heart at play on the Heart," is as powerful a source as song for the lyric poem. Central to Hirshfield's vision is a kind of holy delight that is at the heart of riddles and koans". [28]

Other reviewers note the investigative nature of Hirshfield's poems, in which life is approached as a puzzle which is not quite solvable. In a review of Come, Thief in The Georgia Review , Judith Kitchen wrote "Jane Hirshfield's felt longing elevates description to insight: not self-knowledge, less fleeting than that... something more encompassing, more akin to the indefinable suddenly given expression." [29]

For all her focus on insight and the unknowable, as early as 1995, Stephen Yenser noted in The Yale Review Hirshfield's interest in the empirical. "The probably unspeakeable plenitude of the empirical world: Jane Hirshfield's poems recognize it at every point." [30] In a Booklist starred review, Donna Seaman has more recently noted Hirshfield's "meticulous reasoning, including a striking meditation on the paradoxical richness of spareness that can serve as her ars poetica." [31]

Hirshfield's poems and life increasingly reflect her long-standing interest in biology, as well as physics and other fields of science. She was the 2013 Hellman Visiting Artist in the Neuroscience department at The University of California, San Francisco, a program "created to foster dialogue between scientists, caregivers, patients, clinicians and the public regarding creativity and the brain." [32] In 2010, she was the Blue River Fellow in the H.J. Andrews Experimental Forest's Long Term Ecological Reflection project, whose goal is to track scientific research and artistic responses to the same sites for 200 years. [33]

In 2017, Hirshfield organized a Poets For Science component for the main D.C. March for Science held on Earth Day, April 22, on the Washington Mall. As a main rally speaker, she read "On the Fifth Day", a poem protesting the January 24, 2017, removal of scientific information from federal agency websites. The poem appeared on the front page of the Washington Post's Opinion Section a week before the March. [34] Working with the Wick Poetry Center based at Kent State University in Ohio, Hirshfield arranged also for a Poets For Science tent to be part of the teach-in preceding the March, in which scientists and their supporters were invited both to read and to write their own scientifically-grounded poems. [25] [35] [36] Poets For Science activities from the March and into the future are hosted on the Wick Poetry Center's website. [37] Video of Hirshfield's reading at the March for Science. [38]

While her work looks deeply at the inner world of the self and emotions, Hirshfield has kept most of the details of her private life out of both her poems and her public life as a poet, preferring that her work stand on its own.

Hirshfield's work has been published in The New Yorker , Atlantic Monthly , The Nation , the Los Angeles Times , the Times Literary Supplement , the New York Times , many literary journals, and multiple volumes of The Best American Poetry and Pushcart Prize anthologies. [39] Her poems have frequently been read on various National Public Radio programs, and she was featured in two Bill Moyers PBS television specials, The Sounds of Poetry and Fooling With Words. An interview with Hirshfield on the occasion of the publication of "The Beauty" and "Ten Windows" in March 2015 was published in SF Gate. [40] Extended conversations with fellow poets Ilya Kaminsky (The Paris Review), [41] Kaveh Akbar (The American Poetry Review), [42] and Mark Doty (Guernica) [43] appeared in conjunction with the publication of Ledger in 2020.

Bibliography

Poetry

Collections
List of poems
TitleYearFirst publishedReprinted/collected in
In a kitchen where mushrooms were washed2011Hirshfield, Jane (Fall 2011). "In a kitchen where mushrooms were washed". Ploughshares . 37 (2&3).Hirshfield, Jane (2013). "In a kitchen where mushrooms were washed". In Henderson, Bill (ed.). The Pushcart Prize XXXVII : best of the small presses 2013. Pushcart Press. p. 295.
Husband2015Hirshfield, Jane (April 13, 2015). "Husband". The New Yorker. 91 (8): 48. Retrieved June 21, 2015.
Engraving: World-Tree with an Empty Beehive on One Branch2016Hirshfield, Jane (June 12, 2016). "Engraving: World tree with an empty beehive on one branch". The New York Times T Magazine. Retrieved June 18, 2016.
Tin2021Hirshfield, Jane (September 13, 2021). "Tin". The New Yorker. 97 (28): 65.

