John Eaves | |
---|---|
Born | April 9, 1962 |
Nationality | American |
Occupation(s) | Illustrator and model maker |
Known for | Star Trek designs |
Notable work | USS Enterprise -E |
Website | johneaves |
John Eaves (born April 9, 1962) is a designer and illustrator best known for his work on the Star Trek franchise, starting with Star Trek V: The Final Frontier . He served as a production illustrator on Star Trek: Deep Space Nine and Star Trek: Enterprise and was involved in all four Next Generation movies, specifically being responsible for the design of the Sovereign-class Enterprise-E. He also worked on a variety of films, such as Top Gun , Terminator 2: Judgment Day , Valkyrie and G.I. Joe: The Rise of Cobra .
The first film Eaves worked on was Top Gun , as a model maker. These included the F-14 Tomcat and Northrop F-5 models which were used for the special effects shots of the aircraft. Prior to his work on the film, he had been working as a produce clerk at Bayless Markets. [1] Eaves also worked as a model maker on a variety of other films, including Spaceballs and Terminator 2: Judgment Day . [2] He also worked on the television series SeaQuest DSV . [3] His first work on the Star Trek franchise was on Star Trek V: The Final Frontier whilst working at Greg Jein's model shop in Marina del Rey, California. [4] His first design was the wing cannon for the Klingon Bird of Prey. [5]
Eaves was introduced to Herman Zimmerman through Eaves' friend Phil Edgerly. Zimmerman was looking for someone to put together a display of Enterprise , and Eaves drew up a plan for the display. Zimmerman was impressed by the artwork, and asked Eaves to join his design team for Star Trek Generations . [6]
After the work on Generations ended, Eaves returned to his work constructing fibreglass models. When an job became available on the Star Trek: Deep Space Nine art department during season four, [2] Zimmerman invited Eaves to join the team. [6] At the time, Eaves was working on a Boeing 747 model for the film Executive Decision . [3] Eaves spent the next twelve years working on one incarnation of Star Trek or another. [6] During this time, his work included the designs of the Phoenix, the Enterprise-E and the Vulcan ship from Star Trek: First Contact . [2] The initial model of the Enterprise-E was constructed by Eaves. [7]
His design work featured in the Deep Space Nine episode "Far Beyond the Stars", during the part of the episode set in the 1950s. [3] After working on Star Trek: Insurrection , where his designs included the Son'a vessels, Zimmerman brought Eaves onto the team behind Star Trek: Enterprise as Production Illustrator. [2] Whilst working on that series, he started work on the Enterprise (NX-01), as well as the Suliban vessels. [8] His work on the final TNG film Star Trek: Nemesis included the design of the Reman starship, the Scimitar. [9]
Eaves has most recently been known to have worked on Star Trek: Discovery and the 2009 Star Trek film, and he was also involved with Perpetual Entertainment as a production consultant and illustrator on their now defunct MMOG, Star Trek Online , though many of his contributions remain intact within the version that was developed by Cryptic Studios. [5] [10] He also provided the designs of the spaceships for the science fiction themed social network MyOuterSpace. [11] He was also in charge of art direction for Star Trek: Renegades , a fan produced pilot funded through Kickstarter and made by the creators of Star Trek: Of Gods and Men . [12] He worked on several films as an illustrator following Star Trek, including Tropic Thunder , Valkyrie and G.I. Joe: The Rise of Cobra . [13]
As of 2015, he is also a member of the board of advisers for the Hollywood Science Fiction Museum.
Star Trek: Enterprise, originally titled simply Enterprise for its first two seasons, is an American science fiction television series created by Rick Berman and Brannon Braga. It originally aired from September 26, 2001 to May 13, 2005 on United Paramount Network (UPN). The sixth series in the Star Trek franchise, it is a prequel to Star Trek: The Original Series. Set in the 22nd century, a hundred years before the events of The Original Series, it follows the adventures of the Enterprise, Earth's first starship capable of traveling at warp five, as it explores the galaxy and encounters various alien species.
