Jim Jacobs | |
---|---|
Born | Jim Jacobs October 7, 1942 |
Occupations |
|
Notable work | Grease |
Partner(s) | Diane Rita Gomez (1965-1974) Denise Nettleton (1978-) Karyn Kobayashi |
Children | 4 |
Jim Jacobs (born October 7, 1942) is an American actor, composer, lyricist, and writer for the theatre, long associated with the Chicago theater scene.
Jacobs is best known for creating the book, storyline, characters, and lyrics for the 1971 musical Grease with Warren Casey. Grease was adapted into the film Grease in 1978, which would become one of the most successful film adaptations of a musical in history in terms of gross revenue adjusted for inflation.
Jacobs was born on October 7, 1942, in Chicago, Illinois, to Harold, a factory foreman, and Norma (Mathison) Jacobs. Jacobs attended Taft High School, during which time he played guitar and sang with a band called DDT & the Dynamiters. When he was 11, his idol was Bill Haley, but when he was fourteen it was Elvis Presley. He also cites Buddy Holly, Little Richard, and Jerry Lee Lewis as influences, while noting he despised later rock bands such as The Grateful Dead and Led Zeppelin. [1]
When he was a teenager, he would imitate playing a guitar with a broomstick. He eventually convinced his parents to pay for guitar lessons. After four lessons, he quit and decided to buy a guitar book and teach himself. From this, he found a simple chord structure: C, A minor, F, G7—this would later be Those Magic Changes featured in Grease. While continuing to learn guitar he also was in a band, with guitarist Terry Kath in his late teenage years. As a teenager, he found himself surrounded by Polish-American and Italian-American gangs, though Tom Meyer, the inspiration for Danny Zuko, noted that Jacobs was not involved in most of the illegal activity that those gangs committed. [1] When he was 19, his parents convinced him that he shouldn't go to college, and instead ended up working at a factory packing ink. After a year working at the factory, he decided to quit.[ citation needed ]
In 1963, he became involved with a local theatre group that included Warren Casey, The Chicago Playwrights Center (at that time it was called Hull House Playwrights Center) run by artistic director Robert Sickinger. [2]
For the next five years he appeared in more than fifty theatrical productions in the Chicago area, working with such people as The Second City founder Paul Sills, while earning a living as an advertising copywriter. He also landed a small role in the 1969 film Medium Cool .[ citation needed ]
Jacobs' Broadway acting debut was in a 1970 revival of the play No Place to be Somebody , followed by the national tour. [3]
In the second half of the 1960's, Jacobs found himself at a party surrounded by stoners, disgusted by the state of rock music at the time and longing for the sounds of 1950s rock and roll, and was inspired to write a production based upon life in the early rock and roll era. [1] He began working with Warren Casey on the musical; entitled Grease, it was based largely on Jacobs's high school experiences and even used the names of some of Jacobs's acquaintances, with Jacobs inserting himself into the musical as two of the characters, the innocent Doody and the more confident Roger. [1] In its original form, it premiered in 1971 at the Kingston Mines Theater in the Old Town section of Chicago. Compared to the version that later became famous, many of the songs were more Chicago-centred, and there was extensive use of profanity. Jacobs remembered: "When we went to New York... we were told it was necessary to make the characters lovable, instead of scaring everybody. The show went from about three-quarters book and one-quarter music to one-quarter book and three-quarters music." [4]
Producers Ken Waissman and Maxine Fox saw the show and suggested to the playwrights that it might work better as a musical, and told them if the creative partners were willing to rework it and they liked the result, they would produce it off-Broadway. The team headed to New York City to collaborate on what would become Grease , [1] which opened at the Eden Theatre in lower Manhattan. The Best Plays of 1971-72 notes that "Though Grease opened geographically off Broadway, it did so under first class Broadway contracts." The show was deemed eligible for the 1972 Tony Awards, receiving seven Tony Award nominations. In June 1972 the production moved to the Broadhurst Theatre in the heart of Manhattan's Broadway Theater District. Six months later it moved to the Royale Theatre where it played until January 1980. For five final weeks, the run of the show moved to the much larger Majestic Theatre (Broadway). [5] Casey earned a Tony Award nomination for Best Book of a Musical. The show went on to become a West End hit and a hugely successful film.[ citation needed ]
Grease would be the only musical from Jacobs and Casey to make it to Broadway or achieve widespread success. The two would collaborate on one other show, Island of Lost Coeds: a spoof on 1940s and 1950s B movies: a captain and crew crash on a deserted island inhabited by beautiful women with ratted hair, tiger-skin swimsuits and rubber spears. [6] In 1980, he appeared in the film Love in a Taxi , directed by Robert Sickinger. [7]
Jacobs served as a judge on the NBC reality series Grease: You're the One that I Want! in 2006, designed to cast the lead roles in an August 2007 Broadway revival of Grease via viewer votes. Jacobs stated that he agreed to take part in the show only after NBC offered him too much money for him to refuse. [8]
As of May 2022, Jacobs resides in Los Angeles. [1]
Arthur Laurents was an American playwright, theatre director, film producer and screenwriter. With a career spanning seven decades he received numerous accolades including two Tony Awards, a Drama Desk Award, and nominations for two Academy Awards, two BAFTA Awards, and a Golden Globe Award.
George Francis Abbott was an American theatre producer, director, playwright, screenwriter, film director and producer whose career spanned eight decades. He received numerous honors including six Tony Awards, the Pulitzer Prize, the Kennedy Center Honors in 1982. the National Medal of Arts in 1990. and was inducted into the American Theatre Hall of Fame.
