Author | Zora Neale Hurston |
---|---|
Country | United States |
Language | English |
Publisher | J.B. Lippincott Company |
Publication date | 1934 |
ISBN | 978-0-349-01222-3 |
Jonah's Gourd Vine is Zora Neale Hurston's 1934 debut novel. [1] The novel is a semi-autobiographical novel following John Buddy Pearson and his wife, Lucy. The characters share the same first names as Hurston's parents and make a similar migration from Notasulga, Alabama to Hurston's childhood home, Eatonville, Florida. [2]
Hurston wrote the novel after publisher Bertram Lippencott read "The Gilded Six-Bits" and demonstrated interest. [3] After its publication by J. B. Lippencott & Co, the novel received generally favorable reviews. [4] The novel's title derives from Jonah 4.6–10, using the gourd vine from the passage as a metaphor for the main character of the novel, a philandering preacher. [5]
The novel displays the experiences of Black life in the post-Reconstruction era. [6] Hurston explores themes including marital dysfunction, generational trauma, and testimony. [4]
Hurston first had the idea for Jonah's Gourd Vine while conducting research in New Orleans and the Bahamas on hoodoo practices and folklore. [2] Hurston wrote Mules and Men and "The Gilded Six-Bits" before four different publishers expressed interest in her writing a novel. Hurston told an editor from the J. B. Lippincott Company that she was in the process of writing Jonah's Gourd Vine, though she had not started it, and finished writing the novel in about three months. [2] The novel received largely favorable reviews, many of which were attributed to Hurston's use of dialect and folklore. [4] This novel reflects the ideas and elements which Hurston focuses on in her following novels. [3]
The novel opens with a fight between John’s mother and stepfather, Amy and Ned Crittenden, ending with Ned verbally and physically abusing his wife. John hits Ned to defend his mother, and Ned demands that he leave the home. John does not argue, stating that leaving cannot be worse than living with Ned. His mother sends him to the plantation he was born on, owned by Alf Pearson, to seek out work.
On his way, John thinks of all the girls he will meet. Once he is “over the Creek” he encounters a girl named Lucy Ann Potts at a schoolhouse. Soon after, Alf Pearson tells John that he should attend school to learn how to read and write. John's relationship with Lucy develops as they interact in school and church. Lucy is from a well-off family that does not approve of John, but the pair still gets married nearly a year after meeting. Lucy moves onto Alf Pearson’s plantation with John, where they eventually have four children.
Lucy’s brother, Bud, tells his sister about John’s affair with Big 'Oman, who also lives on the plantation. Bud also claims he loaned John money and has not gotten it back. This results in John assaulting Bud and getting arrested. Alf Pearson suggests that John leave Notasulga to flee his legal troubles, so he takes a train to Florida, leaving Lucy and their children. He finds work, sends her money, and eventually reunites and settles his family in Eatonville, Florida.
John begins preaching and becomes pastor of his church. He rises in the community as a “moderator” in a church organization and then as mayor. John begins a relationship with Hattie Tyson. Members of his congregation suspect this relationship, telling Lucy about it and holding a secret conference to discuss John’s actions. Lucy continues to support and advise John, despite being aware of Hattie. Hattie asks a woman practicing hoodoo to help move her relationship with John along. Lucy falls ill and dies shortly after. The family grieves, but John feels “glad in his sadness” and marries Hattie three months later.
Rumors are prevalent amongst the congregation and John’s popularity plummets. He is married to Hattie for several years before he finds evidence of her use of hoodoo against him, and confronts and assaults her. She sues for divorce, and their marriage is annulled in court after John admits he is guilty. The church meets to discuss whether John should remain as their minister. This meeting reveals to John that he no longer has friends in his community. He leaves town and moves to Plant City, where he meets and marries a woman named Sally Lovelace.
One year later, John visits his old church in a Cadillac gifted to him by Sally. He discovers that the people there do not seem better off without him. One man suggests that John should preach on Sunday. A woman named Ora Patton waits for John by his car because she admires it. They kiss, and begin a relationship.