Non-fiction

———————

Notes
  1. ↑ Winner of the California Book Award in Poetry.
  2. ↑ "Amazon.com: The Heart of Haiku (Kindle Single) eBook: Jane Hirshfield: Kindle Store". Amazon.com. Retrieved January 29, 2018.
  3. ↑ Peschel, Joseph (May 25, 2015). "Caution: World-Changing Poetry at Work". The Daily Beast. Retrieved January 29, 2018– via TheDailyBeast.com.

Honors and awards

Related Research Articles

<span class="mw-page-title-main">Louise Glück</span> American poet and Nobel laureate

Louise Elisabeth Glück is an American poet and essayist. She won the 2020 Nobel Prize in Literature, whose judges praised "her unmistakable poetic voice that with austere beauty makes individual existence universal". Her other awards include the Pulitzer Prize, National Humanities Medal, National Book Award, National Book Critics Circle Award, and Bollingen Prize. From 2003 to 2004, she was Poet Laureate of the United States.

<span class="mw-page-title-main">Rita Dove</span> American poet and author

Rita Frances Dove is an American poet and essayist. From 1993 to 1995, she served as Poet Laureate Consultant in Poetry to the Library of Congress. She is the first African American to have been appointed since the position was created by an act of Congress in 1986 from the previous "consultant in poetry" position (1937–86). Dove also received an appointment as "special consultant in poetry" for the Library of Congress's bicentennial year from 1999 to 2000. Dove is the second African American to receive the Pulitzer Prize for Poetry, in 1987, and she served as the Poet Laureate of Virginia from 2004 to 2006. Since 1989, she has been teaching at the University of Virginia in Charlottesville, where she held the chair of Commonwealth Professor of English from 1993 to 2020; as of 2020 she holds the chair of Henry Hoyns Professor of Creative Writing.

<span class="mw-page-title-main">Alicia Ostriker</span> American poet and scholar (born 1937)

Alicia Suskin Ostriker is an American poet and scholar who writes Jewish feminist poetry. She was called "America's most fiercely honest poet" by Progressive. Additionally, she was one of the first women poets in America to write and publish poems discussing the topic of motherhood. In 2015, she was elected a Chancellor of the Academy of American Poets. In 2018, she was named the New York State Poet Laureate.

<span class="mw-page-title-main">Sharon Olds</span> American poet

Sharon Olds is an American poet. Olds won the first San Francisco Poetry Center Award in 1980, the 1984 National Book Critics Circle Award, and the 2013 Pulitzer Prize in Poetry. She teaches creative writing at New York University and is a previous director of the Creative Writing Program at NYU.

<span class="mw-page-title-main">Ruth Stone</span> American poet

Ruth Stone was an award-winning American poet.

<span class="mw-page-title-main">Marie Howe</span> American poet (born 1950)

Marie Howe is an American poet. Her most recent poetry collection is Magdalene. In August 2012 she was named the State Poet for New York.

Mary Ruefle is an American poet, essayist, and professor. She has published many collections of poetry, the most recent of which, Dunce, was longlisted for the National Book Award in Poetry and was a finalist for the 2020 Pulitzer Prize. Ruefle's debut collection of prose, The Most Of It, appeared in 2008 and her collected lectures, Madness, Rack, and Honey, was published in August 2012, both published by Wave Books. She has also published a book of erasures, A Little White Shadow (2006).

Alicia Elsbeth Stallings is an American New Formalist and Philhellene poet and translator. A fellow of the American Academy of Arts and Sciences, she was named a 2011 MacArthur Fellow.

Marianne Boruch is an American poet whose published work also includes essays on poetry, sometimes in relation to other fields and a memoir about a hitchhiking trip taken in 1971.

<span class="mw-page-title-main">Tracy K. Smith</span> American poet

Tracy K. Smith is an American poet and educator. She served as the 22nd Poet Laureate of the United States from 2017 to 2019. She has published four collections of poetry, winning the Pulitzer Prize for her 2011 volume Life on Mars. Her memoir, Ordinary Light, was published in 2015.