Grease is a musical with music, lyrics, and a book by Jim Jacobs and Warren Casey. Named after the 1950s United States working-class youth subculture known as greasers and set in 1959 at the fictional Rydell High School in Northwest Chicago, the musical follows ten working-class teenagers as they navigate the complexities of peer pressure, politics, personal core values, and love.
This is a list of notable events in music that took place in the year 1972.
Joel Grey is an American actor, singer, dancer, photographer, and theatre director. He is best known for portraying the Master of Ceremonies in the musical Cabaret on Broadway and in Bob Fosse's 1972 film adaptation. He has won an Academy Award, a BAFTA Award, a Golden Globe Award, and a Tony Award. He earned the Lifetime Achievement Tony Award in 2023.
Jason Robert Brown is an American musical theatre composer, lyricist, and playwright. Brown's music sensibility fuses pop-rock stylings with theatrical lyrics. He is the recipient of three Tony Awards for his work on Parade and The Bridges of Madison County.
Stephen Flaherty is an American composer of musical theatre and film. He works most often in collaboration with the lyricist/book writer Lynn Ahrens. They are best known for writing the Broadway musicals Ragtime, which was nominated for thirteen Tony Awards, two Grammy Awards, and won the Tony for Best Original Score; Once on This Island, which won the Tony Award for Best Revival of a Musical, the Olivier Award for London's Best Musical, and was nominated for a Grammy Award and eight Tony Awards; and Seussical, which was nominated for the Grammy Award. Flaherty was also nominated for two Academy Awards and two Golden Globe Awards for his songs and song score for the animated film musical Anastasia.
Douglas Wright is an American playwright, librettist, and screenwriter. Known for his extensive work in the American theatre in both plays and musicals he has received numerous accolades including the Pulitzer Prize and a Tony Award.
Theater in Chicago describes not only theater performed in Chicago, Illinois, but also to the movement in Chicago that saw a number of small, meagerly funded companies grow to institutions of national and international significance. Chicago had long been a popular destination for touring productions, as well as original productions that transfer to Broadway and other cities. According to Variety editor Gordon Cox, beside New York City, Chicago has one of the most lively theater scenes in the United States. As many as 100 shows could be seen any given night from 200 companies as of 2018, some with national reputations and many in creative "storefront" theaters, demonstrating a vibrant theater scene "from the ground up". According to American Theatre magazine, Chicago's theater is "justly legendary".
Chad Beguelin is an American playwright and lyricist. He wrote the lyrics and co-wrote the book for The Prom. He also wrote the book for Disney's Aladdin, as well as additional lyrics for the score. He was nominated for Best Original Book and Best Original Score for Aladdin. He is also known for his collaborations with composer Matthew Sklar, having written the lyrics and co-written the book for the Broadway musical The Wedding Singer and the lyrics for the Broadway musical Elf the Musical. Beguelin was nominated for two Tony Awards for his work on The Wedding Singer, as well as a Drama Desk Award for Outstanding Lyrics.
Robert Martin is a television and musical theatre actor and writer from Toronto, Ontario, Canada.
Warren Casey was an American theater composer, lyricist, writer, and actor. He was the writer and composer, with Jim Jacobs, of the stage musical Grease.
Kenneth Waissman is an American theatre producer.
Henry Krieger is an American musical theatre composer. He most notably wrote the music for the Broadway shows Dreamgirls, The Tap Dance Kid (1983), and Side Show (1997).
Laura Ann Osnes is an American actress and singer known for her work on the Broadway stage. She has played starring roles in Grease as Sandy, South Pacific as Nellie Forbush, Anything Goes as Hope Harcourt, and Bonnie and Clyde as Bonnie Parker, for which she received a Tony Award nomination for Best Actress in a Musical. She also starred in the title role of Rodgers & Hammerstein's Cinderella on Broadway, for which she received a Drama Desk Award and her second Tony Award nomination for Best Actress in a Musical.
The 51st Annual Tony Awards was broadcast by CBS from Radio City Music Hall on June 1, 1997. "Launching the Tonys" was telecast on PBS television. The event was hosted by Rosie O'Donnell. The awards ceremony moved away from Broadway for the first time in 30 years. As Radio City Music Hall is much larger than any Broadway theater, this allowed members of the general public to attend the ceremony.
Grease: The New Broadway Cast Recording is the cast album for the 2007 Broadway production of the hit musical, Grease. The show, directed by Tony Award-winner Kathleen Marshall, played at the Brooks Atkinson Theatre in New York City. This recording features performances from the cast of Grease including Jenny Powers, Matthew Saldivar, and Grease: You're the One That I Want winners, Laura Osnes and Max Crumm as Sandy Dumbrowski and Danny Zuko, respectively.
Scott Sanders is an American television producer, film producer and theatre producer. His theatrical musical version of Alice Walker's novel The Color Purple, for which he was a lead producer alongside co-producers Oprah Winfrey and Quincy Jones, premiered on Broadway in 2005, garnering 11 Tony Award Nominations including Best Musical.
"Beauty School Dropout" is a song from the musical Grease. It was written by Jim Jacobs and Warren Casey, and was performed by Frankie Avalon for the film version and soundtrack album.
Matthew López is an American playwright, director and screenwriter. His play The Inheritance, directed by Stephen Daldry, premiered at London's Young Vic in 2018, where it was called "the most important American play of the century." It transferred to the West End later that year, and opened on Broadway In 2019. The Inheritance is the most honored American play in a generation, sweeping the "Best Play" awards in both London and New York including the Tony Award, Olivier Award, Drama Desk Award, Evening Standard Award, London Critics Circle Award, Outer Critics Circle Award, Drama League Award, WhatsOnStage Award, and the Southbank Sky Arts Award.