Later, after a visit with Ora, John feels angry with himself for once again giving in to his urges. John rushes home to be with Sally, thinking that God sent her to replace Lucy when a train hits and kills him. There is a large funeral with mourners from across the state, and a memorial held at the church he once preached at. The preacher recites a requiem poem and says that nobody knew John but God. [7]
The novel has many depictions of violence, often domestic in nature. The presence of violence represents the nature of race relations at the time and how it impacts social interactions. [4] John demonstrates the impact of intergenerational trauma as the son of two formerly-enslaved people, experiencing economic slavery as a share-cropper. Ned Crittenden reflects this theme through his need to reestablish masculinity and power in his home, where he is cruel to his wife and children. [3] Hurston contrasts Ned's resentment and treatment of his children with Amy's pursuit of a better and free life for them. [4]
Many key events in the plot revolve around marriage and divorce. This is related to the theme of trauma, as Ned and Amy's relationship shows a need for active resistance against the impacts of intergenerational trauma. [4] Hurston also examines her own parent's relationship through John and Lucy's marriage. John is unfaithful and physically violent with Lucy. After Lucy's death, he enters into an unhappy, violent marriage with Hattie. Even in a marriage where he is supported by Sally and swears to be faithful, John has an affair with Ora which leads to his death. [4]
A mojo, in the African-American spiritual practice called Hoodoo, is an amulet consisting of a flannel bag containing one or more magical items. It is a "prayer in a bag", or a spell that can be carried with or on the host's body. Alternative American names for the mojo bag include gris-gris bag, hand, mojo hand, toby, nation sack,conjure hand, lucky hand, conjure bag, juju bag, trick bag, tricken bag, root bag, and jomo. The word mojo also refers to magic and charms. Mojo containers are bags, gourds, bottles, shells, and other containers. The making of mojo bags in Hoodoo is a system of African-American occult magic. The creation of mojo bags is an esoteric system that involves sometimes housing spirits inside of bags for either protection, healing, or harm and to consult with spirits. Other times mojo bags are created to manifest results in a person's life such as good-luck, money or love.
Zora Neale Hurston was an American author, anthropologist, and documentary filmmaker. She portrayed racial struggles in the early-20th-century American South and published research on Hoodoo and Caribbean Vodou. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, and essays.
Alice Malsenior Tallulah-Kate Walker is an American novelist, short story writer, poet, and social activist. In 1982, she became the first African-American woman to win the Pulitzer Prize for Fiction, which she was awarded for her novel The Color Purple. Over the span of her career, Walker has published seventeen novels and short story collections, twelve non-fiction works, and collections of essays and poetry.
Hoodoo is a set of spiritual practices, traditions, and beliefs that were created by enslaved African Americans in the Southern United States from various traditional African spiritualities and elements of indigenous botanical knowledge. Practitioners of Hoodoo are called rootworkers, conjure doctors, conjure men or conjure women, and root doctors. Regional synonyms for Hoodoo include rootwork and conjure. As a syncretic spiritual system, it also incorporates beliefs from Islam brought over by enslaved West African Muslims, and Spiritualism. Scholars define Hoodoo as a folk religion. It is a syncretic religion between two or more cultural religions, in this case being African indigenous spirituality and Abrahamic religion.
Their Eyes Were Watching God is a 1937 novel by American writer Zora Neale Hurston. It is considered a classic of the Harlem Renaissance, and Hurston's best known work. The novel explores protagonist Janie Crawford's "ripening from a vibrant, but voiceless, teenage girl into a woman with her finger on the trigger of her own destiny".
John the Conqueror, also known as High John de Conqueror, John, Jack, and many other folk variants, is a folk hero from African-American folklore. He is associated with the roots of Ipomoea purga, the John the Conqueror root or John the Conqueroo, to which magical powers are ascribed in African-American folklore, especially among the Hoodoo tradition of folk magic. Muddy Waters mentions him as Johnny Cocheroo in the songs "Mannish Boy" and "I'm Your Hoochie Coochie Man". In "Mannish Boy", the line is "I think I'll go down/To old Kansas too/I'm gonna bring back my second cousin/That little Johnny Conqueroo". This line is borrowed from the Bo Diddley song "I'm a Man", to which "Mannish Boy" is an answer song. In "I'm Your Hoochie Coochie Man", it is called "John De Conquer Blue".
Their Eyes Were Watching God is a 2005 American television drama film based upon Zora Neale Hurston's 1937 novel of the same name. The film was directed by Darnell Martin, written by Suzan-Lori Parks, Misan Sagay, and Bobby Smith Jr., and produced by Oprah Winfrey's Harpo Productions. It stars Halle Berry, Ruben Santiago-Hudson, and Michael Ealy, and aired on ABC on March 6, 2005.
Larry Neal or Lawrence Neal was an American writer, poet, critic and academic. He was a notable scholar of African-American theater, well known for his contributions to the Black Arts Movement of the 1960s and 1970s. He was a major influence in both New York and Chicago, pushing for black culture to focus less on integration with White culture, rather than celebrating its differences within an equally important and meaningful artistic and political field, thus celebrating Black heritage.
Cudjoe Kazoola Lewis, born Oluale Kossola, and also known as Cudjo Lewis, was the third to last adult survivor of the Atlantic slave trade between Africa and the United States. Together with 115 other African captives, he was brought to the United States on board the ship Clotilda in 1860. The captives were landed in backwaters of the Mobile River near Mobile, Alabama, and hidden from authorities. The ship was scuttled to evade discovery, and remained undiscovered until May 2019.
