Critical reception
Reviewing Jane Wiedlin for Rolling Stone , Joyce Millman found that Wiedlin "continues to wage a perky war against superficiality" and "still displays a dexterous touch with a scalpel when it comes to dissecting relationships", while musically, "Wiedlin's taste for the offbeat and her punchy pop know-how as well as the record's pinball-arcade bustle of guitars, synths and sound effects ... keep things fizzing." [9] Robert Christgau was less impressed in The Village Voice , writing, "All you cool folks who thought the Go-Go's were airheads, not to mention all you airheads who thought the Go-Go's were cool, will find these troubled relationships and geopolitical concerns very educational. I thought the Go-Go's were more educational pretending to be airheads, not to mention sisters." [8]
In a retrospective review, Stewart Mason of AllMusic stated that "aside from the unfortunately slick mid-'80s production", Jane Wiedlin "is probably the best solo album by any ex-member of the Go-Go's ... The singles 'Modern Romance' and 'Blue Kiss' really should have been hits (they're certainly better than most of Belinda Carlisle's solo work), and the best of the album tracks trade the pertness of the Go-Go's for a slightly more mature, world-weary vibe." [7]
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