Chase Twichell is an American poet, professor, publisher, and, in 1999, the founder of Ausable Press. Her most recent poetry collection is Things as It Is. Horses Where the Answers Should Have Been earned her Claremont Graduate University's prestigious $100,000 Kingsley Tufts Poetry Award. She is the winner of several awards in writing from the New Jersey State Council on the Arts, the American Academy of Arts and Letters and The Artists Foundation. Additionally, she has received fellowships from both the Guggenheim Foundation and the National Endowment for the Arts. Her poems have appeared in literary journals and magazines including The New Yorker, Field, Ploughshares, The Georgia Review, The Paris Review, Poetry, The Nation, and The Yale Review.

<span class="mw-page-title-main">Joy Harjo</span> American Poet Laureate

Joy Harjo is an American poet, musician, playwright, and author. She served as the 23rd United States Poet Laureate, the first Native American to hold that honor. She was also only the second Poet Laureate Consultant in Poetry to have served three terms. Harjo is a member of the Muscogee Nation and belongs to Oce Vpofv. She is an important figure in the second wave of the literary Native American Renaissance of the late 20th century. She studied at the Institute of American Indian Arts, completed her undergraduate degree at University of New Mexico in 1976, and earned an MFA degree at the University of Iowa in its creative writing program.

<span class="mw-page-title-main">Marilyn Chin</span> American poet

Marilyn Chin (陈美玲) is a prominent Chinese American poet, writer, activist, and feminist, as well as an editor and Professor of English. She is well-represented in major canonical anthologies and textbooks and her work is taught all over the world. Marilyn Chin's work is a frequent subject of academic research and literary criticism. Marilyn Chin has read her poetry at the Library of Congress.

<span class="mw-page-title-main">Jessica Fisher</span> American poet, translator, and critic

Jessica Fisher is an American poet, translator, and critic. In 2012, she was awarded the Joseph Brodsky Rome Prize Fellowship in literature by the American Academy of Arts and Letters.

Rusty Morrison is an American poet and publisher. She received a BA in English from Mills College in Oakland, California, an MFA in Creative Writing (Poetry) from Saint Mary's College of California in Moraga, California, and an MA in Education from California State University, San Francisco. She has taught in the MFA program at the University of San Francisco and was Poet in Residence at Saint Mary’s College in 2009. She has also served as a visiting poet at a number of colleges and universities, including the University of Redlands, the University of Arizona, Boise State University, Marylhurst University, and Millikin University. In 2001, Morrison and her husband, Ken Keegan, founded Omnidawn Publishing in Richmond, California, and continue to work as co-publishers. She contracted Hepatitis C in her twenties but, like most people diagnosed with this disease, did not experience symptoms for several years. Since then, a focus on issues relating to disability has developed as an area of interest in her writing.

<span class="mw-page-title-main">Mary Mackey</span> American novelist, poet and academic

Mary Lou Mackey is an American novelist, poet, and academic. She is the author of eight collections of poetry and fourteen novels, including the New York Times best-seller A Grand Passion and The Village of Bones, The Year The Horses Came, The Horses At The Gate, and The Fires of Spring, four sweeping historical novels that take as their subject the earth-centered, Goddess-worshiping cultures of Neolithic Europe. In 2012, her sixth collection of poetry, Sugar Zone, won a PEN Oakland/Josephine Miles Literary Award. Another collection, The Jaguars That Prowl Our Dreams: New and Selected Poems 1974 to 2018, won a 2018 Women’s Spirituality Book Award from the California Institute of Integral Studies; and the 2019 Eric Hoffer Small Press Award for the best book published by a small press. Her first novel, Immersion, was the first novel published by a Second Wave feminist press. Long concerned with environmental issues, Mackey frequently writes about the rainforests of Costa Rica and the Brazilian Amazon. In the early 1970s, as Professor of English and Writer-In-Residence at California State University, Sacramento, she was instrumental in the founding of the CSUS Women's Studies Program and the CSUS English Department Graduate Creative Writing Program. From 1989-1992, she served as President of the West Coast Branch of PEN American Center involving herself in PEN's international defense of persecuted writers.