Cane is a 1923 novel by noted Harlem Renaissance author Jean Toomer. The novel is structured as a series of vignettes revolving around the origins and experiences of African Americans in the United States. The vignettes alternate in structure between narrative prose, poetry, and play-like passages of dialogue. As a result, the novel has been classified as a composite novel or as a short story cycle. Though some characters and situations recur between vignettes, the vignettes are mostly freestanding, tied to the other vignettes thematically and contextually more than through specific plot details.
Africatown, also known as AfricaTown USA and Plateau, is a historic community located three miles (5 km) north of downtown Mobile, Alabama. It was formed by a group of 32 West Africans, who in 1860 were bought and transported against their will in the last known illegal shipment of slaves to the United States. The Atlantic slave trade had been banned since 1808, but 110 slaves held by the Kingdom of Dahomey were smuggled into Mobile on the Clotilda, which was burned and scuttled to try to conceal its illicit cargo. More than 30 of these people, believed to be ethnic Yoruba, Ewe, and Fon, founded and created their own community in what became Africatown. They retained their West African customs and language into the 1950s, while their children and some elders also learned English. Cudjo Kazoola Lewis, a founder of Africatown, lived until 1935 and was long thought to be the last survivor of the slaves from the Clotilda living in Africatown.
"The Gilded Six-Bits" is a 1933 short story by Zora Neale Hurston, who is considered one of the pre-eminent writers of 20th-century African-American literature and a leading prose writer of the Harlem Renaissance. Hurston was a relative newcomer on the literary scene when this short story was published, but eventually had greater success with her highly acclaimed novel, Their Eyes Were Watching God. "The Gilded Six-Bits" is now published in Hurston's compilation of short stories entitled Spunk in which it is now considered one of her best stories. "The Gilded Six-Bits" is a story full of love, betrayal, and forgiveness. It portrays the life of two happy newlyweds who both test their relationship and their love for one another when a charismatic outsider comes into their community and into their home. The story embodies Hurston's typical writing style in which it focuses on the common African-American lifestyle, represented by regional dialect and metaphors, and is set in her native town Eatonville, FL where it reflects the traditions of the community. "The Gilded Six-Bits" symbolizes the meaning of a true marriage and the truth that lies underneath its meaning.
Charlotte Osgood Mason, born Charlotte Louise Van der Veer Quick, was a white American socialite and philanthropist. She contributed more than $100,000 to a number of African-American artists and writers of the Harlem Renaissance, equal to more than $1 million in 2003. This was especially critical during the Great Depression, when foundation support declined. She helped young artists become established.
"Sweat" is a short story by the American writer Zora Neale Hurston, first published in 1926, in the first and only issue of the African-American literary magazine Fire!!. The story revolves around a washerwoman and her unemployed husband.
Mules and Men is a 1935 autoethnographical collection of African-American folklore collected and written by anthropologist Zora Neale Hurston. The book explores stories she collected in two trips: one in Eatonville and Polk County, Florida, and one in New Orleans. Hurston's decision to focus her research on Florida came from a desire to record the cross-section of black traditions in the state. In her introduction to Mules and Men, she wrote, "Florida is a place that draws people—white people from all over the world, and Negroes from every Southern state surely and some from the North and West". Hurston documented 70 folktales during the Florida trip, while the New Orleans trip yielded a number of stories about Marie Laveau, voodoo and Hoodoo traditions. Many of the folktales are told in vernacular; recording the dialect and diction of the Black communities Hurston studied.
Moses, Man of the Mountain is a 1939 novel by African-American novelist and anthropologist Zora Neale Hurston. The novel rewrites the story of the Book of Exodus of Moses and the Israelites from an Afro-American perspective. The novel applies a number of different motifs and themes commonly addressed in African-American culture, subverting the Moses story.
Seraph on the Suwanee is a 1948 novel by African-American novelist Zora Neale Hurston. It follows the life of a White woman and the fraught relationship she has with her husband and family.
Redoshi was a West African woman who was enslaved and smuggled to the U.S. state of Alabama as a girl in 1860. Until a later surviving claimant, Matilda McCrear, was announced in 2020, she was considered to have been the last surviving victim of the transatlantic slave trade. Taken captive in warfare at age 12 by the West African kingdom of Dahomey, she was sold to Americans and transported by ship to the United States in violation of U.S. law. She was sold again and enslaved on the upcountry plantation of the Washington M. Smith family in Dallas County, Alabama, where her owner renamed her Sally Smith.
Caroline Dye also known as Aunt Caroline, was a renowned African American Hoodoo woman, rental property investor, soothsayer, rootworker and conjuror based in Newport, Arkansas.
Hitting a Straight Lick with a Crooked Stick is a compilation of recovered short stories written by Zora Neale Hurston. It was published in 2020 by Amistad: An Imprint of HarperCollins publishers. ISBN 978-0-06-291579-5