Star Trek Generations is a 1994 American science fiction film and the seventh film in the Star Trek film series. Malcolm McDowell joins cast members from the 1960s television show Star Trek and the 1987 sequel series The Next Generation, including William Shatner and Patrick Stewart. In the film, Captain Jean-Luc Picard of the USS Enterprise-D joins forces with Captain James T. Kirk to stop the villain Tolian Soran from destroying a planetary system in his attempt to return to an extra-dimensional realm known as the Nexus.
Star Trek: First Contact is a 1996 American science fiction film directed by Jonathan Frakes in his feature film debut. It is the eighth movie of the Star Trek franchise, and the second starring the cast of the television series Star Trek: The Next Generation. In the film, the crew of the starship USS Enterprise-E travel back in time from the 24th century to the 21st century to stop the cybernetic Borg from conquering Earth by changing the past.
Enterprise or USS Enterprise, often referred to as the Starship Enterprise, is the name of several fictional spacecraft, some of which are the main craft and setting for various television series and films in the Star Trek science fiction franchise. The most notable were Captain James T. Kirk's USS Enterprise (NCC-1701) from the original 1960s television series, and Captain Jean-Luc Picard's USS Enterprise (NCC-1701-D) from Star Trek: The Next Generation.
USS Voyager(NCC-74656) is the fictional Intrepid-class starship which is the primary setting of the science fiction television series Star Trek: Voyager. It is commanded by Captain Kathryn Janeway. Voyager was designed by Star Trek: Voyager production designer Richard D. James and illustrator Rick Sternbach. Most of the ship's on-screen appearances are computer-generated imagery (CGI), although models were also sometimes used. The ship's motto, as engraved on its dedication plaque, is a quote from the poem "Locksley Hall" by Alfred, Lord Tennyson: "For I dipt in to the future, far as human eye could see; Saw the vision of the world, and all the wonder that would be."
Star Trek: Nemesis is a 2002 American science fiction film directed by Stuart Baird. It is the tenth film in the Star Trek franchise, as well as the fourth and final film to star the cast of Star Trek: The Next Generation. It was written by John Logan from a story developed by Logan, Brent Spiner, and producer Rick Berman. In the film, which is set in the 24th century, the crew of the USS Enterprise-E are forced to deal with a threat to the United Federation of Planets from a clone of Captain Picard named Shinzon, who has taken control of the Romulan Star Empire in a coup d'état.
"Azati Prime" is the eighteenth episode of the third season of the American science fiction television series Star Trek: Enterprise, the 70th overall. The episode was written by Manny Coto from a story developed by Coto, Rick Berman and Brannon Braga. It was directed by Allan Kroeker, his second of the season. The episode featured several guest actors, including those playing members of the Xindi Council, as well as Matt Winston who reprised his role of Temporal Agent Daniels for the second time this season.
In the Star Trek franchise, the Klingon Empire makes use of several classes of starships. As the Klingons are portrayed as a warrior culture, driven by the pursuit of honor and glory, the Empire is shown to use warships almost exclusively and even their support ships, such as troop transports and colony ships, are armed for battle. This contrasts with the exploration and research vessels used by Starfleet, the protagonists of the franchise. The first Klingon ship design used in The Original Series, the D7-class battlecruiser, was designed by Matt Jefferies to evoke a shape akin to that of a manta ray, providing a threatening and instantly recognizable form for viewers. The configuration of Jefferies's design featured a bulbous forward hull connected by a long boom to a wing-like main hull with the engine nacelles mounted on each wingtip. Though a variety of Klingon ships have appeared in Star Trek, their design generally conforms to this style. Most Klingon vessels were physically built as scale models, although later computer-generated imagery was used to create the models. In recent years, many of the original studio models have been sold at auctions.