Leslie McGrath was an American poet, editor, and educator. Critic Grace Cavalieri called McGrath “an oral historian of the alienated." She authored the poetry collection Feminists Are Passing from Our Lives ; Out From the Pleiades: a picaresque novella in verse, and Opulent Hunger, Opulent Rage, a finalist for the 2010 Connecticut Book Award for Poetry;. She received the Pablo Neruda Prize for Poetry in 2004, and taught at Central Connecticut State University from 2009 - 2019. She published three chapbooks: By the Windpipe ; the satiric novella in verse, Out From the Pleiades ; andToward Anguish, which won the 2007 Philbrick Poetry Award. Her most recent publication is a full-length collection of poetry Feminists Are Passing from Our Lives. McGrath co-edited Reetika Vazirani's posthumous poetry collection, Radha Says: Last

<span class="mw-page-title-main">Melissa Studdard</span> American poet

Melissa Studdard was born in Tuscaloosa, Alabama and is an American author, poet, talk show host, and professor. Her most recent book is the poetry collection I Ate the Cosmos for Breakfast. The title poem from this collection was produced as a short film and featured as an official selection at the Trinidad and Tobago Film Festival and the Minneapolis–Saint Paul International Film Festival. Her middle-grade novel, Six Weeks to Yehidah won a Forward National Literature Award and Pinnacle Book Achievement Award. The accompanying journal, My Yehidah, was released in December 2011 and was adopted by art and play therapists for clinical use in adolescent therapy sessions.

Ailish Hopper is an American poet, writer and teacher.

Maurya Simon is an American poet, essayist, and visual artist. She is the author of ten collections of poetry. Her most recent volume of poetry is The Wilderness: New and Selected Poems.

