Mathis James Reed was an American blues musician and songwriter. His particular style of electric blues was popular with a wide variety of audiences. Reed's songs such as "Honest I Do" (1957), "Baby What You Want Me to Do" (1960), "Big Boss Man" (1961), and "Bright Lights, Big City" (1961) appeared on both Billboard magazine's R&B and Hot 100 singles charts.
"I Pity the Fool" is a soul blues song originally recorded by Bobby Bland in 1961 for his first Duke Records album, Two Steps from the Blues. Many music writers believe that it was written by Joe Medwick, although Duke owner Don Robey appears on the songwriting credits.
"Eyesight to the Blind" is a 12-bar blues song written and recorded in 1951 by Sonny Boy Williamson II. He also recorded the related songs "Born Blind", "Unseeing Eye", "Don't Lose Your Eye", and "Unseen Eye" during his career. The Larks, an American rhythm and blues group, recorded the song, which reached number five on the R&B charts in 1951. Several musicians subsequently recorded it in a variety of styles. The Who adapted Williamson's song for their rock opera Tommy.
Ultimate! is a comprehensive career retrospective album by English rock group the Yardbirds. The 52-song two–compact disc compilation was released in 2001 by Rhino Records. The tracks span the period from the group's first demo recordings in 1963 to the last singles in 1968. They include all 17 of the group's singles, both A-side and B-sides, supplemented with more than a dozen album tracks, their performance for the film Blow-Up, and three early solo numbers by singer Keith Relf.
"Bo Diddley" is a song by American rock and roll pioneer Bo Diddley. It introduced the rhythm that became known as the Bo Diddley beat and topped the Billboard R&B chart for two weeks in 1955. The song is included on many of Diddley's compilation albums including Bo Diddley (1958) and His Best (1997). Buddy Holly recorded a version that posthumously became his 2nd highest-charting single in the UK after "It Doesn't Matter Anymore".
"Mercy, Mercy" is a soul song first recorded by American singer/songwriter Don Covay in 1964. It established Covay's recording career and influenced later vocal and guitar styles. The songwriting is usually credited to Covay and Ron Alonzo Miller, although other co-writers' names have also appeared on various releases.
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm.
"Big Boss Man" is a blues song first recorded by Jimmy Reed in 1960. It became one of his most popular songs, although the songwriting is credited to Luther Dixon and Al Smith. Chicago-based Vee-Jay Records released it as a single, which became one of Reed's last appearances on the record charts. The song has been recorded by artists in diverse styles, including Elvis Presley, B.B. King, and Hope Sandoval, who also had chart successes with the song.
"Stop Messin' Round" is a song first recorded by English blues rock group Fleetwood Mac in 1968. It was written by the group's principal guitarist and singer Peter Green, with an additional credit for manager C.G. Adams. The song is an upbeat 12-bar blues shuffle and is representative of the group's early repertoire of conventional electric blues. The lyrics deal with the common blues theme of the unfaithful lover and share elements with earlier songs.
Easy is the debut studio album by the Australian rock band the Easybeats, released on 23 September 1965.
Soul '69 is the fourteenth studio album by American singer Aretha Franklin; released in 1969 by Atlantic Records, the album features cover material. The album charted at number 1 on Billboard's R&B albums chart and at number 15 on Billboard's Top Albums, but launched two largely unsuccessful singles, "Tracks of My Tears", which reached number 21 on "Black Singles" and number 71 on "Pop Singles", and "Gentle on My Mind", which charted at number 50 and number 76 respectively. The album was re-released on compact disc through Rhino Records in the 1990s.
"Dimples" is a song written and recorded by blues singer-songwriter John Lee Hooker in 1956. It is an ensemble piece, with Hooker accompanied by Jimmy Reed's backup band. Eight years after its first release, it became Hooker's first record to appear in the British record charts. Called a "genuine Hooker classic" by music critic Bill Dahl, it is one of his best-known songs, with interpretations by several artists.
Emotions is the fourth studio album by American singer Brenda Lee. The album was released on April 3, 1961 on Decca Records and was produced by Owen Bradley. It was one of two studio albums released by Lee in 1961 and its title track became a Top 10 hit on the Billboard Hot 100 the same year.
All the Way is the fifth studio album by American singer Brenda Lee. The album was released August 7, 1961, on Decca Records and was produced by Owen Bradley. It was the second of two studio albums released by Brenda Lee in 1961 and spawned the single "Dum Dum", which became a Top 10 hit on the Billboard Hot 100, and a UK single "Speak to Me Pretty", which reached No.3 on the UK singles chart.
Sincerely is the sixth studio album by American singer Brenda Lee. The album was released February 12, 1962 on Decca Records and was produced by Owen Bradley. It was the first of two studio albums released by Brenda Lee in 1962 and did not contain any singles.
Brenda, That's All is the seventh studio album by American singer Brenda Lee. The album was released October 15, 1962 on Decca Records and was produced by Owen Bradley. It was the second of two studio albums released in 1962 and included two Top 10 hit singles on the Billboard Hot 100 between 1962 and 1963.
"Baby What You Want Me to Do" is a blues song that was written and recorded by Jimmy Reed in 1959. It was a record chart hit for Reed and, as with several of his songs, it has appeal across popular music genres, with numerous recordings by a variety of musical artists.
The Youngbloods is the debut self-titled studio album by the American rock band the Youngbloods, released in 1967. It was also reissued in 1971 under the title Get Together after the popular single from the album. The album peaked at number 131 on the Billboard 200 although two years later the single "Get Together" reached number five and sold more than a million copies.
Surfin' Bird is the debut studio album by the Trashmen, released on January 14, 1964. It was named after their novelty hit of the same name. The album peaked at No. 48 at the Billboard 200 chart.
Golden Eggs is an unlicensed compilation of previously released recordings by English rock group the Yardbirds. The LP record album was originally issued in 1975 by Trademark of Quality (TMQ), a Los Angeles–based enterprise that specialised in bootleg recordings.