USS Enterprise (NCC-1701) is a starship in the Star Trek media franchise. It is the main setting of the original Star Trek television series (1966–69), and it is depicted in films, other television series, spin-off fiction, products, and fan-created media. Under the command of Captain James T. Kirk, the Enterprise carries its crew on a mission "to explore strange, new worlds; to seek out new life and new civilizations; to boldly go where no man has gone before." Star Trek: Strange New Worlds (2022–present) depicts the Enterprise under the command of Kirk's predecessor, Captain Christopher Pike.
Enterprise (NX-01) is the fictional spaceship that serves as the primary setting of the American science fiction television series Star Trek: Enterprise. The ship predates the other Starfleet ships named Enterprise and was first seen in the pilot episode "Broken Bow". Its missions included an initial period of deep space exploration and a mission into the Delphic Expanse following the Xindi attack on Earth; it was also instrumental in the formation of the United Federation of Planets with the Vulcans, Andorians and Tellarites.
"Extinction" is the 55th episode of the American science fiction television series Star Trek: Enterprise, the third episode of season three. It first aired on September 24, 2003 on the UPN network in the United States. This was the first episode to include the prefix "Star Trek" in the title of the series. Set in the 22nd century just prior to the formation of the United Federation of Planets, the series follows the adventures of Starfleet's first Warp 5 starship, Enterprise, registration NX-01.
Shuttlecraft are fictional vehicles in the Star Trek science fiction franchise built for short trips in space, such as between a planetary surface and orbit. Also referred to as shuttles, their introduction preceded the development of the Space Shuttle.
Richard Michael Sternbach is an illustrator who is best known for his space illustrations and his work on the Star Trek television series.
Andrew Probert is an American artist. He is known for his work with the Star Trek franchise, most notably the designs of the USS Enterprise for Star Trek: The Motion Picture and the Enterprise-D for Star Trek: The Next Generation.
"Silent Enemy" is the twelfth episode of the television series Star Trek: Enterprise, and was written by André Bormanis. Winrich Kolbe served as director for the episode, which has music by Velton Ray Bunch. Several guest stars include Jane Carr, Guy Siner, Paula Malcomson, and John Rosenfeld. This episode first aired on UPN on January 16, 2002.
"Precious Cargo" is the thirty-seventh episode of the American science fiction television series Star Trek: Enterprise airing on the UPN. It is the eleventh episode of the series' second season.
Herman F. Zimmerman is an art director and production designer. He is probably best known for his work on Star Trek.
Doug Drexler is an Oscar winning visual effects artist, designer, sculptor, illustrator, and a makeup artist who has collaborated with such talents as Al Pacino, Dustin Hoffman, James Caan, Meryl Streep, and Warren Beatty. He began his career in the entertainment industry working for makeup artist Dick Smith on such films as The Hunger and Starman. He has also contributed to Three Men and a Little Lady, The Cotton Club, FX, Manhunter and Dick Tracy. Dick Tracy earned Drexler an Oscar, as well as The British Academy Award and the Saturn Award for his special makeup effects on characters such as Big Boy Caprice and Mumbles. Two Emmy nominations in the same field followed for three years working on Star Trek: The Next Generation, where he performed such tasks as aging Captain Picard for "The Inner Light". His final make-up job for the series was the Mark Twain makeup worn by Jerry Hardin in the two part episode "Times Arrow"
The Star Trek franchise features many spacecraft. Various space vessels make up the primary settings of the Star Trek television series, films, and expanded universe; others help advance the franchise's stories. Throughout the franchise's production, spacecraft have been depicted by numerous physical and computer-generated models. Producers worked to balance often tight budgets with the need to depict convincing, futuristic vessels.
The first season of the American television series Star Trek: Picard features the character Jean-Luc Picard after he retired from Starfleet following the destruction of the planet Romulus. Living on his family's vineyard in 2399, Picard is drawn into a new adventure when he is visited by the daughter of android lieutenant commander Data. The season was produced by CBS Television Studios in association with Secret Hideout, Weed Road Pictures, Escapist Fare, and Roddenberry Entertainment, with Michael Chabon serving as showrunner.