Jaw's Blues | ||||
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Live album by Eddie "Lockjaw" Davis | ||||
Released | 1981 | |||
Recorded | February 11, 1981 | |||
Venue | The Domicile, Munich, West Germany | |||
Genre | Jazz | |||
Length | 52:07 | |||
Label | Enja 3097 ST | |||
Producer | Horst Weber & Matthias Winckelmann | |||
Eddie "Lockjaw" Davis chronology | ||||
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Jaw's Blues is a live album by American jazz saxophonist Eddie "Lockjaw" Davis recorded in Munich in 1981 and released on the German Enja label. [1] [2] [3]
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist.
Enja Records is a German jazz record company and label based in Munich which was founded by jazz enthusiasts Matthias Winckelmann and Horst Weber in 1971.
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Allmusic | ![]() ![]() ![]() ![]() ![]() |
Allmusic stated "The tough-toned and always-passionate tenor saxophonist Eddie "Lockjaw" Davis is in typically combative form on this quartet date ... Fans of the tenor will want this swinging set". [4]
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Horace Parlan was an American hard bop and post-bop pianist and composer. He was known for his contributions to the Charles Mingus recordings Mingus Ah Um and Blues & Roots.
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
Wild Bill Davis was the stage name of American jazz pianist, organist, and arranger William Strethen Davis.
Cool Blues is a live album by American jazz organist Jimmy Smith featuring performances recorded at Small's Paradise in New York City in 1958 but not released on the Blue Note label until 1980. The album was rereleased on CD with three bonus tracks recorded at the same performance.
The Ear of the Behearer is an album by American jazz saxophonist Dewey Redman featuring performances recorded in 1973 for the Impulse! label. The CD reissue added four performances from Coincide (1974) as bonus tracks.
The Dizzy Gillespie Big 7 is a live album by Dizzy Gillespie recorded at the Montreux Jazz Festival in 1975 and released on the Pablo label.
The Eddie "Lockjaw" Davis Cookbook is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott and flautist Jerome Richardson recorded in 1958 for the Prestige label. The album was later issued as Vol. 1 when two subsequent "Cookbook" volumes were released.
The Eddie "Lockjaw" Davis Cookbook, Vol. 2 is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott and flautist Jerome Richardson recorded in 1958 for the Prestige label. The album was the second of Davis' popular "Cookbook" volumes to be released.
Tough Tenors is an album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded in 1960 and released on the Jazzland label.
Griff & Lock is an album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded in 1960 and released on the Jazzland label.
The Tenor Scene is a live album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded at Minton's Playhouse in 1961 and released on the Prestige label.
Blues Up & Down is an album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded in 1961 and released on the Jazzland label.
Tough Tenors Again 'n' Again is an album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded in West Germany in 1970 and released on the MPS label.
The Chase! is a live album by saxophonists Dexter Gordon and Gene Ammons recorded in Chicago in 1970 and released on the Prestige label.
Swingin' Till the Girls Come Home is an album by American jazz saxophonist Eddie "Lockjaw" Davis recorded in Copenhagen in 1976 and released on the Danish SteepleChase label. The album was also released in the U.S. on Inner City Records
All of Me is an album by American jazz saxophonist Eddie "Lockjaw" Davis recorded in Copenhagen in 1983 and released on the Danish SteepleChase label.
The Heavy Hitter is an album by American jazz saxophonist Eddie "Lockjaw" Davis recorded in 1979 and released on the Muse label.
Straight Ahead is an album by American jazz saxophonist Eddie "Lockjaw" Davis with the Tommy Flanagan Trio recorded in 1976 and released on the Pablo label.
I Remember You..., is an album by vocalist Karin Krog with saxophonist Warne Marsh and bassist Red Mitchell recorded in 1980 and released on the Spotlite label.
Warne Marsh Lee Konitz: Jazz Exchange Vol. 3, is a live album by saxophonists Warne Marsh and Lee Konitz which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label in 1985.
Hear My Blues is the debut album by jazz/blues vocalist Al Smith featuring saxophonist Eddie "Lockjaw" Davis' working group with organist Shirley Scott recorded in 1959 and becoming the first release on the Bluesville label. The album was reissued as Blues Shout! under Eddie "Lockjaw" Davis's name on Prestige in 1964.