References

  1. ↑ Bryson, J. Scott; Thompson, Roger, eds. (2008). Twentieth-century American nature poets. Detroit, MI: Gale Cengage Learning. pp. 178–184. ISBN   978-0-7876-8160-9. LCCN   2008022299. OCLC   229446118. OL   11095126M.
  2. ↑ "Jane Hirshfield". Seamus Heaney Centre, Queen's University Belfast . Retrieved November 12, 2022.
  3. ↑ Busch, Colleen Morton (2011). Fire Monks: Zen Mind Meets Wildfire at the Gates of Tassajara. New York: Penguin Press. p. 15. ISBN   978-1-59420-291-9. LCCN   2011010226. OCLC   682892561. OL   25108970M.
  4. ↑ "Jane Hirshfield". Poetry Foundation . Retrieved November 12, 2022.
  5. ↑ Kellogg, Carolyn (September 15, 2015). "National Book Award poetry longlist announced". Los Angeles Times . Retrieved April 26, 2019.
  6. ↑ "Best of 2015: 100 recommended books". SFChronicle.com. December 15, 2015. Retrieved January 29, 2018.
  7. ↑ Mark A. Eaton, "Twentieth-Century American Nature Poets". Ed. J. Scott Bryson and Roger Thompson. Dictionary of Literary Biography Vol. 342. Detroit: Gale, 2008.
  8. ↑ Academy of American Poets' 2004 Fellowship
  9. ↑ "Jane Hirshfield". qub.ac.uk. Retrieved March 2, 2023.
  10. 1 2 3 4 Jane Hirshfield profile, Academy of American Poets, accessed January 15, 2007
  11. ↑ "Index of Fellows on Portable MacDowell – The MacDowell Colony". MacDowellColony.org. Archived from the original on May 26, 2009. Retrieved January 29, 2018.
  12. ↑ "Past Residents". RauschenbergFoundation.org. October 15, 2014. Retrieved January 29, 2018.
  13. ↑ "Civitella Rainieri". Civitella.org. Retrieved January 29, 2018.
  14. ↑ Djerassi Resident Artists Program
  15. ↑ "Djerassi Resident Artists Program | Jane Hirshfield". Djerassi Resident Artists Program. Retrieved May 31, 2018.
  16. 1 2 "Newly Elected Members". amacad.org. Retrieved May 8, 2019.
  17. ↑ David Baker, The American Poet, spring 2005.
  18. ↑ Kay Ryan, from the Academy of American Poets' New Chancellor 2012 Press Release, reprinted in The American Poet
  19. ↑ Czeslaw Milosz, Prze Kroj (Poland), quoted in Reader's Almanac, Library of America October 12, 2012
  20. ↑ "A Conversation between Brian Bouldrey & Jane Hirshfield, Pt. 3". The Best American Poetry. Retrieved March 9, 2020.
  21. ↑ Seaman, Donna (March 15, 2020). Ledger. Booklist. Retrieved May 14, 2020.
  22. ↑ Reviewed by Afaa M. Weaver (October 25, 2011). "Come, Thief". Orion Magazine. Retrieved March 9, 2020.
  23. ↑ "War No More: Three Centuries of American Antiwar & Peace Writing – Library of America". LOA.org. Retrieved January 29, 2018.
  24. ↑ "Poems of Resistance: A Primer". The New York Times. April 21, 2017. Retrieved January 29, 2018.
  25. 1 2 Alter, Alexandra (April 21, 2017). "American Poets, Refusing to Go Gentle, Rage Against the Right". The New York Times. Retrieved January 29, 2018.
  26. ↑ Peter Harris. "About Jane Hirshfield: A Profile". pshares.org. Retrieved March 9, 2020.
  27. ↑ Kim Rosen (April 1, 2013). "Poet Jane Hirshfield on the Mystery of Existence". spiritualityhealth.com. Retrieved March 9, 2020.
  28. ↑ "Monday's Poems: Three by Jane Hirshfield". The Chronicle of Higher Education. September 24, 2011. Archived from the original on November 5, 2011. Retrieved March 9, 2020.
  29. ↑ Kitchen, Judith. "Jane Hirshfield's Come, Thief". The Georgia Review Summer 2012. Retrieved April 7, 2014.
  30. ↑ Stephen Yenser, The Yale Review (April 1995) pp 147-152
  31. ↑ Catherine (July 12, 2011). "Meet the 2011 Faculty: Jane Hirshfield". NapaWritersConference.org. Archived from the original on January 13, 2013. Retrieved January 29, 2018.
  32. ↑ "Hellman Visiting Artist Program, UCSF Memory and Ageing centre". Memory and Aging Center. Archived from the original on April 5, 2012. Retrieved March 9, 2020.
  33. ↑ "About Andrews Forest Art & Humanities – Andrews Forest Log". AndrewsForestLog.org. Retrieved January 29, 2018.
  34. ↑ Jane Hirshfield (April 14, 2017). "On the Fifth Day". The Washington Post.
  35. ↑ Dana Isokawa (April 19, 2017). "The Two Feet of One Walking: Poets March for Science". Poets & Writers Magazine. Retrieved January 29, 2018.
  36. ↑ North, Anna (April 23, 2017). "Opinion – Making Art at the March for Science". The New York Times. Retrieved January 29, 2018.
  37. ↑ "Science Stanzas: The March for Science › Poets for Science". Science Stanzas: The March for Science. Retrieved January 29, 2018.
  38. ↑ Earth Day Network (April 24, 2017). "March for Science Earth Day 2017 Speaker – Jane Hirshfield". Archived from the original on December 14, 2021. Retrieved January 29, 2018– via YouTube.
  39. ↑ "Hirshfield profile". HarperCollins. Retrieved March 9, 2020.
  40. ↑ "Interview with poet Jane Hirshfield". SFGate.com. March 12, 2015. Retrieved January 29, 2018.
  41. ↑ Kaminsky, Ilya (March 11, 2020). "A Poem Is Not a Frontal Assault: An Interview with Jane Hirshfield". The Paris Review. Retrieved May 14, 2020.
  42. ↑ Akbar, Kaveh (March 2020). "On Writing Poems Facing Into the Broken World". The American Poetry Review Volume 49, No. 02. Retrieved May 14, 2020.
  43. ↑ Doty, Mark (April 30, 2020). "The Worlds We Find Ourselves In: Mark Doty and Jane Hirshfield in Conversation". Guernica. Retrieved May 14, 2020.
  44. ↑ "Jane Hirshfield". poets.org. Retrieved May 8, 2019.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.